The Strumbellas @ Biltmore -- 11/05/13

Hot off the heels of the release of We Still Move On Dance Floors, their follow up to the Juno Nominated My Father and The Hunter, The Strumbellas hit the Biltmore Cabaret this Tuesday. The last time I saw them was at the tiny Railway Club and they nearly tore the place down, so I was excited to see them again live.
And as an added bonus, they were joined by a couple of strong local acts to round out the show.

Starting off the night was John Sponarski. One half of Portage & Main, John has recently been playing more solo shows, and he took the stage armed with little more than an acoustic guitar & a harmonica, accompanied by Savannah Leigh Wellman of Redbird to lend her voice to backup vocals.
I saw Sponarski fairly recently, opening for Elliott BROOD, and he seemed much less nervous and more comfortable this time. His solo material was a little more on the country side than Portage & Main, with songs being clearly personal. From "Corn Whiskey" -- based off the traditional "Rye Whiskey" -- written after someone questioned his alcohol intake, to one written after visiting his grandmother in a resting home, the emotion put into the songs really drove them home.
He ended with a great closer; a bit of a sing along, a rousing song both lamenting and celebrating a broken up band. I mentioned it last time, but that song was my favourite of the set, and would be killer with a full band behind it.

Next up was Rolla Olak. Keeping it stripped down, he only had John Sponarski with him on pedal steel, and also kept the same mellow, folk-country vibe throughout most of his set. He had a clear passion while playing, but was lacking a bit in stage presence. I saw him recently as a part of the Peak Performance Project and liked his full band set, but couldn't quite connect to his more acoustic set; maybe it was just a bit too laid back. Which is why my favourite was the last song of the set, as he invited The Strumbellas on stage to pick up instruments and sing along to his final song, a rousing and passionate song, "It's Alright" for a strong finish.

It wasn't long before the stage filled with The Strumbellas, in stark contrast to the previous, two-piece acts. The six piece from Lindsay, Ontario started off the set with "Home Sweet Home", wasting no time showing off their tight harmonies and raucous alt-country roots rock. The whole band was full of energy, but especially keyboardist David Ritter and frontman Simon Ward, who started the show a little shy, by his own admission, but by the end of it he had opened up & was more chatty between songs, even talking directly to crowd members yelling things at the stage.
The set focused mostly on their new album, We Still Move On Dance Floors, with highlights being
the anthemic "End of an Era" and the building intensity of "Ride On". They rounded out the set with some older ones, the explosive "Lakes", and even a great cover of Modest Mouse's "Float On", with Ward getting the crowd to sing along to the chorus, a warm up for another sing along to "The Sheriff", an incredibly catchy tune.
After "ending" the set with "Rhinestone", they didn't even do the fake-leave, rather ended the night by inviting everyone up on stage to dance along with the big closing number, "Pistol"

The Strumbellas put on an incredibly fun live show, and I would not be at all surprised to see them tearing up larger venues like the Commodore in years to come.

setlist
Home Sweet Home, Lakes, Ride On, In This Life, Run, The Fire, End of an Era, Sailor's Blues, Float On [Modest Mouse cover], The Sheriff , Sailing, [mystery song], Rhinestone, Pistol. 

The Tom Fun Orchestra w/ The Strumbellas @ Electric Owl -- 11/23/12

The first time I ever saw The Tom Fun Orcheastra live was back in '09; it was their first Vancouver show, at a crappy pub with mediocre opening bands, and they didn't even go on stage until 1am, thanks to a lengthy turnaround due to the venue not letting the eight piece band set up beforehand. In short, it was a bit of a gong show.
But as soon as they played, they turned the whole night around. They took what could have been a terrible night, and with the power of their live show, wowed everyone in the room.
I've seen them every time they've been back since (which is not often enough), so I wasn't going to miss them at the Electric Owl. Especially since they were touring with a band that I had been meaning to see for a while, so that worked out well.

That opening band was Lindsey, Ontario's The Strumbellas. The six members took the stage and from the opening song, I was struck by their stellar harmonies and upbeat, alt-country "folk-popgrass" sound. The insanely catchy "Lakes" was a great example of said harmonies, and their whole set was bubbling over with energy. Other highlights included "I Just Had A Baby" with the lyrics "I have cried to bigger men than you, I have lied to better friends than you." and yet another song to get stuck in your head long after the show, "Sheriff".
Each member had a great enthusiasm and stage presence, with a lot of funny banter -- most of which was off the cuff ribbing of other band members; especially from lead singer Simon Ward. You could tell they were all having an absolute blast on stage, and that excitement was definitely infectious. I have no doubt that I'll make sure to see them next time they're through town.

It wasn't long after that Cape Breton's The Tom Fun Orchestra hit the stage, now down to seven members with instruments ranging from accordion and banjo and horns, for a rich and lush eclectic mish-mash folk, roots, blues, rock and punk. The sound is driven by the distinct and unique rough gravel of Ian Macdougall's voice, which contrasts beautifully with the lovely voice of Breagh Potter; their different styles could easily clash, but they blend together so perfectly.
Most of the set focused on the new album, Earthworm Heart, starting off with the lead track, "Merry Christmas, Jim" -- not a very festive song, despite the name. Some highlights includes the cacophonous "Watchmaker" from their previous album, You Will Land With A Thud, and "Lungs", which rises to a grand ending.  They played right up until the curfew, not bothering with the faux-encore, ending the night by first inviting members of The Strumbellas back on stage for a big group party for the explosive "Animal Mask", and then inviting everyone on stage for their last song of the night, "Sympathetic Wolf" culminating in a giant sing along, the stage packed with musicians, friends and fans.

As amazing an energy as The Strumbellas has, Tom Fun managed to not only match it, but top it as well. The term "force of nature" may be a cliché when describing music and bands, but it definitely applies to The Tom Fun Orchestra, and with the strength of both bands, this may be a late contender for one of the best shows of the year.