PHOTOS: Dear Rouge with Gay Nineties @ Commodore Ballroom - April 10 2025
Dear Rouge with Gay Nineties
Commodore Ballroom
April 10 2025
Dear Rouge with The Gay Nineties @ Commodore Ballroom -- April 10, 2025
Last year Dear Rouge released their fourth studio album, Lonesome High, and have finally returned to the Commodore Ballroom for a packed Vancouver show. And not only that, they brought some old friends along with them!
Opening the evening was the return of The Gay Nineties. The Vancouver band has been on hiatus for just a few years, but Parker Bossley, Bruce Ledingham, and Malcolm Holt were joined by Pascal Le Vasseur as they kicked off with a brand new song. And while they hit a couple older ones early, like the explosive “Hold Your Fire”, the bulk of the set was new material. Including an early standout for me, “Tidal Wave”, and a fun one called (and about) “Internet, Sex, and Drugs” which Parker teased might be their next single. They wrapped up with another old favourite, “Letterman”, which had everyone in the crowd that was ‘in the know’ singing along, proving they haven’t missed a beat. Their hook-filled indie rock was as sharp as ever*, and I’m very excited to hear more from them.
(*or as Christine put it: “The Nineties are back and they’re Gayer than ever!”)
After a break, the stage lights dimmed and a single figure stood on stage, as the rest of Dear Rouge joined Danielle McTaggart and launched into “Cutting Teeth”. Early on they addressed the recent passing of Drew McTaggart’s mother, asking everyone to remember someone that couldn’t be in the room, and dedicating “Stolen Days” to her.
The set had a great ebb and flow, building up the energy with the dark & moody “Black to Gold” and the raucous “Modern Shakedown” before exploding into “Meet Me at the Rio”, and then taking it back down with the acoustic “Live Through the Night” — which Drew introduced at the only song they’ve played at every single one of their shows. Danielle made a quick change into a sparkling, fringed jacked (with tambourine to match) and — after a false start to make sure someone in the crowd was safe — “Wicked Thing” started building back up, to the frenetic energy of “Tongues” and Danielle making a toast before showing off her moves with “Not Afraid to Dance”, segueing into a cover of the No Doubt classic “Hella Good”.
But it wasn’t just for that song; the whole night Danielle barely stood still. When she didn’t have a guitar in hand or behind the keys, she was strutting around the stage, and even into the audience. As “I Heard I Had” started, she grabbed a flashing light and jumped into the crowd, making her way from one side of the Ballroom to the other, singing to, at, & with everyone around her.
The band closed out the set with “Too Close to the Heat”, but were soon back for the encore. First Danielle returned alone, on the keys and behind a single light for the haunting “Lonesome High”. The rest of the band returned as they dedicated “Garbage” to anyone going through it, and capped off the night with their latest hit “Goon”.
Dear Rouge consistently puts on incredibly fun live shows, full of energy & spirit, and this night was no different. Add on the return of The Gay Nineties, and you have a fantastic night of Vancouver music.
Dear Rouge setlist
Cutting Teeth
Blow My Heart Up
Fake Fame
Stolen Days
Black to Gold
Wallpaper
Modern Shakedown
Meet Me at the Rio
Live Through the Night
Wicked Thing
The Show
Tongues
Not Afraid to Dance [ft Hella Good by No Doubt cover]
Selfish Love
I Heard I Had
Too Close to the Heat
(encore)
Lonesome High
Garbage
Goon
The Gay Nineties setlist
Treat Me Bad
Hold Your Fire
Turn Me On
Tidal Wave
Outside Looking In
Out of Touch
Okinawa
Empty Mansions
Internet, Sex, and Drugs
Letterman
PHOTOS: Ashleigh Ball, Parker Bossley @ Fortune - September 29, 2017
Ashleigh Ball, with Parker Bossley @ Fortune Sound Club
September 29, 2017
Photos by Christine McAvoy
#SingItFwdFinale @ Vogue Theatre -- 01/14/16 & 01/15/16
This is it. The end of an era. Since 2011, David and Ambrosia Vertesi have been organizing the annual #SingItFwd event, with proceeds going to the St. James Music Academy, a music school for underprivileged children in the Downtown East Side.
But this year, the shows came to an end with a giant, star-studded two night finale at the Vogue Theatre. They brought back old favourites, and new voices, for two completely different lineups to say goodbye.
Each artist got a short, 3-song set (usually) and while in past shows they had been more acoustical, this year saw a mix of stripped-down and full-band sets. Hosted by Tamara Stanners (of The Peak) and Cory Ashworth (formerly of The Peak), the night also included interstitial videos of various bands with the SJMA kids.
Both nights are covered in this post, so click through to see everyone that played, the surprise (and not-so-surprise) guests, and who covered which David Bowie songs!
Read MoreWe Are The World, We Are The Biltmore: Michael Jackson Tribute Concert @ Biltmore -- 11/25/15
David Vertesi and friends are at it again. The same folks behind 'The Biltmore Phil-harmonic' and 'Biltmore Over Troubled Water' -- tribute nights to Phil Collins and Paul Simon, respectively -- are back, this time with a night honouring the King of Pop. And like the other nights, it was all benefiting Sing It Forward and the St James Music Academy, leading up to the final Sing It Forward concert, this time TWO nights at the Vogue Theatre, January 14 & 15th.
The usual "house band" of Johnny Andrews on drums, Andrew Rasmussen on keys, Mike Young on bass, and Tristan Paxto on guitar were joined by Katie Schaan on backing vocals and Raphael Geronimo on percussion, with a rotating lineup of Vancouver singers to hit the highs (or attempt to anyway, in some cases).
The night started with some children from the St James Music Academy for an instrumental "Smooth Criminal" on violin, before the band took the stage. Like the other months, I won't give a song-by-song account, just some highlights with Christine McAvoy's photos below.
I hadn't seen Katie Schaan perform live in a long time, so it was nice to see her providing backing vocals all night, as well as belt out "The Way You Make Me Feel". If you're a fan of Bend Sinister, then it shouldn't be a surprise how good Dan Moxon was for his cover of "Smooth Criminal", Parker Bossley had the moves when he did "Rock With It", and Danielle McTaggert from Dear Rouge did a really fun "Billie Jean".
Lots of the performers were in costume, and there were even props, like when Hey Ocean! performed "Will You be There" and loosed a large inflatable orca into the crowd (sadly, the Biltmore ceiling is too low to reenact the famous ending to Free Willy).
The highlight of these tribute nights always seems to be Tonye Aganaba. She was on stage a few times, playing MJ to Chin Injeti's Paul McCartney, doing a beautiful "Man in the Mirror", but my favourite came early on as she and JP Maurice did an amazing "Beat It".
My other favourite performance was one I think should have ended the night (instead of the "better-in-theory" version of "We Are The World"); the lights dimmed and Zach Gray hit the stage in ghoulish makeup for a killer rendition of "Thriller", complete with dancers coming out from the back and into the crowd for the choreographed dance number.
And as the night ended, David Vertesi teased the next tribute night, for Hall & Oates, though didn't say when, so it sounds like these nights won't be slowing down any time soon. Who do you want to hear them do for a future tribute night? Let me know in the comments.
(Me, I suggested to Vertesi, in all sincerity, that they should do a "Weird" Al Yankovic tribute night. It would be amazing.)
Click through for a gallery of Christine's photos, and the full setlist!
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