Keloha Festival @ Waterfront Park -- 07/05 - 07/07/13

On the sunny shores of the Okanagan lake in Kelowna BC, the Keloha Festival celebrated its second year. And what a celebration it was. From local heroes like The Matinée and The Zolas, to national favourites like Arkells and The Trews, to international headliners Mutemath, Matt and Kim, and MGMT, the Keloha lineup was the one I was looking forward to most out of all the "local" festivals this summer.

Day one: Friday

I arrived in Kelowna Friday just in time to catch the last couple songs from Yukon Blonde (thanks to a lack of signs and getting blocked out by a body of water and a fence trying to get into the festival). The band sounded great in their hometown, and were definitely a great way to start things off.

After getting settled in and getting the lay of the land; checking out the Island Stage in the middle of a lagoon and the Sandbar Stage right on the beach, and all the vendors in between, it was time for The Trews to take the stage. The Antigonish rockers started with the high energy "The Power of Positive Drinking" and hardly slowed down. They had the hillside crowd singing and clapping along, especially to songs like "Not Ready To Go" and one of my favourites, "Poor Ol' Broken Hearted Me". As they are wont to do, they also had a couple covers slipped in to songs, like U2's "I Still Haven't Found What I'm Looking For" in the middle of a new song "Lord, Keep Me In Mind".
After what seemed like not nearly enough time, they ended the set with "Hold Me In Your Arms" to thunderous applause, the crowd definitely revved up.

The night ended with Mutemath, who were the band I was most excited about. I hadn't seen them live in a few years, and was afraid I had hyped them up too much in my mind, but from the minute they hit the stage (and drummer Darren King wrapped his headphones around his head with electrical tape) and started into the title track of their most recent album Odd Soul, I knew I had been worrying for nothing.
The whole band had incredible energy, but especially lead singer Paul Meany. When not at the keyboard, or playing keytar, he would be right up at the barrier, leaning into the crowd singing. He even performed a few of his trademark "keyboard handstands".
Highlights of the set included the relatively-mellow & heartfelt "Noticed", and the explosive "Typical", as well as the grand finale, "Break The Same" which transitioned into "Quarantine" as an air mattress with lights around the side was thrown into the crowd, and Paul got on top to surf the crowd while singing. And as he got back on stage, they ended the set with another bombastic percussion breakdown, leaving the crowd spent and drained for a first night of Keloha that would be hard to top.

Day Two: Saturday

The second day started with a couple Vancouver bands on the Sandbar Stage. Rococode started off the day and were followed by Dear Rouge. Both put on strong sets, despite the early afternoon heat draining everyone's energy (okay, maybe just a certain blogger's energy) and both had a good, dancing-on-the-beach vibe.
(Dear Rouge would later put on an absolute rager at Doc Willoughby's with The Zolas as part of the After Party series)

Over on the Island Stage, Malibu Knights had a pretty generic rock sound, while Fields of Green tore it up for their hometown crowd; their high energy prog-rock sound continuing to grow and amaze me. I caught a bit of Gold and Youth but their dark and synthy sound would be better suited to a dimly lit and smokey venue, not a bright and sunny day.
I also was able to squeeze in a few songs from Shad on the beach stage, "Rose Garden" and "Ya, I Get It", where Shad jumped into the front of the crowd, before his DJ's laptop crashed, and he got the crowd to provide the percussion for the next song.

But I had to leave his set early to go catch The Zolas back at the Island Stage. The crowd was gathering and started to groove as they kicked off with "In Heaven" and "Knot In My Heart", the opening tracks to their most recent album Ancient Mars. As usual, the band had a strong stage presence and energy, especially Zach Gray, who is like a pot simmering over, always ready to erupt.
Most of the set focused on the new album, including the quirky "Observatory", but they also tossed in a couple older songs, like the fiery "Marlaina Kamikaze" and the passionate "You're Too Cool", which ended off the set.

Another one of the main bands I was there to see were up next, Arkells. Even though they had been at a festival the previous night in Toronto, they were advised not to miss this show, thanks to the setting alone, and they made sure to point out it was definitely worth it.
"On Paper" started off the set, with the band's energy through the roof, as usual. They are a fantastic and tight live band, and lead singer Max Kerman has an amazing and effortless stage presence. Highlights included "Oh, The Boss is Coming", which got the crowd yelling along, and they also dug into a little Motown that they save for special occasions with a cover of Jackson 5's "I Want You Back".
They wrapped up the set with one of my favourites, "John Lennon", and the raucous "Whistleblower".

Australia's Atlas Genius was up next, but while they were starting to amass a bigger crowd who were getting the dance party started, I thought their set felt a little flat. It was a pretty upbeat rock sound, and they were certainly very fine musicians, but a lot of the songs sounded pretty much the same and I just couldn't get into it.

And finally, wrapping up the second night was Matt and Kim. I had heard they were good live, but I had no idea just how nuts Matt Johnson on keys (and the odd sample, like the explosion he used to punctuate things) and Kim Schifino on drums (sometimes literally standing atop the drums to play, or clap, or "shake her booty") would be. They came right out with an incredible energy and fantastically likeable personalities to whip the crowd into a frenzy. They weren't just playing for the crowd, they wanted to party with them.
From throwing out balloons, to getting everyone to simultaneously jump, to Kim running atop the crowd to dance while people held her upright, both musicians were full of raw enthusiasm, which was absolutely contagious.
I wasn't too familiar with their music -- only recognizing the bouncy "Cameras" and "Daylight" -- which ended the set, but they definitely put on an amazing show and I wouldn't hesitate to see them again.

Day Three: Sunday

Unfortunately, I had to head back to reality early on Sunday, meaning I would miss MGMT, but I did manage to catch a few local favourites before departing.

I got there just in time for Maurice to take the Island Stage, joined by a couple familiar faces, including Andrew Rasmussen on keys and Stephanie Chatman on violin. Starting off the set with "Get Mad", JP has an effortless stage presence and fills his songs with raw emotion, and highlights included the undeniably catchy "Mistake" and the best song that deals with the repercussions of a threesome, "Robin".

Wake Owl was up next, and I'm not sure if it was where I was perched on the hill, but the sound wasn't too great; their rich and lush orchestral sound didn't seem to translate very well. They played some songs off their Wild Country EP, the eponymous song being a highlight, and a few new ones which were a bit more upbeat and jaunty.

At that point, The Matinée was supposed to be taking the Sandbar Stage on the beach, but they had a little bit of highway trouble and were still on their way, so they swapped with Saskatchewan grunge band One Bad Son who were pretty much an average and generic grunge band.

But The Matinée did manage to get there just in time for their new set on the Island Stage, and despite the ten hours of travel they had just endured, they still put on one heck of a set. Starting off, as they usually do, with "L'absinthe", they put boots to the ground and kicked things into high gear. They got people clapping along to "Sweet Water", which also featured a great banjo solo from Matt Rose, threw in their cover of Zeppelin's "Bron-Y-Aur Stomp", and wrapped it up with "The Road", with its top-notch percussion breakdown.


And with that, I had to head back. I was disappointed to leave, but not too sad of missing the rest of the day, as they were mostly artists I had seen or didn't have too much interest in, and the weekend was already packed with enough memorable moments to last a dozen festivals over.

If the lineup is even a fraction as good as this next year -- and if they keep the "After Party" series going, with smaller bands playing in small local venues -- I will be back to the Okanagan in a heartbeat.

Peak Performance Project Showcase #4 @ Red Room -- 10/11/12

The Peak Performance Project is a multi-year contest in which The Peak, along with Music BC, picks 20 BC musicians/bands a year and makes them stars. Past winners are We Are The City, Kyprios, and Current Swell with a ton of great bands and artists included as well.

Part one of the project was a rock & roll boot camp where they went on a week long retreat to get lectures and advice from industry pros to help them refine their craft. Phase two is a series of shows at The Red Room, four artists a night for five weeks, each playing a 45 minute set. The bands are rated by a panel of judges, which will go toward their final score in the project, and they've also been tasked to learn a "Classic Canadian Cover" to play during their set. I always love hearing bands play cover songs, and I am definitely looking forward to see who each act chooses (and, as in the past, I am going to keep a running tally on how many Arcade Fire, Neil Young or Leonard Cohen songs we get).

The penultimate showcase was another with mostly bands I was unfamiliar with, so I was looking forward to what the unknown-to-me bands had to offer. Every year of the project I've discovered at least one or two new bands that, while they had varying success through the project, ended up being a personal favourite of mine. 

Georgia Murray: After a bit of a long instrumental intro, Georgia Murray took the stage with a band comprised of a few familiar faces and PPP-vets; Tim Proznick (Kyprios) was on drums and Ashleigh Eymann on backup vocals. Murray had a bit of a soul and R&B tinged rock, with a warm stage presence and a strong voice, but a lot of the songs blended together and sounded a bit the same. Though one did stand out, "Never Die", which sounded like it would have made a perfect James Bond theme.
Alanis Morissette made her second appearance in the showcase series as Georgia covered "You Oughta Know", which was a good, but pretty straightforward cover, and she ended the night with a bit of a slower and sultry number, "SRH".

Tough Lovers: A last minute replacement this year, after another band dropped out, the four-piece from Ladner had a bit of that mid-00's indie rock sound with a retro twist. With a great energy on stage, Tough Lovers have some pretty catchy songs, but they didn't really stand out from each other. Even their cover,
a very fitting and fun version of Paul Anka's "Put Your Head On My Shoulders" (which actually wasn't the first time that song was covered in the PPP) blended in with the rest of their set. That didn't make it bad, though; it was definitely an entertaining set, and were quite fun to watch live. But they're still only a couple years old, as a band, and they just need to keep at it, to "find their sound" so to speak. And I, for one, will be interested to see how they grow.

Fields of Green: When I saw Fields of Green in last year's competition, I thought they'd have a good shot at winning... if they entered the next year. And here we are, one year later, with the Kelowna quartet back for another go. Their synthy prog-rock sound has indeed matured, and they've grown as a band, with a wildly energetic show; especially Johnny Jansen, who is the most fun drummer to watch, seemingly flailing erratically, pounding the skins with wild abandon -- but without being sloppy in the least.
With songs that swirled to psychedelic crescendos, burst into explosive endings, and feature some nice harmonies, they created an intricate yet catchy sound.
For their Canadian cover they did a pretty good job with April Wine's "Say Hello" and wrapped up with their current Peak single, "The Do Nothings", another highly energetic and rocking song.
I think they definitely have a well deserved shot at it this year, and I wouldn't be at all surprised if they end up in the top five.

The Gay Nineties: I had heard a lot of buzz and good things about The Gay Nineties before the show, so I was equal parts in interested to see them and apprehensive that they wouldn't live up to the hype. They started the set with a sheet up across the stage and an old movie playing on the screens with a musical number about "the gay 90's" before the curtain dropped and they launched into "In and Out of Style". I was immediately struck by their amazing energy and presence on stage; they were a well oiled machine with hints of psych-rock and grunge in their incredibly infectious rock. And both guitarist Parker Bossley and bassist Daniel Knowlton -- who share vocals -- had a great charisma, with a great back & forth, playing off each other really well. They broke out "Hot Child in the City" from Nick Glider for their Canadian cover, matching the energy of the rest of their set, and ended the night with a bang, with a song called "Handle It All"
The band definitely lived up to the buzz and ended up as one of my new favourites of the competition. Yet another act I am hoping makes the top three, and if this was any indication, they've got a strong chance of it.

And with that, the series is almost over. The final showcase happens on the 18th, and will wrap up with Dominique Fricot, Mike Edel, T. Nile, and Portage & Main (one of the bands I am rooting for most).

Bend Sinister @ Venue -- 07/19/12

It's been four years since the last full length album from Bend Sinister -- 2008's Stories of Brothers, Tales of Lovers -- and while there has been a couple of EPs to tide us over since then, the wait for their third full length is finally over with the release of Small Fame last week on File Under: Music. And to celebrate, they threw a hometown album release party at Venue.

The first band of the night was Young Pacific, who I unfortunately missed, getting there just as the second band, Fields of Green took the stage.
When I saw them in the Peak Performance Project last year, I thought they had loads of potential, but they were still young and needed some time to grow as a band, to become more cohesive, and in the past year they've made huge strides; not only earning a spot in the PPP again, but they also scoring top three of this year's Fox Seeds competition.
Their sinthy, prog-rock-ish sound comes with great energy from the whole band, especially drummer Johnny who is insanely animated, and their live show has definitely gotten tighter. My favourite of the set was a song which I missed the name, but included a fantastic instrumental section that started slow and soft and then grew to a huge climax of swirling guitars and intense drumming. I am definitely looking forward to see how they fare in this year’s Peak Performance Project.

And then it was time for Bend Sinister who hit the stage and immediately launched in to “She Don’t Give It Up”, as they played the whole new album front to back. The piano driven prog rock evoked sounds from some of the classics from the 70s, but never in a derivative way; they aren’t stuck in the past, but have made the sound their very own.
The band also has an unparalleled energy; Dan Moxon is a monster on the keys, and both guitarist Joseph Blood and bass player Matt Rhode were rocking out in power stances, and coming right up to the front of the stage to get people clapping along.
Highlights included the catchy “Got You On My Mind”, the intense “My Lady” with a great instrumental breakdown, and especially the back to back combo of “Hot Blooded Man” and “Black Magic Woman”; the former being an explosive and insanely high energy rocker, and the latter a slower and more sultry jam.
After wrapping up with the psychedelic “Quest for Love” they were back for an encore of a few older songs, including the anthemic and uplifting “Things Will Get Better”, a fantastic cover of Supertramp’s “The Logical Song” and ending the night with an old favourite, “Time Breaks Down”.

Bend Sinister was one of the first Vancouver bands I really got into when I first started exploring the local music scene, and they remain one of my favourite. Especially with shows, and albums, like this. There are few bands -- local or otherwise -- that can match the energy and intensity from the band, and their live show is hard to top.

setlist
She Don't Give It Up, 
Don't You Know, 
Man of Faith and Virtue, 
One Shot, 
Got You on My Mind, 
My Lady, 
We Know Better, 
Give It a Rest, 
Hot Blooded Man, 
Black Magic Woman, 
She Lost Her Rock and Roll, 
Quest for Love.
(encore) The News, Things Will Get Better, The Logical Song [Supertramp cover], Time Breaks Down.

We Are The City w/ Treelines & Fields of Green @ Rio Theatre -- 12/10/11

Two years ago -- to the day -- was the first time I saw We Are The City live. To say I was impressed would be an understatement. They quickly became one of my favourite "local" bands (being from Kelowna), and I have probably seen them a dozen times since. Even the brief departure of David Menzel didn't slow them down, but last night was the first Vancouver show with him back. And along with them was a couple other Kelowna transplants -- and Peak Performance Project alumni -- for a killer lineup at the Rio Theatre.

First up was Fields of Green, and right off the bat I noticed their energy, particularly that of drummer, who is almost a human analog of Animal from The Muppets, with wild arms flailing. They had a bit of a synthy, prog rock driven sound and some pretty catchy songs, with a few new ones in the set, as they had just finished recording a new album and part way through the set they switched things up with the keyboardist taking over on guitar for a few songs, and switching up lead vocals for another.
When I saw them earlier this year, I thought they were quite good, and really fun to watch, but a bit green, and I thought they have really improved in just the last couple months. I am definitely looking forward the the upcoming album, and their next show.

Treelines was up next, starting their set off with a bang by high-kicking right in to the rocking "Ghost Towns". As usual they, they had a great energy, especially lead singer Matt Lockhart, but especially his brother and bassist Steve, who never fails to amuse me by singing along to every word of the set, even though he rarely has a microphone in front of him.
Mid-way through the set they brought things down for a moment with the heartbreaking "When I Get Grown", which saw Matt Kelly on slide guitar, and the title track for their new digital EP, Courage, which starts slow but swells to a grand finish.  After a couple more they ended the set ended with catchy "Ode to the Prairies", and that awkward moment where someone in the front threw a bra at Steve, who didn't seem too amused by it (keep in mind, it was an all ages show). Treelines always put on a fun, rocking show and this was no exception.

And finally, We Are The City hit the stage to a bit of a haunting intro and kicked off with "Happy New Year", garnering a fair amount of singing along. The set was a mix of new and old, with Menzel nailing the guitar parts from the High School EP and the trio sounding better than ever. When I first saw them, I was amazed by how tight they were, and they have gotten exponentially better since then, with a great stage presence and an incredible energy; especially Andy who is up and down more than any drummer I've seen. They also have some of the best banter, which seems less like "stage banter" and more like three friends chatting with you, which is highlighted in the way Cayne & Andy play off each other and interact.
As for the set itself, highlights included the beautiful "April" and the intense "Astronomers", both from In A Quiet World, a newer, unreleased song called "The Birds" which ebbs and flows, and "Mourning Song" off their most recent 7", with an amazing outro/transition between that and "Dark/Warm Air", which saw Andy on vocals and has a bass line that thumps right to your core.
Early in the set I was ever so slightly disappointed that they did not play the entire High School EP in order, with the Amazing Factory video playing on the big screen behind them, but that disappointment was sated when they launched into "Dark/Warm Air" and the video came on screen. That was the "last" song, but they were back out for "Angel in White", with the video projected for that song as well.

My only squabble was that there was a slight buzzing for the entirety of We Are The City's set, and while it wasn't always noticeable, there were a few times during the softer parts of the song where it was; but aside from that, it was an incredible set, and an incredible night of three great bands.

Peak Performance Project Showcase #2 @ Red Room -- 09/15/11

The Peak Performance Project is a multi-year contest in which The Peak, along with Music BC, picks 20 BC musicians/bands a year and makes them stars. The first year was won by We Are The City, and last year, Kyprios, with a ton of great bands and artists included as well.

Part one of the project was a rock & roll boot camp where they went on a week long retreat where industry pros helped them refine their craft. Phase two is a series of shows at The Red Room, four artists a night for five weeks, each playing a 45 minute set. In the last two years, the bands would all have to learn and play a cover of a classic Canadian song, but this year they will all be playing the songs they wrote about Vancouver for the Vancouver125 celebrations. Honestly, I am a bit disappointed about that, because one of my favourite aspects of the showcase series last year was seeing which song they picked and how they interpreted it. But I am sure their Vancouver songs will be great.

First up for the night was Avairis, whose three members took the stage one by one for a song that built up. They were kind of dirty, bluesy rock group and while they played off each other really well, I didn't really get into them that much. I definitely didn't think it was bad by any means, but it wasn't all that great either; it just... was.
They would, however, win if the prize was based off facial hair, and Duff has a really interesting story -- he was once in a plane crash and messed up his right hand, so he decided to switch and learn to play the guitar with his other hand.

Fields of Green was up next, and they were one of the bands that I had not heard much of before, but was intrigued to see live. With a bit of a prog-infused alt-rock sound and a crazy energy, especially the drummer, who was a maniac behind the kit. Though half way through the set they killed all of their momentum when, after trying to get the Red Room silent (which did not work at all) they decided to do a completely unplugged and unamplified song. I can see something like that being killer in a smaller venue with a quieter crowd, but as it turned out, anyone not in the first five rows couldn't hear a thing, and that really hurt. That being said, they did manage to regain some momentum and ended the set with even more energy than they started with. For the most part, I really enjoyed it, and definitely saw potential in the band; they're a little green right now, but given a few years of hard work, they could be huge.

Third up was Acres of Lions, who are one of the repeats from last year's competition. When I saw them a year ago, I thought they were okay; a decently fun band, though nothing much else. But they really impressed me this year with how much they've improved since then. They played a solid set of fun, upbeat rock songs, and had a really good stage presence, really pulling the crowd into it. The best example was mid-set, with their new single, "Reaction", which got everyone clapping and ba baa-ing along, and was sure to get stuck in peoples heads well into the next day.
Plus, any band that has a song about Firefly ("This Was Not My Best Day Ever") is aces in my books.

And rounding out the night was Current Swell. I had heard some of their stuff before the Project started, and I never really cared for them that much, so I had a bit of a bias going into their set. But they were a lot more rocking that I thought they would be, and they had a fantastic energy.
While there were still more songs I couldn't get into than could, there were a couple I really dug. "Cursed", which has a fantastic guitar riff throughout the song, was great live and their Vancouver 125 song, "Granvilletown", was also pretty fun. I enjoyed them a lot more than I thought I would, but (to be honest) I still wasn't really "won over" by them. I would probably see them live again, but likely won't be scrambling to get an album.

Maybe not quite as good as the first week, but still a damn fun show. And, on a side note, pretty much half of the Vancouver music scene was on hand to see the showcase, which is always great seeing all the love and support.
On tap for next week next week, we'll you'll see The Oh Wells, Ashleigh Eymann, Sex With Strangers and The Boom Booms.