Sam Lynch @ Fox Cabaret -- December 04, 2024

Almost exactly a year ago, I saw Sam Lynch opening a show at the Hollywood Theatre for Hannah Georgas. I had seen her a few times before, but that night she previewed some new songs she had been working on for an upcoming album that really caught my ear. I made a mental note to keep a look out for it, and flash forward a year, Outline is in the world and Sam was celebrating with a show at the Fox Cabaret.

Unfortunately due to a busy evening, I missed opener Talel McBriar, arriving shortly before Sam Lynch took the stage. She was joined by some familiar Vancouver faces; Lilli Carr (guitar), Sean Wharton (keys), Joshua Contant-Perdue (drums), and Alex Maunders (bass), with Sam Davidson (clarinet) joining them later in the set.

Lynch talked about celebrating the new album, but also remembering the past and looking to the future, so the set started with some older tracks, kicking off with “Good Year” and a few others from her previous album Little Disappearance. Her indie-folk sound and captivating vocals driving songs like “Off the Rails”, and after a few, the band took a break for Sam to play a brand new tune on her own.

Then it was time to spotlight the new album, Outline, starting with “All the Life”. Sam’s emotions poured out on songs like the haunting “Hurt” and my favourite of the album, “Doing My Best”, which built to an ending that featured Lynch letting loose on vocals. Performing the album front to back, other highlights included the breathless “Getaway Car” and heartwrenching “Piece of You”, which lead into the final song of the album, “Moth” building to an intense finish.

The main set wrapped up with the simmering intensity of “Keeping Time” before Sam was quickly pulled back for one more. Joined only by the album’s co-producer Sean Wharton, she introduced the final song as one of his, a gorgeous tune that had their voices intertwining beautifully.

Throughout the show, Sam Lynch was very clearly grateful for the crowd — who were very attentive the whole show — and confessed that this was her first time headlining ever*. And after that show, it certainly won’t be the last.

(*in a full circle moment for me, the first time I saw her play was at the Fox!)

setlist
Good Year
Darkest Places
Off the Rails
Garden
[new song]
All the Life
Hurt
Doing My Best
Intermission
Getaway Car
Teeth
Piece of You
Moth
Keeping Time
(encore)
[Sean Wharton song]

PHOTOS: Rich Aucoin @ Fox Cabaret - October 03, 2024

Rich Aucoin
Fox Cabaret
October 03, 2024

Photos by Christine McAvoy

Click here to read Kirk’s recap!

Rich Aucoin @ Fox Cabaret -- October 03, 2024

This too shall pass, all good thing must come to an end, and other such clichés.

I say this because Rich Aucoin is now on the last tour of his legendary parachute show. A few years ago, Rich announced he would be winding down this version of his live show, now its finally happening. And anyone who’s seen a Rich Aucoin post on this blog before will know how fun they are, so of course there was no way I was going to miss it.

With no opening act, the night started with Rich announcing the plan; first a Synthetic Set, comprised of songs off his latest series of albums of the same name, followed by an intermission, and then the Classic Set.

So it began with Rich behind his synth, trippy patterns flashing on screen behind him, as he started off with “Release”, and then wound through tracks from his Synthetic albums. The instrumentals zipped from dizzying highs to glitchy breakdowns, Rich rarely breaking between songs as they lead seamlessly into each other, whipping the crowd into a dancing storm.

During the break, a photo montage filled the screen, reminiscing of the last decade-plus of shows, accompanied by songs like “Good Riddance”, before a ten minute countdown hit to hype everyone up.

As the timer ticked down to zero, the show began with the usual “trailers”, a series of fun clips, memes, viral videos, and old school Canadiana (House Hippo, anyone?) before the audience summoned the narrator — David Attenborough this year, although past narrators Arnold Schwarzenegger and Michael Caine made cameos. With all that excitement building, it was time for the Feature Presentation, as the opening credits hit, shouting out people in the room with fun facts attached, staring off with Rich telling us we need a “New Nostalgia”.

From there, Rich — joined by phenomenal drummer Tony Dallas — blasted through a set of his high energy, incredibly fun, and often thought provoking tunes, spanning his entire career, from “At War With the Cynics (An Opening)” to “Kayfabe” and everything in-between. He squeezed in as many songs as possible, even doing mashups and medleys, pairing songs with thematic similarities, like “How it Breaks” & “Watching, Wishing, Waiting” or “Four More Years” & “Want to Believe”. Throughout the whole show, the crowd sang with no reservations, as he conducted everyone to shout along with “Undead” and “Brian Wilson is A.L.i.V.E.”, the big screen almost always including lyrics.

Along with those lyrics, the screen behind Rich also featured a selection of visuals, from static images to his music videos, to thematically appropriate clips. He even harkened back to some of his early shows while showing parts of How the Grinch Stole Christmas syncing up to songs like “10,342 Cuts for the US (An Exploding)” from his Personal Publication EP, written to sync up with the animated classic.

As usual, Rich was teeming with energy. When not behind the synth he was bounding across the stage, and often into the crowd to sing with everyone (it’s no wonder he’s retiring the show, I was exhausted just watching!) And the crowd was very much reciprocating that energy, no more evident than during “Are You Experiencing?” as the parachute came out for everyone to dance under, while screaming along “When you give it all up, you get it back”.

The set came to a close with perennial (and personal) favourite “It” but Rich had one last surprise, leaving everyone with a singalong to another fun mashup. But this time not any of his own songs; the tune of “Stand by Me”, accompanied by the lyrics to “All Star”.

And so the set came to a close, with Rich in the middle of the crowd, promising that even though this era is coming to an end, he would definitely be back in a new form, be it his synth show or a brand new experience.

And I can’t wait to see whatever it is.

PHOTOS: Rich Aucoin @ Fox Cabaret - June 01, 2023

Rich Aucoin, with Petra Glynt
at Fox Cabaret
June 01, 2023

Photos by Christine McAvoy

An Evening with Dan Mangan @ Fox Cabaret -- February 03, 2023

As much as I want to see musicians that I love get huge, blow up, have lots of success... when they do, there's a small (selfish) part of me that misses seeing them play intimate venues. Which is why it's great when someone like Dan Mangan decides to play somewhere like the Fox Cabaret. Part of a series of acoustic shows, tickets sold out in minutes for this hometown Evening with Dan Mangan.

With Radiohead playing over the speakers, the lights dimmed as Mangan took the stage alone, armed only with his acoustic guitar. Starting off with “Just Know It” from the new album Being Somewhere, and driving back to “Road Regrets” as Dan’s gruff voice filled the room, the night was not only intimate, but a little interactive as well.

He chatted with the crowd between songs, telling stories, and taking requests for the bulk of the set. From the classic wordplay of “Pine for Cedars”, to deep cuts like the frantic “Mouthpiece”, “Unnatural Progression” from his very first release Postcards and Daydreaming, and even his cover of Neutral Milk Hotel's “In the Aeroplane Over the Sea”, he hit requests from throughout his oeuvre.

Dan also debuted a new song, a clever tune about vampiric and parasitic people (I'm going to guess called “Vampire”?), with other highlights including the frenetic “Troubled Mind”, the melancholic “In Your Corner (For Scott Hutchinson)”, and “Sold”, with clap-a-long ending that's foolproof against people who may lack rhythm.

After the always-heartwrenching “Basket”, Dan started to draw the set to a close by wading out into the middle of the cabaret with his giant light fixture for a couple of singalongs. First the perennial favourite “Robots”, and finally ending the night as he's been wont to do for the last few years; the collective voices of the entire room supporting him on “So Much for Everyone”.

And that same crowd hung on every note Dan played throughout the night, with virtually no chatter during his songs. I’ve often said that Dan Mangan has a knack for making shows of any size feel intimate, but seeing him play a show like this again, after so many years, was truly something special.

setlist
Just Know It
Cold in the Summer
Road Regrets
Lay Low
Tina's Glorious Comeback
Jeopardy
Mouthpiece
In the Aeroplane Over the Sea [Neutral Milk Hotel cover]
Easy
New Song (Vampire?)
Pine for Cedars
Troubled Mind
Unnatural Progression
In Your Corner (For Scott Hutchinson)
Lynchpin
Fire Escape
Sold
Basket
Robots
So Much for Everyone