Elias (w/ Henry & The Nightcrawlers) @ The Shark Club -- 07/17/10

I know what you're thinking. I was thinking it too. The Shark Club? What the hell? But even though it is an unlikely place for live music, I am all for more venues in Vancouver. And it turned out to be not that bad. The layout was kind of... strange, as it was very much like they just had a stage in the middle of a "sports bar & grill", but the sound was pretty damn good, and that's the most important thing, isn't it? I don't know if I will be clamouring to see any more shows there, but I've been to worse.

First of the night was Henry & The Nightcrawlers. They had a slightly different lineup for the night, as filling in for Zach Gray on the bass was Peter Carruthers (who you may know from Said The Whale). They started the set as the place was still filling up, and at first it was a little... chatty, but as they went through their set, the funk-infused indie rock grabbed peoples attention. Both "On A Week Night" and "100 Blows" had cool extended endings (based on the versions of the songs on the self-titled EP, anyway) and, as I'm sure I mentioned before, "The Fucking" is always a great live song.
Come to think of it, every time seem them it's been opening for someone else, so I can't wait to see their own headlining show.

setlist
The Fight (La Lucha), Daytime Friend, The New Guy, The Fucking, On A Week Night, Amberly, Fan The Flames, 100 Blows.

Next was Run The Red Light, whose LED light towers back-lit them amongst the smoke, creating an interesting atmosphere, as much of the time you could just see then band in silhouette. They had a good stage presence, but not much banter or talk between songs, and while they were certainly not bad, they perhaps lacked variety. Their songs had a kind of ambient, alt-rock sound to them, but a lot of them sounded a little similar, even the cover of Sarah McLachlan's Possession (which, okay, was actually quite awesome). I wouldn't be averse to checking the out again, but wouldn't be in any rush to.

Finally was Elias, who I hadn't actually seen live in quite some time, and I'm not sure why. They didn't have too much stage banter either, but it was easy to tell the band has been doing this for a while. Everything seemed effortless; they had a pretty commanding stage presence and you could feel the emotion dropping from each song. A few times they changed the pace of the set, with lead singer Brian Healy switching from the keys to the guitar, which gave that much more depth to their sound.
They also threw in a cover near the end, Peter Gabriel's Solsbury Hill, which was pretty darn good. After one other song, they came back for the prerequisite encore -- even though lead singer Healy mentioned he wasn't a fan of them -- and left everyone satisfied. And me wondering why I hadn't taken more chances to see them live.

One Night Stand II @ The Media Club -- 12/31/09


I think the best way to describe what happened last night would be that it was like watching a huge group party of Rock Band. Except instead of your tone deaf, rhythm-less friends, it was actual, talented musicians. And instead of plastic instruments, it was the real thing. One Night Stand saw members of a whole bunch of local bands join forces and celebrate the new year by collaborating for nearly three hours of cover songs. Bands represented included: Bend Sinister, Said The Whale, The Painted Birds, Elias, Poor Places and The Gentle Infidels with Laura Smith and Hannah Georgas. Numbering around a dozen members in total, there was a lot of rotating on and off stage for any given song.


They hit the stage at ten to play the first of three sets, which consisted of:
Gimme Some Lovin' (The Spencer Davis Group)
Want You To Want Me (Cheap Trick)
Bohemian Like You (Dandy Warhols)
I Melt With You (Modern English)
Last Night (The Strokes)
Billie Jean (Michael Jackson)
Lola (The Kinks)
Dancing in the Dark (Bruce Springstein)

Gimme Some Lovin' (perhaps best known form The Blues Brothers) had all of them on stage to kick things off, starting things off with a great energy. Maybe it was just cos it was the first set, but they still seemed to be getting into the swing of things, not to say anything was bad, but as the night went on they got looser and more comfortable (and possibly more drunk!) on stage, with the sets getting progressively more energetic. And interestingly enough, this was the second time I'd heard a cover of Dancing in the Dark this year!

They took a short break and were back at Eleven for some more fun:
Sweet Emotion (Aerosmith)
Whip It (Devo)
Crazy (Gnarls Barkley)
Don't You (Forget About Me) (Simple Minds)
Heroes (David Bowie)
Paper Planes (MIA)
El Scorcho (Weezer)
Beat It (Michael Jackson)

Sweet Emotion included not one, but TWO cowbells (one of which was played with such intensity that she broke the drum stick) and Whip It included the Devo hat, which stuck around the rest of the night.
I like that they went into more ambitious covers, with both Crazy and Paper Planes working great. The latter surprisingly awesome and hilarious, with everyone on stage channelling their inner gangsta'. I'm also curious to know how many people in there heard Heroes and thought it was a Wallflowers cover...

Another break just before midnight, for the countdown and celebrations before they were back to the music.
Against All Odds (Phil Collins)
Rebellion (Lies) (Arcade Fire)
The Weight (The Band)
Just What I Needed (The Cars)
Drinking in LA (Bran Van 3000)
Hey Jude (Beatles)

Against All Odds was the first song played after midnight, for people to slow dance... or sway by themselves...
Rebellion was a pretty damn good cover that tore things up, with the whole crowd screaming along to the LIIIEEES LIIIEEESS parts and from then on it was crazy energy til the end. The rest of the songs had most everyone singing along as well, even to Drinkin' In LA -- which was complete with Henry from Bend Sinister "storming" off stage due to his hatred of the song.
The night ended with Hey Jude, which again saw everyone on stage... all the band members AND random people who felt they were entitled to jump on stage too. There was kind of a funny/awkward moment where some drunk girl kept trying to wrestle the mic away from Hannah Georgas. But ultimately, everyone, both on stage and off, was singing/yelling along, especially at the end of the song. It was a pretty damn good way to end the night and welcome the new year.

There is a saying or superstition, I guess, that says that whatever you're doing at midnight is what you'll be doing for the rest of the year. If that's the case, I can't wait for whatever shows & music this next year has in store.