Royal Canoe w/ Rococode @ Media Club -- 09/27/11

I'm not really sure why, but I was a little on the fence about this show. Not that I didn't want to see Royal Canoe, but it just almost slipped by. But then at the last minute, the day before, Ghostkeeper had to drop out, and when they were replaced by Rococode... well, that tipped the scales a little.

Rococode were great, as usual. The roco-harmonies between Laura and Andrew were super tight and spot on. They started off with the haunting "Dreams" before blasting into "Empire", which always gets stuck in my head and after a few more, they ended their short set with the raucous "Blood", with Johnny Andrews' drumming really driving the song home. I have seen them a few times so far this year, and even though they recently released a two song 7", I am more than eagerly awaiting their full album. But their next show will have to suffice, which is their showcase for the Peak Performance Project next Thursday.

Not long after Royal Canoe hit the stage, which was packed with equipment, including at least guitars, bass, six keyboards, and a drum kit and a half. The stage was so full that when they were switching around, they had to hop off stage and go around. But it wasn't all just for show, as the six members of the band perfectly recreated they unique sound, that you wouldn't think they'd be able to pull off live. Starting with "Soothsayer", their set included some new songs as well, such as the moody "Exodus of the Year". Another new song, "Nightcrawlin'" was also a highlight with Bucky using dual microphones, a regular one, and one for crazy vox manipulations with his assortment of effects pedals. They ended the set with the slow-burner "Dear June", not bothering with the whole faux-encore routine -- which is something more bands should do.
They had a really good live energy, and while it was cool to see them in a setting as intimate as the Media Club, I definitely want to see them in a bit bigger venue -- or at least on a bigger stage -- so they can stretch their legs. And although I was quite disappointed that they didn't play "Kasparov" -- definitely my favourite song off of Co-Op Mode and probably one of my favourite songs from last year -- it was still an insanely fun and damn good set. Next time they come through town, there will definitely be no fence-sitting.

Rococode w/ Elias & The Belle Game @ Electric Owl -- 08/18/11

Was it ever a busy night in Vancouver. With no less than five events worth going to, it was a tough decision. But based on a complex series of deciding factors, I came to the conclusion that the Electric Owl was the place to be.

First up was current Peak Performance Project contender The Belle Game. I've seen them a couple times in the last month, and they've really impressed me. Packing the stage with half a dozen members -- including The Ruffled Feathers's'es' Andrew Lee -- they have a grand and layered sound with a great intensity; an intensity that was taken out on the floor tom that took a beating. The set seemed a bit short, but included a new song and their current Peak single, "Sleep To Grow", leaving me wanting more; which may be rectified this coming weekend at Live @ Squamish.

Next up was Elias, who were having a bit of a homecoming, since they hadn't played a Vancouver show in quite some time. They were joined by Juno Winning Bass Player Peter Carruthers, and had a great intensity and stage presence that you would expect from a band that has been working as hard as they have for as many years. The set included a fair amount of new stuff -- songs that were played for the first time (and possibly last, they joked) -- and a few I really dug, including one with just Brian Healy and Peter on keys, and another near the end that featured more of guitarist Rob Tornroos on vocals.
Despite the fact that, at times, they are a bit "Fox-Rock" for my taste, they put on a darn good live show, and I just hope they don't wait a year before seeing them play live again.

Rounding out the night was another member of this round of the aforementioned PPP, Rococode -- who are one of my favourite new bands this year. With vocals split between long time collaborators Laura Smith, on keys, and Andrew Braun, guitar, and joined by Johnny Andrews and Shaun Huberts -- drums and bass, respectively -- they may be a new band, but the experience they all have with previous projects gives them an awesomely tight sound and insanely energetic show.
Early on in the set was the fantastically infectious "Empire", and they didn't let the energy down, with "Weapon" and the cacophonous "Blood" being other highlights. They ended the set with a song I didn't catch the name of, but had Andrew taking over the keys from Laura, bringing the set to an explosive climax.

All in all, it was a night of great fun and an excellent showcase of local talent.

The Liptonians w/ Rococode and Jean-Paul De Roover @ Joe's Apartment -- 04/08/11

After hearing phenomenal things about The Liptonians live show, and with the album growing on me the more I listen to it, I was ridiculously excited to see them for the first time last night. Especially with Rococode opening. And I'll get to that in a moment, but first, a bit of a rant...
This was the second time I have seen a show at Joe's Apartment, and I'm starting to form an opinion on the place. The sound is decent enough, but what really bugged me was the TVs. It was cool before the bands were playing, when Indiana Jones was on, but then they didn't turn the movie/screens off when the music starts. And then when they switch to dumb comedies after Indy? It's hard to keep focused on the bands when there is slapstick comedy and nudity and Borat happening on screens right next to the stage, right next to performers heads sometimes. It actually seems a little disrespectful to the bands.
But I digress, on to said bands.

Starting off the night was Jean-Paul De Roover. He took the stage alone but was soon joined by himself, with liberal use of looping. At first I thought it would get a bit much, but used more than just the guitar, adding elements like synth and even some vocal work as well. It's always cool to see people looping that masterful, so it was a fun set to watch, and his songs were pretty catchy. While I wasn't necessarily blown away, I wouldn't mind seeing him again next time he's through town.

Next up was Rococode, and I was a little surprised to see the full band, as I was under the impression it was an acoustic set (see above poster). But I was in no way disappointed; I've seen them a few times in the last few months, and am continually impressed. There was a bit more banter and chatting in between songs than previous sets, but they were still content to let most of their songs do the talking, including the incredibly infectious "Empire" -- which always gets stuck in my head -- the haunting "Dreams" and the first single from the upcoming album, "Weapon", which is already getting some radio play. They brought the set to an end with a song I didn't catch the name up, but came to a bombastic finish, for a great ending to the set. I am definitely looking forward to the new album with each time I see them live.

And finally, it was time for The Liptonians. The first thing I noticed was no actual horn section, but they had it covered with canned horns. The second thing was all the hype about them being a fantastic live band was completely true. They played a sort of condensed version of their album, started off with their lead single "You Know I Did" before going into two of my other favourite songs on the album, one being the raucous "Growing Old In The City", a fantastic song live, which included a garbage can lid being played. The combination of the band's great chemistry, nailing the harmonies, and stage presence, getting the crowd to clap along for "Perfect Swimmers", helped them command the stage from beginning to end.
The set came to a close with the beautiful "Lesage" and the album closer, "Let's March back Into The Sea", as they played right up to the curfew with no encore.
Which leads me to my only complaint, other than the lack of live horns, which would be that the set was way too short! They only played for about half an hour before getting cut off by the curfew so the shiny shirts could take over the place. I can only hope that sooner rather than later (and at a better venue) they will march back into Vancouver.

setlist
You Know I Did, Hey! Hey! Help Is On The Way!, Growing Old In The City, The Privatest Parts, Perfect Swimmers, Lesage, March Back Into The Sea.

West Coast Pop! w/ Bend Sinister, The Racoons & Rococode @ Red Room -- 02/19/11

The West Coast Pop concert series kicked off in fine fashion last night at the Red Room, where it will be running every Saturday for the next 13 weeks. Future acts include 41st & Home, Kyprios, The Dudes, Treelines, and the show I am most looking forward to thus far: We Are The City with Aidan Knight and Analog Bell Service. There will also be more shows announced soon (like, next week soon).

As for the first show... I am not going to lie, I am still disappointed that Young Galaxy had to drop out, but Bend Sinister is always a good time, and the other band I really wanted to see was still on the bill.

That band? Rococode. I had seen this new project from Laura Smith and Andrew Braun in December at the Biltmore (and acoustic at Sitka) and was really impressed, so I was definitely looking forward to seeing them again. Despite being a brand new band, they are not unfamiliar with playing together, which helped them sound incredibly tight. Braun and Smith shared vocals -- and for at least one song, keys -- for some insanely catchy power-pop songs, and even though the crowd was a bit thin due to an early start, they soon drew everyone's attention and filled the dance floor area. I have no doubt they won over more than a few fans, and I especially can't wait until they have some recorded material out; one of their songs, "Empire", was still stuck in my head all morning.

Next up was The Racoons who, after a bit of a false start, got right into it. They were a bit harder rocking, and at times reminded me a little of The Constantines, in both sound and especially vocals. Their songs were good, if lacking a little in variety, and they had a pretty good stage presence as well. I did have some issues with the sound, though. The other two sets sounded fine, but for some reason, the bass was really overpowering; especially at the start of the set. That aside, I did enjoy their set; I wasn't overwhelmed by it, but I liked it well enough and would be interested in seeing them again.

And rounding out the night was Bend Sinister. They are always incredibly fun to watch live, and last night was no exception. Even being the first show with the new bass player, they were firing on all cylinders, with intense energy from the whole band, especially Dan Moxon. Sprinkled throughout their set were some new songs, as they teased a new release at some point. They were definitely "Bend Sinister songs", lively and enthusiastic, and one of which was introduced as "an ode to Hall & Oats". Among the older songs, "CT" and "Dr. Lee" were both highlights, being incredibly frantic, and the pairing of "Don't Let Us Bring You Down" leading into "Things Will Get Better" was pretty great.
At the end, they broke out a Billy Joel cover (I think "Movin' Out (Anthony's Song)") before an intense ending with another new song (I think) and, refreshingly, just left the stage, all done with no encore. I think I've ranted before about how I think the encore break is a waste of time, now that everyone expects it, so it's always nice to see a band just use their full time without it.

In all, a damn good launch to what is sure to be an excellent concert series.

Get Your Heart On @ Sitka -- 02/14/11

To be honest, usually I just let Valentine's Day slip by unnoticed. But thanks to David Vertesi and Vancouver Is Awesome, I had a destination for the night: Sitka Surf and Skate Shop (of all places). Vertesi had organized a free Valentine's Day show -- what with his album being titled Cardiography and all -- that was a who's who of Vancouver talent. With ten acts on the poster, and a couple surprises, it was a packed night. Each played a few acoustic songs, mostly love songs, with a few covers thrown in for good measure.
(And since there were so many, with short sets, I'll [try to] do short blurbs for each)

Starting off the night was Katie Schaan, out with her ukulele. Her strong voice (more or less) silenced the crowd right off the bat, as she played a song written specifically for VDay. She also called up Thom Kolb for a cover of "In Your Eyes", which they had not only done live before, and was one of the special duet videos for VIA (see them all here).

This led straight into 41st & Home, as Thom stayed on stage, with Katie, and recruited David Vertesi and Adaline to help on backup vocals on his song about Steveston. Adaline, who was not on the bill but pulled out of the crowd, was convinced to play a song, one that had an interesting crowd participation aspect. Instead of just clapping along, she had everyone jingle their keys. Then Thom popped back with his banjo for one more song.

Next up was Steph Macpherson. She opened with a cover of The Magnetic Fields' "Book of Love", before snagging Katie and third great voice, Redbird's Savannah Leigh out to help with vocals on "Best Of You". Katie stayed on stage for Steph's last song, "Summer Salute".

Following the trend of lovely ladies with great voices was Ali Milner. She took the keys for a set consisting of a duet with Vertesi (already the heardest working guy that night) and a cover of "Heard It Through The Grapevine" that had many people singing along.

Treelines, represented by Matt Lockhart, was next. He started off with a "cover" of their song "Calendar" before a proper cover, introduced as "Neil Fucking Diamond!", getting everyone to sing along to "Sweet Caroline", flubbed lyrics and all. He ended with the new VDay song "When I Get Grown", which you can download for free from their website.

Laura Smith and Andrew Braun of Rococode followed and they seemed to play the shortest set. I had only seen them once before, so an acoustic set was interesting, and pretty cool. The songs were no less catchy than with the full band, and I am still eagerly anticipating recorded material from them.

David Vertesi needed no introduction, as he had already been on stage several times throughout the night. Dan Klenner helped out on keytar for "Gentlemen Say". At the show Friday, I mentioned I was vaguely disappointed a certain someone wasn't out to help with backup vocals... so I was thrilled when he pulled surprise guest on stage for "Mountainside". David (and the loud cheers) then convinced Hannah Georgas to play a song of her own, and she complied, singing "The Deep End"

Up next was Shad, laying down rhymes over some back tracks. Ashleigh Ball and Hannah Georgas were out to help out for "Rose Garden", and he ended with some a capella rapping. To be honest, I hadn't heard too much of him outside the singles on the radio, but he was quite impressive live.

Follow that was one of the best band names ever, Top Less Gay Love Tekno Party. Their first song had Ali Milner on organ and some strings, which the most "elaborate" setup of the night. The next couple songs were more stripped down, though, with guitar and keytar. Oh, and there were sparkles eveywhere.

And the night drew to an end with Hey Ocean!, Vertesi back on stage with Ashleigh Ball. "Beatboxer (Who Broke My Heart)" segued into Beck's "Where It's At" and the whole night was brought to an end with another cover, The Ronettes' "Be My Baby". By the end of it, the stage was full of some of the nights performers and the whole crowd was singing along.

By the end of the night, the store was absolutely packed to the door with people, and the atmosphere was more like a group of friends getting together to have some fun -- which is pretty much what it was. I don't how feasible it would be to plan this type of thing every Valentine's Day... but a great night full of awesome talent and covers and collaborations would certainly be a great way to celebrate again next year.