Steph Macpherson with Mike Edel and The Ruffled Feathers @ The Railway -- 06/22/11

Even though I've seen Steph Macpherson a few times this year, it's always been opening for someone else. So when her co-headlining tour with Mike Edel stopped at the Railway, I was excited. And add Ruffled Feathers to the mix, and you got yourself a show.

Up first was The Ruffled Feathers, with their rich chamber-pop sound and usual assortment of instruments, from slide trumpet to ukulele, megaphone to mandolin -- which was at one point played with a bow! I have had the chance to see them a couple times this year already, and the have been improving each time. The songs, and each member of the band, were brimming with energy.
Most of the set had (the adorable) Gina Loes on vocals, but there were a lot of group vocals, as well as other members, Andrew Lee and Charley Wu (both only slightly less adorable) taking over from time to time. They ended the set with their new one, “Blueprints for a Failed Revolution” and and older one I didn't catch the name of, but started slow and soft and built to a great big ending.

Victoria's Mike Edel was up next, and he had an upbeat and energetic folk rock vibe going. His voice, at times, reminded me of both Colin Meloy or Marcus Mumford, or a bizarre cross between the two, but didn't sound like a copy of either. He had a good mix of faster, upbeat songs mixed with a few slower ones, and part way through the set, he broke out a Gretsch White Falcon, which is a guitar I want, even though I don't, and probably never will play. He also brought out another secret weapon near the end, Steph Macpherson for backup vocals on a song, and getting the crowd to join in as well.
His set did seem to go on a bit long, though. While the set was enjoyable, it definitely dragged on a little toward the end.

And rounding out the night was Steph Macpherson, whose band included Edel on guitar and Savannah from Redbird providing backup vocals. Her set had a good mix of older songs – the emotional “Letters” was a highlight -- and new. The new ones sounded really good, especially the last two; the first I didn't catch the name of, but was quite good, and the final song of the night, Steph's entry in the Shore104 Song Search Competition, was “Summer Salute” which is a fantastic song, very upbeat and insanely catchy ; definitely my favourite of the night and a great song to end the show – and start the summer – with.
(In fact I decided then and there that it would be my “summer jam” of this year).

Get Your Heart On @ Sitka -- 02/14/11

To be honest, usually I just let Valentine's Day slip by unnoticed. But thanks to David Vertesi and Vancouver Is Awesome, I had a destination for the night: Sitka Surf and Skate Shop (of all places). Vertesi had organized a free Valentine's Day show -- what with his album being titled Cardiography and all -- that was a who's who of Vancouver talent. With ten acts on the poster, and a couple surprises, it was a packed night. Each played a few acoustic songs, mostly love songs, with a few covers thrown in for good measure.
(And since there were so many, with short sets, I'll [try to] do short blurbs for each)

Starting off the night was Katie Schaan, out with her ukulele. Her strong voice (more or less) silenced the crowd right off the bat, as she played a song written specifically for VDay. She also called up Thom Kolb for a cover of "In Your Eyes", which they had not only done live before, and was one of the special duet videos for VIA (see them all here).

This led straight into 41st & Home, as Thom stayed on stage, with Katie, and recruited David Vertesi and Adaline to help on backup vocals on his song about Steveston. Adaline, who was not on the bill but pulled out of the crowd, was convinced to play a song, one that had an interesting crowd participation aspect. Instead of just clapping along, she had everyone jingle their keys. Then Thom popped back with his banjo for one more song.

Next up was Steph Macpherson. She opened with a cover of The Magnetic Fields' "Book of Love", before snagging Katie and third great voice, Redbird's Savannah Leigh out to help with vocals on "Best Of You". Katie stayed on stage for Steph's last song, "Summer Salute".

Following the trend of lovely ladies with great voices was Ali Milner. She took the keys for a set consisting of a duet with Vertesi (already the heardest working guy that night) and a cover of "Heard It Through The Grapevine" that had many people singing along.

Treelines, represented by Matt Lockhart, was next. He started off with a "cover" of their song "Calendar" before a proper cover, introduced as "Neil Fucking Diamond!", getting everyone to sing along to "Sweet Caroline", flubbed lyrics and all. He ended with the new VDay song "When I Get Grown", which you can download for free from their website.

Laura Smith and Andrew Braun of Rococode followed and they seemed to play the shortest set. I had only seen them once before, so an acoustic set was interesting, and pretty cool. The songs were no less catchy than with the full band, and I am still eagerly anticipating recorded material from them.

David Vertesi needed no introduction, as he had already been on stage several times throughout the night. Dan Klenner helped out on keytar for "Gentlemen Say". At the show Friday, I mentioned I was vaguely disappointed a certain someone wasn't out to help with backup vocals... so I was thrilled when he pulled surprise guest on stage for "Mountainside". David (and the loud cheers) then convinced Hannah Georgas to play a song of her own, and she complied, singing "The Deep End"

Up next was Shad, laying down rhymes over some back tracks. Ashleigh Ball and Hannah Georgas were out to help out for "Rose Garden", and he ended with some a capella rapping. To be honest, I hadn't heard too much of him outside the singles on the radio, but he was quite impressive live.

Follow that was one of the best band names ever, Top Less Gay Love Tekno Party. Their first song had Ali Milner on organ and some strings, which the most "elaborate" setup of the night. The next couple songs were more stripped down, though, with guitar and keytar. Oh, and there were sparkles eveywhere.

And the night drew to an end with Hey Ocean!, Vertesi back on stage with Ashleigh Ball. "Beatboxer (Who Broke My Heart)" segued into Beck's "Where It's At" and the whole night was brought to an end with another cover, The Ronettes' "Be My Baby". By the end of it, the stage was full of some of the nights performers and the whole crowd was singing along.

By the end of the night, the store was absolutely packed to the door with people, and the atmosphere was more like a group of friends getting together to have some fun -- which is pretty much what it was. I don't how feasible it would be to plan this type of thing every Valentine's Day... but a great night full of awesome talent and covers and collaborations would certainly be a great way to celebrate again next year.

Michael Bernard Fitzgerald w/ Steph Macpherson @ Biltmore -- 02/09/11

It feels like forever since I had been to a live show (it was really only a week and a half), so it was nice to break the drought with a double bill like this.

Steph Macpherson hit the stage a little after nine, with a full band in tow -- among them Garth from 41st & Home on drums and Adaline on backing vocals. It was the first time I had seen her with a band since her Peak Performance Project show (which was, incidentally, the first time I saw her at all). As much as I've enjoyed her acoustic shows have been, having a full band added a nice depth to the songs. She started the night off with the title track from her EP To You, and hit all of the songs off of it.
Steph looked completely natural on stage, getting the crowd to stomp-2-3 snap-2-3 along with "Something In You" and clap along to a few others. Another highlight of the set was the heartwrenching "Letters" -- it's such a simple line, and maybe it's just the way it's sung, but I've always been struck by the lyric "caught me on the exhale".
She ended the set with the backup singers donning sailor hats and a song that I think was called "Summer Salute", which was a great song; quite a bit more upbeat than the rest of the set.
I liked Steph's music well enough the first time I saw her, but I think the more I see her live, the more I am liking it. And it's always interesting, as each time I've seen her, there has been a different arrangements of musicians and instruments on stage.

And headlining the night was Michael Bernard Fitzgerald. I really liked his set at Live at Squamish, and I had been looking forward to seeing him since. His band, which had some double drumming action, was all matching in white shirts and black suspenders; a bit of a contrast to MBF's basketball jersey.
With a great and energetic stage presence, MBF had the crowd eating out of his hand, especially the female contingency. From the beginning, people were dancing, clapping and singing along, with MBF even encouraging the odd make-out or two.
Midway through the set, the band took a break and MBF played a few on his own, but they were back soon enough for a cover, and a pretty good one at that, of "Dancing In The Dark" -- though no one was brought on stage to dance, Courtney Cox style. He followed that with "Movie Life", which sadly did not include his looping vocals, but did include a pop song medley at the end, which has, among others, "Thong Song", "Waterfalls", "Get Low", "I Like Big Butts" and was capped off with a little "Bed Intruder".
He brought the set to and "end" with "Brand New Spaces", getting everyone to join in on the stomping & clapping that went along with it, but was back out moments later for a brief, one song encore.
In contrast to what I said about Steph, I think I liked MBF's solo set from Squamish a little more than the full band, but I will definitely make sure to catch him next time he comes through town, regardless.

As I said above, it was a good way to end a dearth of live music drought, and a great way to kick off the abundance of shows coming up in the next week -- something like six in the next seven days.

Rolla Olak w/ Steph Macpherson, Behind Sapphire & Bob Kemmis @ Waves -- 12/04/10

It seems like these acoustic shows are a weekly occurrence for Waves Coffee House on Howe St -- a couple weeks ago I saw Treelines do an acoustic set there -- and if they keep getting acts like these, I will keep going back.

I got there just after Bob Kemmis started. I had seen him a couple years back, liked him... and never really heard anything from him since. So I was pleasantly surprised when I saw he was playing the night. It was only a couple songs in that I was reminded why I liked him the first time around. He's a damn good storyteller, both in song and in his joking between songs. And it helped that the songs were pretty damn catchy, too and everything he did seemed completely effortless.
Near the end of his set he broke out the looping pedal and looped both his guitar and then vocals, creating a veritable band and a great song. Hopefully it won't be another couple years til I see him again.

Next up was Behind Sapphire. I was interested to see how they would turn out acoustic, as they had a pretty big stage setup at their Peak Performace showcase, and I wasn't sure how they would translate. They seemed a bit unsure at first, mostly because they were seated & the whole atmosphere of the crowd was more relaxed, and they were used to more ruckus. But the three of them managed to translate their energetic sound down without losing any of their quirkiness or enthusiasm. Though even as they stopped being antsy -- for want of a better term -- as the set went on, that didn't stop them from wandering through the coffee house to the back of the crowd for part of a song. It's always cool to see a band with a "big" sound be able to strip it down, and Behind Sapphire managed to pull it off.

Steph Macpherson was up third, and each time I've seen her live, there have been less people on stage with her. This time she was up alone -- except for a couple of Behind Sapphire to lead the crowd in a stomp/clap for a song, and Rolla Olak helping out on guitar on the last one. Her songs translate perfectly into an intimate setting like a coffee house of quiet, attentive people, and she was as engaging as the crowd was receptive. Though now I've seen her twice in a coffee house or cafe and only once in a concert venue with a full band, so it would be nice to see that again, to compare.
There was also a bit of a surprise after she finished. She sang Happy Birthday a public domain song wishing a joyous anniversary of birth, for a lucky guy whose birthday was that day. Also, there was cake.


And lastly was Rolla Olak, who came out with none other than Colin Cowan on [stand up] bass. I wasn't too familiar with him, but as the random, possibly intoxicated man is the crowd proclaimed, that he was pretty rad. His songs were dark without being bleak, and a little but haunting; with some pretty darn good songwriting, too. I am curious to know if he normally plays with a band, or if the acoustic set is his normal one, but either way, I would be interested in catching him again.

Jess Hill, Steph Macpherson & Katie Schaan @ Cafe Deuz Soleil -- 11/17/10

Three acts involved in this years Peak Performance Project (two directly, one as a band member) came together at Cafe Deux Soleil for a really great bill. Each of the lovely ladies singing had similar sounds -- a bit folk-alt-country-ish -- but all were distinct enough to not be repetitive. They did a round, each playing two sets, but I will lump both sets together for the purpose of me being lazy.

First (and fourth) up was Katie Schaan, who had her own handmade goods for sale in the appropriately named Knitted Goods Tour. She came out alone, and I was immediately impressed with how powerful her voice was, especially for a small person. She moved from ukulele to keyboard in her first set, then was on guitar in the second, and had a great energy on stage. Though there was one moment where she was trying to tune, and the show slowed to a crawl... but she managed to hold peoples attention with a story about touring with (or without) pyjamas.
Most of her songs were, as she fully admitted, about the same thing (boys, and the emotions they stir up), and while it didn't detract from the set, I would be interested to hear her take on more. The one that impressed me the most, was about wanting to have a little more with a close friend. I didn't catch the name of, but it was a very powerful song, full of emotion, and definitely attention-grabbing.

Steph Macpherson was out next, and I was surprised to see Matt Kelly of Treelines up with her, on acoustic guitar. It seemed like it was their first time playing together, and if it was, Kelly picked up on Macpherson's songs quickly and it was barely noticeable. Aside from the pair, Schaan joined them for a few songs doing backup vocals, or leading the stomp/snap for one song. Which managed to get a good number of people participating. Both her sound and voice reminds me a little of a Kathleen Edwards, and she was very natural on stage, with an effortless air about her and pretty smooth banter.
The first time I saw her was with a full band, at her Peak Performance showcase, and it could be because I am more familiar with her music now, but I was almost more impressed with her quasi-solo act. I will definitely be interested in seeing her again with a band, though, to see how it compares.

It's not quite right to say she was closing, so the "last chapter" -- as she put it -- of the night was Jess Hill. This was the first time I has seen her solo as well, and she was no less impressive with no backup. I am continually amazed by her commanding voice; like the other times I've seen her, when she started her first set with an a capella number, the room hushed (well, as much as would be expected from a cafe). There were also a few times where she stepped off the mic and let loose. And she has the talent to back up her voice, as well. It would be easy for a single person with a guitar to be boring on stage, but her storytelling, both in and between songs, was captivating -- she prefaced one song with a story about moths and the moon that, while a little lengthy, was an interesting setup for the song (and I say this having heard it before).
She ended the set with a song I have loved each time I've seen it performed, yet still have not gotten the name of. She starts a capella again, with some crowd-screaming participation, before crashing in with a pretty intense song. Judging by the lyrics, I would wager a guess that it is called "Digging a Hole".

I have gone on about the Vancouver music scene before, and this is another example of both the talent here (and on the Island), and the sense of community. Not only did these three acts come together, but a number of other local musicians were also there to support their friends, and no doubt enjoy the great music of the evening.