Phildel @ CBC Vancouver Studio 700 -- 11/18/13

One of my favourite musical discoveries this year came from the Vancouver Folk Music Festival. On the last day, I went to see a workshop with Justin Rutledge, Del Barber, Cold Specks, and a singer from the UK that I had never heard of, Phildel. Her handful of stripped down songs impressed me so much that I immediately picked up her album, The Disappearance Of The Girl, and it has been in heavy rotation ever since.
I was sad to have missed her actual performances that weekend, so when the Folk Fest announced they would be presenting a show in Studio 700 at CBC Vancouver with her headlining, I knew I couldn't miss it.

As an added bonus, opening up the show was Vancouver's own Jasper Sloan Yip. Joined only by Alex Hauka on cello and Stephanie Chatman on violin (and sometimes vocals), Jasper played more of a stripped down, acoustic set for the attentive crowd.
From "Athens", which was about a particularly bad day in Greece (and was also, as he introduced it, played as part of a "sad song competition") to the more upbeat and catchy "Show Your Teeth", Jasper wove through a series of ups and downs, with songs mostly about love and/or heartbreak.
He wrapped up the set with the title track to his newest album, Foxtrot, a beautiful duet with Chatman, her soft voice blending nicely with his.

Her band -- drums, bass, and synth -- took the stage and started the opening notes of the title track to her album, "The Disappearance of the Girl" before Phildel emerged from the back. The dark, ethereal pop was punctuated by Phildel's amazing, hauntingly beautiful voice, dipped in just the right amount of reverb, and the music all clearly came from deeply personal places. She gave backstory to many of her songs; the sinister song "The Wolf" was written in response to her extremely religious step-father who banned music when she was a child; "Holes In Your Coffin" is something of a revenge song after a betrayal; and the emotionally devastating "Funeral Bell" -- which I am sure caused more than a few teary eyes -- was written during a nervous breakdown.
She also had a very engaging stage presence, the intensity of her performance contrasting with her almost soft-spoken nature while telling stories between songs.
After her last song, "The Glass Ghost", the title track to her upcoming EP, the crowd gave a much warranted standing ovation. She was clearly moved by the response, and sat down at the keys for one last song, the beautiful "Comfort Me".

It was a perfect setting as well, a nice intimate studio with a very captivate and quiet crowd. The show marked the end of her current North American tour, but I am already hoping that the singer manages to make her way back here sooner rather than later.

setlist
The Disappearance of the Girl, Storm Song, Mistakes, Union Stone, Afraid of the Dark, Beside You, Celestial, The Wolf, Holes In Your Coffin, Moonsea, Funeral Bell, The Glass Ghost.
(encore) Comfort Me.

Toque Sessions: beekeeper hearts Sidney York @ CBC Vancouver -- 02/28/13

Now in their fourth year, the CBC Toque Sessions is a series of free shows at the CBC Vancouver building, featuring some great local talent, and recorded for later broadcast on CBC Radio and CBC Music.

Hosted by CBC Radio 3's Grant Lawrence, this was a unique session, titled "beekeeper hearts Sidney York", with the "sibling bands" sharing the bill. Aside from being often tour-mates, the two bands also share members; Brandi Sidoryk is the voice of Sidney York and the bass of beekeeper; Luke Cyca keeps the rhythm on drums for both bands; and beekeepers's Devon Lougheed not only plays guitar with Sid occasionally, but also produced their upcoming album. 

Sidney York started the night with their unique indie-pop, with three classically trained musicians and including an oboe & bassoon, two instruments you rarely see outside an orchestra. They kicked off with the upbeat and poppy "Mile High Love" and got the crowd clapping along to the infinitely catchy "Dick & Jane".
As always, so much energy from the three ladies -- Brandi Sidoryk, Sheryl Reinhardt, and Krista Wodelet -- especially Brandi who, when not behind the keyboard, bounces around the stage.
The set also included a few new songs off their upcoming album, Hearts, which saw Devon out to join them on guitar.
Since they joined Brandi to make the group a trio, Krista and Sheryl have gotten much more comfortable on stage, and are fully integrated into the new songs, as opposed to just playing on the songs Brandi had written for the last album. A love song to technology -- as it was introduced -- "Electrolove" saw all three of them played the same keyboard, and Krista had more prominent vocals on the newer songs. After the synthy title track "Hearts", they wrapped up their half of the show with another new one, "Want You Back", a rich and lush song that had me hooked, and definitely looking forward to the new album.

setlist

Mile High Love; Dick & Jane; Doctor Doctor; Math and Fractions; Electrolove; Hearts; Want You Back.

After a brief break, the pre-recorded "Bad Advice Hotline" sounded through the studio (giving apt advice like "if you get confused, just nod") and beekeeper took the stage, launching into "Table & Bed". Their frantic, poppy math-rock can be hard to pin down, with songs routinely changing tempo, key or even time signature, but they're also ridiculously fun and unique. The songs have boundless energy, which comes from all three members, especially from Devon, who hardly stood still all night; even performing a high flying leap off an amp during "I Don't Need Hope, I Need Whiskey" -- which he admitted proved dangerous at a recent show.
They did bring it down for one calm song in the set, the low key "Drownings" saw just Devon on guitar with Luke and Brandi coming to the front of the stage for backup vocals. But they swung the energy right back as the remaining members of Sidney York came on stage for the kazoo solo (yes, kazoo solo) in the catchy-yet-out-of-left-field country swerve that "Oh Hi!" takes, and Krista & Sheryl stayed on to add their bassoon and oboe to the next couple songs.

They wrapped up the night memorably as every members from both bands took the stage for a gorgeous cover of "Your Ex-Lover is Dead", originally by Stars.

The show was a great addition to the pretty stellar lineup of CBC Toque Sessions this season. And as they draw to a close, I am hoping that next winter will see another round of great bands as the Toque Sessions continue.

setlist
Table & Bed; Sudden Cuckoo; It's the Blood; I Don't Need Hope, I Need Whisky; Drownings; Oh Hi!; Good News; Spider Webs/Insect Eyes; Your Ex-Lover is Dead [Stars cover].

Toque Sessions: Odds @ CBC Vancouver -- 02/21/13

Now in their fourth year, the CBC Toque Sessions is a series of free shows at the CBC Vancouver building, featuring some great local talent, and recorded for later broadcast on CBC Radio 2 and CBC Music.

Celebrating their 25th anniversary this year, Vancouver's own Odds took to the stage in Studio 1 on the eve of the release of their new EP.

The set had a bit of a false start -- after they kicked off with "It Falls Apart" they had to pause for a moment to figure out some power issues -- but they were right back into it with "Make You Mad" and a couple other older songs before debuting the new EP, The Most Beautiful Place On Earth. 

The first of three planned releases this year, the new songs proved they haven't lost a step; amazingly catchy power-pop-rock with clever lyrics and a little bit of darkness hidden behind sweet melodies. The title track, poking fun at BC's licence plate motto a little, and the slightly cynical but rocking "Took A Long Time (To Get To I Don't Care)" were a highlights from the five new songs. 

Craig Northey, Doug Elliott, Pat Steward, and Murray Atkinson all had a great stage presence, the four members chiming in with jokes and stories between songs, and a fun energy while playing. Aside from the solid harmonies on songs like "Satisfied", on a couple songs Craig handed off lead vocals, with Murray singing "Eat My Brain" and Doug taking over on "The Truth Untold".

They ended the set with the infinitely catchy favourite "Someone Who Is Cool", but didn't even have a chance to leave the stage before the encore. After some more joking around, they replayed "It Falls Apart", due to it not being recorded earlier and finished off with a couple older tunes, capping off the evening with "Fingerprints" from their second album Bedbugs.

They are a really fun band and put on a great live show, as you might expect from a veteran band, but it was made even more impressive when they admitted Craig was just getting over laryngitis -- though it was hardly noticeable, mostly just when he was chatting between songs. They did tease more new material this year and I, for one, am definitely looking forward to it, and hope they do some more touring as well.

setlist
It Falls Apart, Make You Mad, Satisfied, Write It In Lightning, Anything You Want, Most Beautiful Place On Earth, High, Took A Long Time (To Get To I Don't Care), Cardboard Box of Dust, Nothing Beautiful, Not A Lot Going On, Mercy To Go, Eat My Brains, Someone Who Is Cool.
(encore) It Falls Apart, The Truth Untold, Fingerprints.

Toque Sessions: We Are The City @ CBC Vancouver -- 02/15/13

Now in their fourth year, the CBC Toque Sessions is a series of free shows at the CBC Vancouver building, featuring some great local talent, and recorded for later broadcast on CBC Radio 2 and CBC Music.


One of the Sessions I was most looking forward to this season was We Are The City. Andy, Cayne, and David (back after a brief sabbatical front the band) have just put the finishing touches on their new album, and they decided to debut it for the crowd in Studio 1 of CBC Vancouver. Rolling out the new album front-to-back, it was the first time most of these songs were being performed for an audience.

Bursting to life with a chaotic cacophony of drums, the album was far more rich and layered than you would expect from just three musicians, with the intricate songs ranging from soft and slow to energetic and rocking -- sometimes even within the same song. It was as far a leap ahead of the High School EP as that was from their debut, In A Quiet World.

Some songs that stood out were a spacey and nostalgic (lyrically, not musically) song possibly called "Home Videos" and another possibly called "Shooting Star" which saw Cayne on a grand piano. But the last couple songs were my favourites; first "Baptism" which wove from great three part harmonies to dense and breathtaking guitar riffs, and then the final song, "Punch My Face" which starts with just Cayne on the piano -- absolutely gorgeous and heartbreaking -- before building to an intense wall of sound to close out the album.

For the most part, the band stuck to playing, but they paused a couple times to chat with the crowd. In true WATC fashion, they rambled on entertainingly, interrupting and interjecting into each others stories. Their banter has never felt like practiced "stage banter", rather a couple friends just telling stories and joking around, making you feel that these are a bunch of guys you want to hang around and talk to about celebrity spottings or Community.

The first time I saw them a few years ago I was impressed, and they've only grown exponentially. If this performance was any indication (and why wouldn't it be?) their new album is going to be incredible, and it is definitely one of my most anticipated albums of the spring.

Toque Sessions: The Matinée @ CBC Vancouver -- 02/01/13

Now in their fourth year, the CBC Toque Sessions is a series of free shows at the CBC Vancouver building, featuring some great local talent, and recorded for later broadcast on CBC Radio 2 and On Demand.

There have already been a few so far, but the first one I attended this season was The Matinée, which is pretty darn good way to kick the series off.

Playing down in Studio 1, it was a seated event which made for a bit more of a relaxed, laid back atmosphere for the band, and they were able to play some lighter songs that they may not have worked as well in a noisy venue. They started the set with one such song, "The Sinking Of The Greenhill Park", but they didn't keep the whole set mellow, breaking out out their anthemic single "Young & Lazy" early on, and they had the crowd clapping and stomping along to songs like "Sweetwater" and the drum breakdown in "The Road", which ended the set.

They previewed almost the entirety of their upcoming album, We Swore We'd See The Sunrise, which is out later this month, with songs like "Who Stoned the Roses" and "This Town" being among the highlights; the former showing off the band's harmonies, and latter their encore song which built up to an explosive and intense ending.

As usual, there was a great energy from the band. Lead singer Matt Layzell has fantastic charisma, but also the ability to melt into the background and give focus to the rest of the band, be it Pete Lemon's drumming,  Geoff Petrie breaking guitar strings, Mike Young who was simultaneously playing bass and keys at one point, or Matt Rose's guitar shredding.

The show was a great teaser for the album, which has been one of my most anticipated albums for the beginning of the year, and I can't wait to hear it.


The Toque Session are running throughout the month, and there are some great looking shows: a Light Organ Records showcase, Jill Barber, We Are The City (playing their new album front-to-back), Odds, a beekeeper + Sidney York mashup, and Dear Rouge. They are all "fully booked", but there is always a rush line, so if you show up early enough there is a good show (but no guarantee) you'll get in.

setlist
The Sinking Of The Greenhill Park, Let Her Go, Young & Lazy, L’Absinthe, On Our Own, Losers, Let it Ride [Ryan Adams cover], Sweetwater, Who Stoned The Roses, December Slumber, The Road.
(encore) This Town