Tracks on Tracks Launch Party @ Electric Owl -- 05/09/12

Vancouver's Green Couch Productions have been hard at work lately, partnering with VIA Rail and CBC Radio 3 for Tracks on Tracks, taking music fans across the country on the rails. Starting from Vancouver, the music train will be heading east, picking people up along the way, and pulling in to Toronto just in time for NXNE.

Not only will the train be packed with music fans, but bands as well, playing acoustic sets on the train and a few electric platform shows in select towns. Green Couch hand picked a few bands to make the trip; Adaline, The Matinée, Portage & Main, Maurice, Top Less Gay Love Tekno Party, and The Belle Game, and listeners of CBC Radio 3 took part is a giant online poll to select the final three; Chris Ho, Shred Kelly and Sidney York. And if that wasn't enough, CBC Radio 3's own Grant Lawrence will be making the trip, broadcasting his show from the rails.
And to start things chugging along, they threw a fund raising launch party at the Electric Owl.

Kicking off the night was an acoustic set from The Matinée. Matt Layzell, Matt Rose, and Geoff Petrie atop stools started off with their usual opener, "L'Absinthe" and Layzell monologuing in the middle of the song about the story behind it, and their excitement for the train. The short set also included a few new songs, including "Young & Lazy", which had the band channelling some heartland-rock for an amazingly catchy song. After a couple more, including a cover of Ryan Adams' "Let It Ride", they brought their set to an end with the rollicking "Sweetwater", which is going to be a fantastic sing-along song for the train.

Next up was Good for Grapes, filling the stage with people, and instruments like horns and keys and an accordion. Despite being from Vancouver, they have a very Maritime-folk sound, with that clear Celtic influence. They began with an instrumental, an intense sonic assault, and they didn't let up for the rest of the set. Even though there wasn't much banter or talking, the young band had a fantastic energy on stage  -- especially the accordion player, who couldn't stand still for a minute and was hollering the lyrics without a microphone. While the set felt like it may have gone on a little long, it was still highly enjoyable and their enthusiasm was very infectious.

And wrapping up the night, Portage & Main, another band will be making the trip on the train, and were visibly excited for it. They kicked off the high energy set with the opening two songs from their self titled debut, "Nothing" and "What Have I Done?", and were firing on all cylinders from the beginning. It's hard to imagine they've only been a band for a year, as John Sponarski and Harold Donnelly have such a great chemistry together, playing off each other (both musically and personality-wise) perfectly.
One of the highlights of the set was definitely "Sweet Darling", a fantastically intense and raw dirty blues-rocker, and they wrapped up the night with their usual set-enders; first "I'd Never Climbed a Mountain", which starts soft and builds to a great intense ending, followed by the bar-room sing-along "Carolina".
If this night was any indication, the train trip is going to be a hell of a ride.

If you want to help support Green Couch, you can do so at their IndieGoGo page; donations will grant you everything from a simple "thanks" to t-shirt to postcards from the road to associate producer credits for the film.
And, most exciting of all, if you're not on the train you'll be able to live vicariously through this blog. Because I will be. And I'm sure I'll be bringing updates from the rails, whenever possible.

Rococode CD Release Show @ Electric Owl -- 04/04/12

At the tail end of a cross Canada tour, Rococode comes home for the official CD Release show of their debut album, Guns, Sex & Glory, released a couple months ago. And they brought with them their "band mentor", and another local band who I've been meaning to catch.

Due to another show, though, (seriously, it seemed like everything was happening Wednesday night) I got there part way through Wintermitts set, catching just the last couple songs. The bi-lingual band had a grandiose, orchestral-pop sound, with a stage packed full of instruments; keys, accordion, horns, and more. I caught just enough to know that I definitely want to see them again, hopefully seeing an entire set.

Next up was Ryan Guldemond doing a solo set. Taking the stage alone, he sounded a lot like you'd expect from the frontman of Mother Mother, just a little more on the bluesy and jazz side, with his distinctive voice over some catchy and cleverly written songs. A few he introduced as new, but I'm not sure if they will be eventual Mother Mother songs, or for his own repertoire, and while I didn't catch the name of any of the songs, there were a few I am hoping are released in some form.

And finally, Rococode hit the stage, starting off with the slow build up of title track to their debut album, Guns, Sex & Glory before launching into "Weapon". Seeing a band at the end of a tour can go two ways, either the band is firing on all cylinders having played together so often, or being completely road-weary, and the four members of Rococode were definitely the former; their harmonies were airtight and the insanely catchy power-pop spot on.
They played nearly the entire album, with a few new songs thrown in, highlights being the haunting "Dreams", the definite earworm "Empire", and the closer of the night, the cacophonous "Blood".
I've been able to see Rococode several times in the last year and a half, and they never fail to impress live; continually getting better and putting on great live shows.

setlist
Guns, Sex & Glory; Death of a Payphone; Run Run Run Run Run (Run); EJ; Concentrate On Me; Empire; Dreams; Concentrate On You; The Riot; Ghost I & II; Blood.

SchMusic BC Christmas Party w/ David Vertesi, Maurice & Sidney York @ Electric Owl -- 12/07/11

As December comes, so too do the holiday-themed parties and shows. And of course the fine folks at Music BC aren't going to let the season go by without the SchMusicBC Christmas party; some mingling of industry types, followed by a trio of great bands. Bands that regular readers (all 17 of you) will know I am quite fond of.

First up was Sidney York, with the usual trio of Brandi Sidoryk, Sheryl Reinhardt on oboe and Krista Wodelet on bassoon joined by an all star supporting section of Devon Lougheed on guitar, Luke Cyca on drums and bassist extraordinaire Shaun Huberts.
The set started off with Brandi on guitar for "Tea As It Should Be", but she was soon on the keys, where she remained for most of the night -- with a couple exceptions when she broke out the french horn or ukulele. And, as usual, her vocals were powerful and spot-on.
The band, especially Brandi, has always had a great energy and presence but this time seemed everything seemed to be turned up a notch, with the band meshing together so beautifully, and both Sheryl & Krista seeming even more outgoing than previously.
Aside form their own material, part way through the set they threw in a cover of The Naked & Famous' "Young Blood", which sounded great, and they ended the set, somehow topping the energy with "Roll With Me". My only complain about the set -- and the night in general -- was the sound at the Electric Owl was not the best. There were a few moments of feedback and occasionally it seemed the bassoon sounded too low; but aside from that, it was best set I've seen from them this year, definitely energy-wise if nothing else.

Next up was Maurice, who I have seen a few times now this year and am liking more and more every time I see them. Joining JP Maurice was a who's who of Victoria musicians with drummer Jason Cook, Mike Edel on bass and Adam Sutherland on guitar. They opened with "Big Country", and the the set just built with energy from there, with JP's fantastic presence and raw emotion driving the energy and intensity of the songs.
There were a few new tunes, which sounded great, and some off the recent Noverdubs EP, including the fantastic cover of Fleetwood Mac's "Dreams" and the insanely catchy "Mistake", during which Maurice lived up to the the "schmooze" part by hopping off the stage and asking a few people up front who they are and what they did. After a couple more they brought out another cover, this time of Top Less Gay Love Tekno Party's "Robin", which had the band going all out, ending the set with a bang..

And finally, rounding out the night was David Vertesi, who -- much like the previous acts -- surrounded himself with some great and notable musicians; Juno winning Peter Carruthers on bass, Dan Klenner on drums and Andrew Rasmussen on guitar and keys (and keytar). I've seen Dave several times this year, with various members in his band or even solo, and this configuration, which I think is the permanent lineup, definitely worked together the best. Everyone, especially Vertesi, was completely at home and comfortable on stage, with Vertesi's effortless charm and a smooth baritone that lulls you into the songs that are often about love, and usually brutally honest.
The set ranged from the more upbeat, getting people to dance -- or at least shoulder shimmy -- with "Broadcasting", then completely shifting gears to more heartbreaking songs like "Learn To Run", as well as a cover, with his own take on Spice Girls' "Say You'll Be There". It not only got a good number of people dancing at the stage, but Vertesi even had his own little choreographed dance for one of the verses.

Even if the sound in the Electric Owl still leaves something to be desired, it was still a fantastic night of local(ish) music and company, and I am already looking forward to the next SchMusic BC party.

Wachu 7 w/ Dominique Fricot & Sidney York @ Electric Owl -- 10/14/11

A while back at New Years Eve's One Night Stand, a tall gentleman by the name of Dominique Fricot won my over with his voice and presence, and since then I had been meaning to see one of his shows, but there were always conflicts. Then along came the seventh show in the Wachu concert series, with not only Fricot on the bill, but also one of my favourite new artists, Sidney York -- who I've only seen once, at a venue with sub-par sound. So how could I resist?

First up, though, was David Ward, a co-organiser of the Wachu series who plays all the shows. He and his band were incredibly tight, with a good stage presence and a pretty eclectic mix of songs, but never being too directionless. The set including a pretty cool cover of "Helter Skelter" and a funked-up number called "Pace", which got a few people singing, and at one point he was joined by Fricot & the lovely ladies of Sidney York for a song. They ended with a gospel-inspired song, which filled the till-then empty dance floor with people clapping along.
It was a fun set, and while I may not be clamouring to see them live again, I will definitely be keeping an eye out for the next Wachu show, especially if it has this good a bill.

Next up was Sidney York, with six-piece band that including an oboe (Sheryl Reindhardt), bassoon (Krista Wodelet), a couple beekeepers, Devon and Luke, and Brandi Sidoryk going from guitar to keys to ukulele and even french horn. Starting with the kind of dark "Math and Fractions", the set exploded with "Cold In Here" and "Roll With Me", both showcasing Brandi's amazing presence on stage, as she was just bubbling over with energy the whole set.

After the building intensity of the title track to, Apocalyptic Radio Cynic, the guys on stage taking a break for "Go Home, Atticus Jones" with Sheryl & Krista staying out for the haunting song. The crazy infectious "Dick & Jane" not only got everyone clapping along, but also whistling (or attempting to), and after the steamy "Doctor, Doctor" they wrapped the set up with one of my favourites, "Mile High Love", with Fricot and Ward up to help with backup vocals. 

The sound was definitely better than last time, but the Electric Owl is still new and learning (hopefully) so there were a few moments of feedback, but other than that it was a great set, and I already can't wait to see her again (which will come soon enough)

And finally, rounding out the night was Dominique Fricot, who was joined by Caleb from Parlour Steps and Rococode's Johnny Andrews & Shaun Huberts as his band. Starting with a pretty rocking and catchy song, his sound and voice initially gave me a bit of a 90s vibe (but not in a stale way), and both grew in depth as the set went on. Fricot had a really good presence, and even though there were a couple lulls between songs, it was never really enough to kill momentum.
Part way through the set, former Painted Birds bandmate Shawn Berke joined them on keys for one song, which I didn't catch the name of, but was a really intense, building song and probably my favourite of the set. The band took a break for a newer song, from his upcoming album, "Haven't Seen Me Dance" before coming back for a really heartwrenching song (which, again I missed the name of) and then the stage filling with David Ward and everyone from Sidney York joining in for the last song -- with some fantastic backup vocals from Brandi -- for a great end to the night.
Hopefully it won't be another nine and a half months before I am able to see Fricot live again.

Rococode w/ Elias & The Belle Game @ Electric Owl -- 08/18/11

Was it ever a busy night in Vancouver. With no less than five events worth going to, it was a tough decision. But based on a complex series of deciding factors, I came to the conclusion that the Electric Owl was the place to be.

First up was current Peak Performance Project contender The Belle Game. I've seen them a couple times in the last month, and they've really impressed me. Packing the stage with half a dozen members -- including The Ruffled Feathers's'es' Andrew Lee -- they have a grand and layered sound with a great intensity; an intensity that was taken out on the floor tom that took a beating. The set seemed a bit short, but included a new song and their current Peak single, "Sleep To Grow", leaving me wanting more; which may be rectified this coming weekend at Live @ Squamish.

Next up was Elias, who were having a bit of a homecoming, since they hadn't played a Vancouver show in quite some time. They were joined by Juno Winning Bass Player Peter Carruthers, and had a great intensity and stage presence that you would expect from a band that has been working as hard as they have for as many years. The set included a fair amount of new stuff -- songs that were played for the first time (and possibly last, they joked) -- and a few I really dug, including one with just Brian Healy and Peter on keys, and another near the end that featured more of guitarist Rob Tornroos on vocals.
Despite the fact that, at times, they are a bit "Fox-Rock" for my taste, they put on a darn good live show, and I just hope they don't wait a year before seeing them play live again.

Rounding out the night was another member of this round of the aforementioned PPP, Rococode -- who are one of my favourite new bands this year. With vocals split between long time collaborators Laura Smith, on keys, and Andrew Braun, guitar, and joined by Johnny Andrews and Shaun Huberts -- drums and bass, respectively -- they may be a new band, but the experience they all have with previous projects gives them an awesomely tight sound and insanely energetic show.
Early on in the set was the fantastically infectious "Empire", and they didn't let the energy down, with "Weapon" and the cacophonous "Blood" being other highlights. They ended the set with a song I didn't catch the name of, but had Andrew taking over the keys from Laura, bringing the set to an explosive climax.

All in all, it was a night of great fun and an excellent showcase of local talent.