Peak Performance Project Year Seven Launch Party with Good For Grapes & The Wet Secrets @ Fortune -- 05/27/15

The seventh (and final???) year of the Peak Performance Project kicked off last night, in style, at Fortune Sound Club.
Starting with the announcement of the Top 12 (cut back from a Top 20 last year, to accommodate the newly launched Alberta version of the Project), the bands chosen will take part in a week-long bootcamp learning everything that can about the industry, play a series of showcase shows, and take part in other challenges, all to have a shot at the giant novelty cheque for $102,700 presented to them by Music BC and 102.7 The Peak.

This year kicked off with a "Victory Tour" of last year's winner Good for Grapes, and the first PPP Alberta winner The Wet Secrets, after the live announcement of the top 12. They started here in Vancouver and will tour across BC and Alberta, finishing off in Calgary for their Top 12 launch party.


It has been something like eight years since The Wet Secrets last played Vancouver (one of their members was only 14 at the time!) and thanks to that, I had never had the seen them play live. So I was very much looking forward to it, having heard nothing but great things.

When they six-piece band from Edmonton hit the stage, the first thing you notice -- okay, the second thing you notice, after their matching marching band uniforms -- is their unique instrument composition. No guitar, just lead singer Lyle Bell on bass, and a strong horn section with Kim Rackel & Emma Frazier on trumpet & trombone, respectively (as well as backing vocals, and some sweet choreographed backup dancing) and Christan Maslyk rocking the sax. Drummer Trevor Anderson and Paul Arnusch on keys (and congas) rounded out the band.

But of course the spectacle of their outfits wouldn't mean a thing if they didn't back it up with their music, and they certainly did with a fun and catchy alt-pop sound. They started off with "I Can Swing A Hammer", the first song from their upcoming album, before ramping up the energy for the raucous marching song "Secret March", one of my favourites, and a song that will be stuck in your head for days.

Other highlights included "If I Was a Camera", which asked the crowd to take off their clothes, as the band went first, doffing their marching band jackets during the song, and "Get Your Shit Together", a song to listen to "when experiencing technical difficulties with the people of Earth."

And as fun as The Wet Secrets' music sounds, it often hides some darker (and, more often than not clever) lyrics. Lyle introduced one song as the happiest song about murder/suicide, and another favourite "Sunshine" is a cheery song about wanting to escape a dreary city (Edmonton) and "die in the sunlight"

Lyle was also quick to give advice to any of the top 12 bands in the crowd, and tell tales about the fun times they had in the competition last year, especially at the bootcamp, before they finished off their set with a cover of The Cure's "Boys Don't Cry".

It was a really fun set that absolutely lived up to my expectations, and proved that they are definitely worthy of having been the first Peak Performance Project Alberta winner.


It was getting late on a school night and the crowd started to thin, but as soon as Good For Grapes took the stage, their loyal fanbase rushed up to dance along with their folky sounds. The seven members filled the stage with energy and their rich sound filled the room, a set with songs that burst to life with a hint of brass and strings, and spot-on harmonies.

Their biggest song, "Skipping Stone", had people singing and clapping along, and they also included a very interesting version of The White Stripes' "Seven Nation Army" -- which was a little amusing, since one of the challenges in the Project is to learn a "Classic Canadian cover" and yet neither cover in the night was Canadian. They wrapped up the set with another grandiose song that included the obligatory floor tom breakdown, as the crowd chanted for an encore as they left.

To be completely honest, I haven't really been much of a fan of the band over the last couple years, but I can not deny they are very good at what they do. It's just a certain sound that I have grown a little weary of over the last couple years, and I feel that while the band has certainly improved since I first saw them, they haven't really evolved much. But they did mention they just finished a new album, so it'll be interesting to hear the new material.



As for the Top 12 itself, here is the list in order of announcement:

Little India – Langley
Chersea – Port Coquitlam
Smash Boom Pow – Vancouver
Jesse Roper – Victoria
Find the Others – Bowen Island
Mindil Beach – Vancouver
Bed of Stars – Abbotsford
Mike Edel – Victoria
Windmills – Vernon
JP Maurice – Victoria
Joy District – Comox Valley
Van Damsel – Kamloops

Regular readers will/should already know how much I like Chersea, so I was happy (but not at all surprised) when she made it in. She's also the sole female artist this year, but surprisingly not the only looper. Windmills, who I have seen before and like okay, also made it in. Perhaps they'll take after Hannah Epperson, who places second a couple years ago.

Three of the twelve bands are returning; Mike Edel, Van Damsel, and JP Maurice. Honestly, I am not sure that I like returning bands with a smaller pool, especially since JP and Mike also previously placed 4th and 5th (respectively) in 2012 AND it's JP's third time in the project (not even counting his backing up other bands). Van Damsel, at least, has changed their sound a bit since they were in it two years ago, and have been getting a push recently on The Peak; I think they are the early favourites to win.

Most of the other bands I either know in passing; Bed of Stars, or have only seen their names around town; Little IndiaMindil Beach and Smash Boom Pow. The rest of them I am not familiar with at all, and look forward to hearing them.

And the first chance to see them all live will be at the Khatsahlano Street Party, on July 11th, where all 12 bands will play short sets throughout the day on the Peak Stage. See you there!

Peak Performance Project Showcase #3 @ Fortune -- 10/09/14

Can you believe it's already the sixth year of the Peak Performance Project? This year they've changed the project up a little. 102.7 The Peak and Music BC have pared it down from a Top 20 to a Top 12, but that was only to make room for a Top 12 of Alberta bands through the newly launched 95.3 The Peak, and Alberta Music.


Part one of the project was a "rock & roll boot camp" where the musicians went on a week long retreat to get lectures and advice from industry pros, to help them refine their craft, and team up with an Albertan band for a collaboration song. Phase two is a series of shows at Fortune Sound Club; three artists a night for four weeks, showing off what they learned to not only an audience, but a panel of judges. They've also been assigned to learn a "Classic Canadian Cover" to play during their set. I always love hearing bands play cover songs, and it's always interesting to see who each act chooses, if it's someone obvious to their style, or something way outside the box. (And yes, I do have a running tally of bands that chose Neil Young)

They took a week off showcases last week, so everyone could celebrate Break Out West and the Western Canadian Music Awards in Winnipeg, but they were back last night for showcase number three.


Jodi Pederson: The Vernon BC native started the night off with a few small sound issues; in fact, the sound the whole night wasn't the greatest, but Jodi's set seemed hit hardest with a muddy mix. But that aside, a good stage presence and great voice drove her set, with a smokey and soulful pop sound. But while she was a great performer, I don't think her songwriting was quite on the same level. From what I could tell, a lot of her songs were about the same thing -- love -- and certainly none of the songs were really bad, few stuck out. One that did, though, was a darker song called "Boys" that really let her voice soar.
She brought things down in the middle of the set for a couple slower jams, including her classic Canadian cover, "Born To Be Wild" (as I found out, while Steppenwolf is still American, the song was written by a Canadian Mars Bonfire) which was a really interesting, almost jazzy, take on the song.
Jodi wrapped up her set with the single, "City Lights", with what I thought was a slightly out-of-place drum breakdown in the middle, and ended with a number of her fans in the crowd holding up and spinning glowsticks.
She's definitely got the performance aspect down, and I think given a little more experience writing, she'll take off.


The Tourist Company: No stranger to radio competitions, the self described experimental folk-rock band was the Vancouver finalist in this year's CBC Music Searchlight contest. The took the stage joined on & off by some familiar faces, Michelle Faehrmann and Stephanie Chatman from Four on the Floor String Quartet (every year it seems at least one band makes use of members of the talented Quartet, and this year it was The Tourist Company).
I've said a few times before on this blog there's a certain type of prevalent folk sound that I just no longer care about, and while they are not the worst offender, they fit in to that category. Which isn't to say they are not objectively good, with solid harmonies, and tight, catchy songs, all greater than what you would expect from just four members. Stand-out songs were the driving drums and jangling glockenspiel on "Irrepressible Future", and "One Giant Leap" with Jillian Levey on lead vocals, instead of main singer Taylor Swindells.
Their set hit a lot of the expected beats of a folk-rock set, including breaking out the floor toms, and their cover was, a little predictably, a soaring folksy version of "Wake Up", closer to the acoustic version Arcade Fire did recently. They ended off with a big, high energy song that I didn't catch the name of, leaving a good chunk of the crowd cheering for more.
While I can not deny they are very good at what they do, what they do is just not for me.


Shred Kelly: On the other side of the "folk coin" is the Fernie BC stoke folk band. They were the one of three bands I was rooting for going into the project, having been a fan of them for a couple years now.
The five-piece started off with a newer song that encapsulates the band perfectly; Tim Newton starting the song slowly plucking his banjo until he picked up the pace to a blurry hand, joined by Sage McBride's lovely voice, the song building to an explosive crescendo. From there they kept up the energy, getting the crowd clapping and stomping along, before it came to a head with another new song, a bit of a darker song for them and my favourite of the set, and "Tornado Alley", culminating in a frantic storm of instruments worthy of the title.
They brought the set down for a moment, for a couple of their (relatively) softer songs, and then wrapped up with the perennial singalong, "I Hate Work", letting the Thursday night crowd blow off steam. That then segued nicely into their Canadian cover, Loverboy's "Working For The Weekend", during which they not only got a surprising number of people to "get low" and crouch down, but also split the room for the singalong: one side singing along with Sage "Everybody's working for the weekend" and the other with Tim, chanting "I Hate Work", to wrap up a set that reinforced my desire to see them in the top three.


And with that, there was only one more showcase to go, spotlighting the last three of the Top Twelve. Next week will be The Wild Romantic, Dearrival, and Damn Fools.

Peak Performance Project Showcase #2 @ Fortune -- 09/25/14

Can you believe it's already the sixth year of the Peak Performance Project? This year they've changed the project up a little. 102.7 The Peak and Music BC have pared it down from a Top 20 to a Top 12, but that was only to make room for a Top 12 of Alberta bands through the newly launched 95.3 The Peak, and Alberta Music.


Part one of the project was a "rock & roll boot camp" where the musicians went on a week long retreat to get lectures and advice from industry pros, to help them refine their craft, and team up with an Albertan band for a collaboration song. Phase two is a series of shows at Fortune Sound Club; three artists a night for four weeks, showing off what they learned to not only an audience, but a panel of judges. They've also been assigned to learn a "Classic Canadian Cover" to play during their set. I always love hearing bands play cover songs, and it's always interesting to see who each act chooses, if it's someone obvious to their style, or something way outside the box. (And yes, I do have a running tally of bands that chose Neil Young)


While the first showcase was more of a folksy affair, this one was a little more rockin'.


Altered By Mom: This is the second year in the project for Devon Lougheed. His previous band beekeeper competed a couple years ago, but have since broke up, leading the way for this new band with an unabashed 90s alt-rock influenced sound, who were one of my early favourites this year.
With a stage adorned in balloons -- including a large A, B, and M -- the band started as Devon made his way through the crowd, pumping people up, before jumping on stage. And then jumping around the stage. Devon has always had an unlimited reserve of energy on stage, and this was no different. At one point he even brought Peak DJ Carly Walde up on stage for a faux proposal during "Small Joys", and later ran through the crowd to hand out Altered By Mom cootie catchers/fortune tellers.
Their cover was a grunged out version of "Old Man" by Neil Young, which they had in their pocket from before the project, and they closed the set with some of their strongest songs; a slower, more heartfelt song called "Larger Than The Ribs" dedicated to all of the bands' moms, before doing a 180 music- and lyric-wise into the very cheeky "Cup Of Coffee, Babe". They brought up a couple guests for their last song, their first-place-winning Bootcamp Collaboration song, Kevvy Mental from Fake Shark Real Zombie and Jasmin Parkin of Mother Mother, the set ended with a giant singalong, Devon splitting the crowd for duelling vocals, for an amazing finish to their set.


Miss Quincy & The Showdown: Another one of my favourites going into the project this year is the all-girl blues rock band from up north. Miss Quincy's raw, powerful voice drove the set as they started with "What Is Life If It Ain't Strange" off their recent album Roadside Recovery (produced by PPP alumni Matthew Rogers of The Harpoonist & The Axe Murderer). They didn't say too much through the set, mostly letting the music speak for itself, from badass & sultry songs like "Bad Love" to the almost hymnal "Take It To The Well", which had the crowd stomping and clapping along -- and singing by the end.
Miss Quincy teased a few old standbys for her cover, someone you might expect a rock band to play, before subverting expectations and launching into "Boys Wanna Be Her" by Peaches. I never would have guessed a Peaches cover, but as soon as they started, it made the most sense in the world. It was a great cover, and unexpected, which made it my favourite of the night.
(side note: the other two covers of the night were the third time each song has been covered by PPP bands over the years)
And finally, they wrapped up the set with the my favourite of the set, "Wild Fucking West", a gritty garage blues rocker that was the perfect way to cap off the set.


Goodwood Atoms: The final band of the night, they were a bit of an anticlimax compared to the first two. From Vancouver, the band was the only one of the night I wasn't familiar with, and had a pretty generic folk rock sound. They started with lead singer Francis Hooper out alone, moody back lighting casting him in silhouette, before the rest of the band joined him for what was a pretty by-the-numbers folk set, shaky harmonies and all. I wouldn't say it was bad, but just did nothing to grab my attention.
Their Classic Canadian Cover was a pretty obvious choice as they did a pretty straightforward version of "The Weight" by The Band, trading off verses, joined by fellow PPP'er David Newberry.
They also had an inexplicable and superfluous belly dancer come out intermittently throughout their set to dance back and forth at the front of the stage. I'm not against backup dancers in general, but they have to make sense in context, and be backup dancers. She was neither, out in front of the band, and there did not seem to be any reason for her to be there other than boobs. It didn't feel like part of the show, it just felt exploitative.


Aside from that, it was a good showcase with two of my three favourites from this month's project. They're taking a break next week, but will be back at Fortune in two weeks with a showcase that includes my third favourite, Shred Kelly, The Tourist Company, and Jodi Pederson.

Peak Performance Project: Year Six

It's that time of year again, time for the Peak Performance Project. This sixth year sees some big changes in the competition, as not only will it help BC bands through 102.7 The Peak and Music BC, but for the first time ever, Alberta bands through the newly launched 95.3 The Peak and Alberta Music. There will be two separate top twelves (instead of the usual top twenty) and aside from the rock 'n' roll bootcamp, which all 24 band will attend, there will be two completely independent competitions; two introduction days, two sets of showcases, two top threes, two big winners.
This year, they kicked it off at Fortune Sound Club -- where the showcases will happen later this year -- with sets from past PPP alumni after the announcement. Last year's second place Hannah Epperson dazzled everyone with her gorgeous violin loops. Rococode teased a new album of catchy electro-pop. And JP Maurice burst everyone's hearts with his pop-rock.

But more importantly, this year's BC top twelve, in no particular order:

The Tourist Company - North Vancouver David Newberry - Vancouver Miss Quincy & The Showdown - Fort St John Derrival - Langley Altered By Mom - Vancouver The Wild Romantics - Nanaimo Damn Fools - Vancouver Jodi Pederson - Vernon Goodwood Atoms - Vancouver Shred Kelly - Fernie Jon Bryant - Surrey Good For Grapes - Surrey

Some initial thoughts?

Right off the bat, I am honestly a little disappointed to see Good For Grapes in it again. Nothing against them, but I was really hoping that with a slimmed down list, it would be all bands new to the project.
There are a few bands I know I don't care for, and a bunch I am not familiar enough with to have a solid opinion, and some I have never heard before, but to focus on the positive: I am very stoked for Altered By Mom, Miss Quincy & The Showdown, and Shred Kelly.

Altered by Mom is the new project from ex-beekeeper Devon Lougheed, and takes all the best of the 90s and crams it into some hook-filled rock; Miss Quincy & The Showdown is some damn fine gritty blues; and Shred Kelly have been a favourite since I first discovered them -- almost exactly two years ago, on the Tracks on Tracks train trip -- with their "stoke folk".

Those are the three I am pulling for out of the gate, but I look forward to listening to all of them and the discovery of new talent. And the first chance for that will be during the Khatsahlano Festival, July 12th on West 4th, where all 12 bands will play throughout the day.

Peak Performance Project Finale @ Commodore -- 11/21/13

It was a night that would change the lives of three bands. It was, of course, the Peak Performance Project finale concert, with over $227,000 in money being awarded; $102,700 for first place, $75,000 for second and $50,000 for third. The three bands vying for the prize were Hannah Epperson, Rykka, and BESTiE, picked as the top three from the twenty bands competing in this fifth year of the promotion. All twenty bands took part in a week long rock & roll bootcamp, and were judged on their showcase at Fortune, a business report, online voting, and a few other challenges and projects.
Everything had been tallied up and the placement determined long before the show, but the finale was a chance for the top three to show off at one of the best and most revered venues in town, the Commodore Ballroom.

This year was probably my favourite top three since the very first year, with both Epperson and Rykka being my top two picks from the very start. While other years I have been somewhat... disappointed in the top three or the winners, this year I was looking forward to the whole show.

The night started with Hannah Epperson, taking the stage alone with her violin, barefoot, and hardly able to contain the smile on her face. She launched into a couple instrumental songs showing off her incredible talent and making great use of the looping pedal.
She added her soft vocals, fitting the beautiful "Murder of Crows" perfectly, and after a few songs was joined by the drum pad, adding a sexy bassy dancey vibe to "Shadowless". Near the end of the set, she dedicated a song to her brother who could not be there, and asked everybody to hug the person next to them, getting a video of the hugging crowd.
The set came to an end with the apocalyptic "Host a Party" before she invited the boys in Oh No! Yoko to come out and perform their bootcamp collaboration, "Soft Shoulder".
I admit, even though she was my favourite, I never thought a solo violin looper would make the top three of the Peak Performance Project; but Hannah's incredible talent broke that barrier, and that was one instance where I was thrilled to be proven wrong.

Up next was Rykka, coming out in an outfit that can only be described as The Road Warrior meets Cher (in the best way) very fitting of her dark, synthy electro-rock sound. The band exploded out of the gate with the first song, "Map Inside", and from the first song, Rykka hardly stood still on stage. She danced and bobbed back and forth, exuding energy.
Playing mostly from her recent album, Kodiak -- in which all of the songs are written from the perspective of various animals -- Rykka also threw in a couple new songs. Part way through the set she was joined by friend and producer of her record, Ryan Guldemond to play guitar for a couple songs, including the driving and intense "Down in the Depths".
She brought the tone down for a moment, with the softer "Grassland" before getting it right back up for "Shotgun", and ended with the aptly titled "Electric", getting Ryan back out once more, and the sold out crowd clapping along.

And finally, BESTiE took the stage to round out the night, and end off the fifth year of the project. Admittedly, they were not among my initial choices for the top three, and while there isn't a lot of variation in their songs, they put on a really fun live show. With beach balls (and later an inflatable palm tree) thrown into the audience, songs like the upbeat "Pineapple" got the crowd grooving to their fun tropical pop-rock, the band's energy infectious.
They brought a horn section out for a few songs, including the classic Canadian cover they learned for the project, a pretty solid version of The Payola$' "Eyes of a Stranger", and invited Rykka back out on stage to play their Bootcamp collaboration, "Together", before ending off the night by upping the energy even more with "Sriracha", joined by hula dancers on stage.

Fun way to end the show, but of course the night was not done; there was still the unveiling of the top three and the awarding of the giant novelty cheques. Third place went to BESTiE, second place to Hannah Epperson, and the winner of $102,700 to put towards her career, was Rykka. An outcome that I was very satisfied with.

Major kudos is deserved to both The Peak and Music BC and all the people involved in this incredible yearly contest, especially for their support and nurturing of local music. I hope the bands involved go on to keep doing what they're doing, and I hope The Peak continues to support them, even (or especially) the ones that didn't make the top five.