Sweetheart Serenade @ Rio Theatre -- 02/14/12

To be honest, I don't usually pay much attention to Valentine's Day. I usually just let it slip by unnoticed, but when Hip City puts together a show like the Sweetheart Serenade, with a few local acts playing intimate acoustic sets at a venue as nice as the Rio? Well, I wasn't going to miss that.
There were five acts throughout the night, and they all had short sets, so I'll [try to] keep it brief. But first, one thing that bugged me was an incessant buzz or hum throughout the night. It wasn't that noticeable when songs were played, but it was pretty prominent otherwise; if the person on stage was transitioning or bantering. I noticed it last show at the Rio, too, but hopefully it was just a one-off thing. I usually like shows at the Rio, so I would hate for this to be a persistent problem.

But on to the show itself. First up was Hannah Epperson, armed only with her violin and looping pedals. Interestingly enough (probably not that interesting), every time I've seen her has been at a show involving Zach Gray. Her set was short, but she showed off her fantastic violin skills and masterful loops, with a voice that fit perfectly for a few of her own songs, and an instrumental cover of "Can't Buy me Love". She also has the best awkwardly-charming stage banter this side of Aidan Knight, joking with the crowd between songs.
But the short set wouldn't be the last we saw of Epperson, as she was without a doubt the hardest working musician of the night.

Next up was Sunny Pompeii, the solo project of Said the Whale drummer Spencer Schoening. At first he was out alone for a couple songs with a folky charm, both original -- one that started "Last night I dreamt I kissed Neko Case" which immediately became a favourite -- and covers, before being joined by Epperson for a song and bandmate Simon Marmorek for the second half of the set. The covers throughout included the likes of Akron/Family, Grizzley Bear and Animal Collective and while Spencer's voice was a little worse for wear thanks to recording earlier in the day, their original songs were quirky and entertaining.

Next up was Tariq, who was backed by his Brasstronaut bandmate Sam Davidson on clarinet and space clarinet EWI, but performing his own songs. In contrast to Brasstronaut's ethereal sound, Tariq was more straight forward folk, almost with an alt-country twinge to the songs. He kept the theme of love songs going, though had mostly sadder love songs, and the strength of them was definitely Tariq's lyrics; a perfect example being "Front Row Seat", a love songs related through concert seating, with some clever and poignant lyrics that was not just my favourite of his set, but one of my favourites of the night.

John Sponarski, Harold Donnelly and Georges Couling of Portage & Main took the stage next. They, too, were joined by Epperson for a song, "Rocky Mountain Wanderer", and Savannah Leigh Wellman of Redbird (and honourary Portage & Main member) was also out for most of the set providing backup vocals. After the building "I'd Never Climbed a Mountain", they brought their set to an end getting the mellow crowd a bit more energized to sing along to the two-word chorus of "Carolina".
Some of their songs are as good, if not better, when stripped down, so it's always nice to see them play a more intimate acoustic show.

And finally The Zolas wrapped up the night. Zach and Tom took the stage and, once again, Hannah Epperson was out to lend her violin. They played a couple new songs, starting with "Ancient Mars" that had Tom on the drum pad, before feigning leaving, but were of course out for more; a cover of Radiohead's "Codex" and another new(ish) song "Strange Girl", where Zach decided to spontaneously jump on the drum pad mid-song for hilarious (yet awesome) results.
That seemed to be the end of it but they were out one last time -- in what may have been a rare legitimate encore -- for the crowd favourite "You're Too Cool" before ending the show.

In all, it was a really nice night, and all the performers on stage looked like they were legitimately having fun and were all really loose on stage, creating a really nice and intimate feel. Perhaps appropriate for what day it was.

One Night Stand IV @ Media Club -- 12/31/11

For the fourth year in a row (and my third in attendance), some of Vancouver's finest musicians came together to ring in the new year with nearly three hours of great covers. The night saw many familiar faces from the last couple years, as well as some new additions to the one-off band, which rotated members throughout the night, seeing people on and off stage and everyone getting at least one song of their own -- even those who are not usually front and centre.

This year, the One Night Stand band consisted of Johnny Andrews (Rococode) Andrew Braun (Rococode, Hannah Georgas) Peter Carruthers (Siskiyou) Robbie Driscoll (Hannah Georgas) Hannah Georgas herself, Brian Healy (Elias) Tariq Hussain (Brasstronaut) Ali Milner, Jasmin Parkin (Mother Mother) Laura Smith (Rococode) Rob Tornroos (Elias), "plus surprise guests"

Starting at 10, they played three sets of covers, at the top of each hour, with the obligatory midnight countdown and free champagne.



Set One
Ready To Start (Arcade Fire) - Andrew Braun
Take On Me (A Ha) - Ali Milner
Rolling in the Deep (Adele) - Laura Smith
Suffragette City (David Bowie) - Brian Healy
Dreams (Fleetwood Mac) - Ali Milner
The Night They Drove Old Dixie Down (The Band) - Brasstronaut
Be My Baby (The Ronettes) - Jasmin Parkin
Born To Run (Bruce Springsteen) - Peter Carruthers
Common People (Pulp) - Tariq Hussain

They kicked off the night, appropriately enough, with Arcade Fire's "Ready To Start" and Braun on vocals (perhaps Rococode covering "Rococo" would have been too obvious) and from there Ali Milner did a great "Take On Me" and Laura Smith crushed the vocals for "Rolling in the Deep". Tariq brought out Brasstronaut band-mates Edo and Sam for a sing along toThe Band and in a rare vocal appearance, Carruthers took centre stage for "Born To Run". The first set wrapped up with a pretty cool cover of "Common People" (almost as good as Shatner's) from Tariq.

Set Two
Under Pressure (Queen) - 
You Make My Dreams (Hall & Oates) - Ali Milner
She Drives Me Crazy (Fine Young Cannibals) - Hannah Georgas
Gold Guns Girls (Metric) - Jasmin Parkin
I Might Be Wrong (Radiohead) - Laura Smith
Solsbury Hill (Peter Gabriel) - Brian Healy
Single Ladies (Beyoncé) - Smith/Milner/Parkin/Georgas

The second set [apparently] started with "Under Pressure", which I was a little crushed to learn I had missed, due to the photobooth being in the back room this year as opposed to next to the stage. The rest of the set was focused on the lovely ladies of One Night Stand, which was by no means a bad thing. Hannah took over for a great cover of one of my favourite songs from when I was a youngin', Fine Young Cannibals' "She Drives Me Crazy" and Jasmin Parkin's "Gold Guns Girls" was one of the more interesting covers to hear, by virtue of the fact that Mother Mother and Metric are fairly similar bands.
They capped off the set -- and the year -- with all four ladies; Smith, Milner, Parkin and Georgas, informing everyone that if you liked it, you should have put a ring on it.

Set Three
With Or Without You (U2) - Rob Tornroos
Live and Let Die (Paul McCartney & Wings) - Andrew Braun
Lust For Life (Iggy Pop) - Brian Healy
Dancing On My Own (Robyn) - Smith/Georgas
Use Me (Bill Withers) - Tariq Hussain
Once in a Lifetime (Talking Heads) - Robbie Driscoll
In My Place (Coldplay) - Rob Tornroos
Gz and Hustlas (Snoop Dogg) - Hannah Georgas
Say It Ain't So (Weezer) - Andrew Braun
Like A Rolling Stone (Bob Dylan) - Everyone

The first song of the year, the traditional slow dance song, saw Elias' Robbie T belting out "With or Without You", before a great sing along to "Live and Let Die" lead by Braun. Two big highlight of the night came close together, the first being Robbie Dee -- normally in the background of various bands -- channelling Taking Heads and proving he is a pretty damn energetic frontman in his own right, and the second was Gorgeous Gangsta' Hannah Georgas throwning down some Snoop Dog, which had to be seen to be believed.
And as with previous years, they ended the night with everyone coming back on stage for a giant sing along, with most of the room joining in for "Like a Rolling Stone".

I think one of the best things about this event is always how much fun is had in the room. Starting on stage, it's blatantly obvious how much the people love doing this; love playing some of their favourite songs with some of their favourite people, and that enthusiasm definitely bleeds into the crowd. Hopefully they'll keep it going for years to come -- and seeing as they always sell out well in advance, hopefully next year they can get an even bigger venue!

Analog Bell Service (w/ Tariq) @ Railway Club -- 09/10/10

I'm not sure how it happened, but it seems like forever since I had been to a show at the Railway Club. It's probably one of the better live venues we have, but perhaps because of it's size, you have to catch bands at just the right point to be able to see them there. Last night featured two Vancouver bands who will be no doubt moving to bigger venues soon enough. Both also had the CBC Radio 3 connection, with members being hosts and/or behind the scenes work.

While he wasn't first up for the night (that went to Aunts & Uncles, who we missed), Tariq was the first act we caught. He was joined by Brasstronaut-bandmate Brennan Saul, Colin Cowan & Chris Kelly (of Analog Bell Service) and Jody Glenham as his backing band. I'm not sure why, but when I first heard Tariq's solo material, I was a bit surprised that it had more of a folky, almost alt-country sound to it. But it really works well for him. There was especially one song that struck me, as it did last time I saw him play, called "Front Row Seat" which is a love song by way of concert seating. Which sounds awkward, but turns out really well written. He was also joined, at one point, by Brasstronaut trumpeteer Bryan Davies for a song. I think I liked the first time I saw him a little better, at Little Mountain Gallery, because there seemed to be more banter/joking that time, and the "encore" with Tariq playing in the midst of the crowd... but that kind of thing is a bit more difficult at the Railway.

And hitting the stage around 1am was Analog Bell Service. This was my third time seeing them in about as many months, and probably the best of the three. The other two they were openers, so this time they had more time to stretch their legs. Their energy was through the roof, as usual, as they burst through their poppy art-rock sound. I guess that is how you would describe it, they have a hard sound to peg down. Aside from the songs from their self titled album, they played some brand new stuff and a few covers, as they seem to like to do; "Sunglasses at Night" and "I Can See Clearly Now", both of which they've done before. They also threw in a really cool cover of Stevie Wonder's "Superstition", their sound giving the song a really unique twist. They also teased covering The Pixies at one point, I think, but it wasn't to be. The set was wrapped up with "I Guess", which they went completely all out for, somehow managing to raise the intensity. So much so that Chris Kelly even seemed to break his guitar somehow. Because of that, it didn't seem like there was going to be more, but the crowd brought them back for a for-reals-encore, which saw them pull their friend (and bandmate, or former bandmate, I am not sure) Chris Leitch for vocals on the last song, "There She Goes".

Despite the fact that they went on so late (Tariq started at almost midnight, ABS just after 1am), it was still a damn good show, and I will definitely be seeing either of them next time I have the chance.

PS: I don't know who made the poster for the show, but I love the Python-ness of it.

An Intimate Night Of Piano Tunes With Daniel Moxon & Edo Van Breemen @ Library Square -- 08/12/10

Bend Sinister's Dan Moxon and Brasstronaut's Edo Van Breemen teamed up last night for an intimate night of piano tunes at Library Square. It was pretty much just a piano set up in the corner of the bar, with an area in front and an "upper level" (think four or five steps) with a "balcony" for people to watch from. Oh, and the place was playing the old Wonder Woman show all night on their TVs, so that got a little distracting at times.

First up was Edo, not quite doing a solo set since he had fellow Brasstronaut Tariq with him on guitar and lap steel. He played a pretty varied set, some Brasstronaut, some older stuff from his other band and also some brand new. At first, I was wondering how the Brasstronaut songs would sound stripped down like that, since the band has such a rich sound; but for the most part they were really cool and worked well. "Slow Knots" was an especially interesting version of the song, both stripped down and slowed a little.

After a short break Dan hopped up to the piano, playing about half his/Bend Sinister songs and half covers. He started with "Careless", and hit songs spanning all over his oeuvre, including the "In A Minute" song written for the Peak Performance Project (Bend Sinister took third last year). He had a couple covers in his "main" set, a McCartney and a Hall & Oates that were a bit lesser known, but the last half of his set consisted of the more sing-a-long hits like "American Pie", "The Logical Song", "The Boys Are Back In Town", "We Are The Champions" and doing somewhat of an encore with "Life on Mars".

Despite the fact that the bar was a little noisy at times, it was a really cool environment for that type of thing. It seemed less of a "show" and more of "Hey friends, I am going to play you some tunes, cool?" I know Dan has done some solo piano shows before, but I hope this kind of thing becomes a regular occurrence.

Tariq & Jody Glenham @ Little Mountain Gallery -- 07/13/10

I've mentioned it before, but one thing that is really cool about the Vancouver music scene is how close and friendly everyone is. Last night's show at the Little Mountain Gallery was filled with other musicians and CBC Radio 3 people, not just there to support friends, but also enjoy some good music.

The first act up was The Old Familiar, and unfortunately we missed his set, getting in just in time for Jody Glenham. I'm not sure how it happened, but somehow I hadn't seen her live before (not counting a night at Guilt & Co. or a Jon Bon Jovi Jody song at Biltmore karaoke night). The first thing that struck me was her voice; she had a great range, soft and smoky when needed, but a few times during the set she stepped back from the mic and just let loose, which was impressive. It was just her & keyboard on stage, and maybe the small venue helped, but she seemed to have a knack to make things intimate, and kind of felt like each song should have been shared in a smoky bar over a glass of whiskey.

Next up was Tariq, who I also hadn't seen, on his own at least (only with Brasstronaut). He was joined by some familiar faces on stage; Colin Cowan (from Analog Bell Service), Jody Glenham and Shane Nelkin (from The Awkward Stage). He has a bit more of a folky, acoustic sound to him; a bit softer, but not without an edge. One song that really struck me was "Front Row Seat", a love song via concert seating. There was also some great banter and joking around, as all the members are pretty funny in their own right. Finally, for the "encore", they came into the crowd for one last song (even Cowan's stand up bass), which was a really cool thing to see, as they were all (obviously) unamplified.

Corny as it may sound, it's shows like this that make me so glad to be witnessing what Vancouver (and even the rest of BC) has to offer, music-wise, right now. Seeing people supporting each other on and off stage, it creates a real sense of community, as opposed to just a bunch of bands who happen to be in the same city.