PHOTOS: The Darcys, with Fake Shark @ The Wise Hall - March 31, 2022
The Darcys, with Fake Shark
The Wise Hall
March 31, 2022
Christine McAvoy Photography
Read Kirk’s review here.
The Darcys, with Fake Shark
The Wise Hall
March 31, 2022
Christine McAvoy Photography
Read Kirk’s review here.
Touring can be difficult for musicians right now, especially when the venue you were planning on playing has a flood, meaning you're forced to move both the location and date of your show. But the plus side of that can be if a person who wanted to go see the show couldn't make it the original date because they were, say, hosting a Simpsons Trivia night. Hypothetically, of course. So sometimes moving the night of the show can actually be beneficial to at least two people!
I arrived a bit late in the evening and unfortunately missed Vancouver's Fake Shark opening the night, arriving shortly before The Darcys hit the stage. The duo of Jason Couse and Wes Marskell started off with the moody title track to their last album Fear & Loneliness, then kicked off with the high energy “No Regrets”, hardly slowing down for the next hour or so.
Highlights included the thumping “Boys Don't”, “Just Here With My Friends” (which sadly did not feature July Talk's Leah Fay appearing out of nowhere for her vocals on the song), the incredibly catchy & danceable "Miracle”, and the simmering intensity of “The River”, the lone song from their last album as a 4-piece, Warring.
The pair also joked around between songs, with the crowd and each other, telling stories of meeting Robert Pattinson in the twilight of his fame, asking the person on lights to just go crazy with them, and teasing a bit heavier of a cover than the one they went into; a really fun version of Rihanna's “Desperado”.
They capped off the set with their latest single “Running for the Hills” but were sheepishly back on stage a few minutes later, admitting they were not planning to do an encore, but forgot to tell the sound person to hit the house music as soon as they were off stage. So Wes called it a "non-core" and they finished the night with another cover that had at least a few people singing along, "Don't Dream It's Over" originally by Crowded House.
Even before these last two years, it had been a minute since I last saw The Darcys play live, and they were as fun as ever. Hopefully with all the new music being released, they’ll be back for another show (with fewer complications) sooner rather than later.
setlist
Fear & Loneliness
No Regrets
Look Me in the Eyes
River
Boys Don't
Desperado [Rihanna cover]
Alibi
San Diego, 1988
Miracle
Washed Away
Just Here With My Friends
Hurt
Coming Up For Air
Chasing the Fall
Running for the Hills
(non-core)
Don't Dream It's Over [Crowded House cover]
It's been a few months since the release of Centerfold, the latest album from Toronto's Darcys, and while the duo has been to Vancouver since, it was always opening for someone else. Now they're back for their first headlining show since the new album, and the changes in both their band (dropping down to just two members, Jason Couse & Wes Marskell) and sound.
Opening the show was Vancouver's Sex With Strangers, their indie-dance-rock a nice compliment to Darcys. As usual, singer Hatch Benedict was bursting with energy and he barely stood still for a second, his raw vocals contrasting with those of Shevaughn Ruley. Near the end of the set, as they went into "Gift of Fear", Hatch jumped off the stage and onto the dance floor to, well, dance. He went around the growing crowd, singing to/at people, urging them closer, and encouraging them to move, while ending off the set with a cover of "Don't Change" by INXS.
As it was a curfewed show, it was a fairly quick turnaround for Darcys, as the duo took to a somewhat tropical looking stage; plants lining the sides, a light up palm tree, a projection screen behind them showing a tree-lined road, and a large neon sign with their name emblazoned.
They mostly played off the new album Centerfold, with songs like the catchy "Arizona Highway", "Miracle", which got everyone moving, and one of my favourites, the frantic "Coming Up For Air". But they also threw back to a couple older ones, both "The River" and "Shaking Down the Old Bones" bringing the old songs into their "new" sound nicely.
During the set, Jason and Wes joked a lot, both with the crowd and with each other, clearly having fun. They shared stories from the road, bantered about early shows (it was almost definitely still light outside when they started their set), and seemed like they were trying to entertain each other as much as the crowd.
As the curfew drew closer, they wrapping the set up with the simmering slow burn of "Lip Service", erupting into an intense ending before thanking everyone and taking off. But they made the crowd work for the encore -- blaming it on the distance from the stage to the bathrooms -- before coming back to play a couple more.
I've said before, I'm not really a fan of the whole encore process, unless the band uses it to have some fun, not just play more of their songs -- or worse yet, their big hit. And that's exactly what Wes & Jason did. After joking with the audience about not knowing anymore songs (and barely knowing the ones they were about to play) they launched into a pair of amazing covers. First was their recent release, a version of "Kiss" by Prince, followed by Foreigner's "I Want To Know What Love Is". Both were super fun and had the crowd singing along, and a perfect way to end off the show.
It can be hard when a band you really like goes through changes. As much as I love the dark art-rock sounds of their previous album Warring, the new album is ridiculously fun and catchy, and even with a bit more of an 80s pop sheen to it, the new songs still sounded like The Darcys, still have that slightly dark edge creeping in underneath the shine. And even with all that aside, they're still a great live band.
setlist
Studio City
I Want It All
Alibi
Arizona Highway
The River
Shaking Down the Old Bones
Coming Up For Air
Full Throttle
Black Diamonds
San Diego, 1988
Miracle
Lip Service
(encore)
Kiss [Prince cover]
I Want to Know What Love Is [Foreigner cover]
JPNSGRLS @ The Roxy
Christine McAvoy Photography
JPNSGRLS @ The Roxy
Christine McAvoy Photography
JPNSGRLS @ The Roxy
Christine McAvoy Photography
JPNSGRLS @ The Roxy
Christine McAvoy Photography
JPNSGRLS @ The Roxy
Christine McAvoy Photography
Louise Burns @ The Commodore
Christine McAvoy Photography
Louise Burns @ The Commodore
Christine McAvoy Photography
Louise Burns @ The Commodore
Christine McAvoy Photography
The Darcys @ The Commodore
Christine McAvoy Photography
The Darcys @ The Commodore
Christine McAvoy Photography
The Darcys @ The Commodore
Christine McAvoy Photography
Hannah Georgas @ The Commodore
Christine McAvoy Photography
Hannah Georgas @ The Commodore
Christine McAvoy Photography
Hannah Georgas @ The Commodore
Christine McAvoy Photography
Hannah Georgas @ The Commodore
Christine McAvoy Photography
Hannah Georgas @ The Commodore
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Matinee @ The Roxy
Christine McAvoy Photography
The Sheepdogs @ The Roxy
Christine McAvoy Photography
The Sheepdogs @ The Roxy
Christine McAvoy Photography
The Sheepdogs @ The Roxy
Christine McAvoy Photography
The Sheepdogs @ The Roxy
Christine McAvoy Photography
The Sheepdogs @ The Roxy
Christine McAvoy Photography
Weekly Photo Roundup for the week preceding November 9, 2016
November has been crazy busy so far with shows and there are even more coming up!
Last week saw two free (win-your-way-in) shows at the Roxy, featuring JPNSGRLS on a Day Of The Dead party, and The Matinee, and The Sheepdogs playing to a completely packed house.
I also sincerely hope you managed to get to the Commodore to see Hannah Georgas perform again. With The Darcys, and Louise Burns opening up, it was an overwhelmingly awesome show. - Read Kirk's review of it here - I agree with all of it, and would like to add the Hannah Georgas definitely made me cry (at least once) that night.
Check out the concert calendar for what is coming up this week!
Photos by Christine McAvoy
It's been a couple years since Hannah Georgas moved away from Vancouver to head out east to Toronto, and while she's isn't originally from here, her show at the Commodore this week still felt like a homecoming.
And not only was Hannah returning, but she brought with her quite possibly the best three-band lineup I've seen in quite some time.
Starting off the night was the dark, noir-pop of Louise Burns. She was playing a bit of a stripped down set, joined only by Jody Glenham on keys & vox, and Darcy Hancock on guitar. The short set featured older favourites like "Ruby" and the haunting "Emerald Shatter" and also teased some songs from her upcoming album; including the new single "Storms" to close the set, and one of which I really liked but didn't catch the name of. The new stuff sounded like a natural extension, her ethereal voice lofting over music that so far seems a touch more upbeat that her The Midnight Mass. If they were any indication of the new album, I will be eagerly awaiting it.
After the stage was reset with some plants flanking their name emblazoned on a large, pink neon light sign, The Darcys. Their set mostly drew from their new album, which was out at the end of the week, and marked a shift in the band's sound. Since the last time I saw them (not counting a short acoustic set at The Peak) they had lost half the band -- now just a duo of Jason Couse & Wes Marskell -- and shifted from a moody indie rock to a glossy 80s synth sound. Yet even with the change, it still sounded like The Darcys, a slightly dark edge creeping in underneath the shine, as heard in songs like "San Diego, 1988" or "Coming Up For Air".
But the new songs also got people moving with "Black Diamonds" which saw drummer Wes singing a little bit with a robotic-voice, and their incredibly infectious single "Miracle".
The pair also snuck in a couple older song into the set, both "The River" and "Shaking Down The Old Bones" getting slight makeovers, to fit their new setup, but not so much that they were unrecognizable form the originals.
They finished off with my favourite of the set, "Lip Service", which is the perfect blend of their new and old sounds, coming to a close with an intense swell of guitar & drums.
After a bit of a break, it was finally time for Hannah Georgas, as she emerged with her band on a stage full of smoke, the lights cutting through and silhouetting the members. Starting off "Enemies", the set focused mostly on her latest two albums; For Evelyn which came out earlier this year, and '012's self-titled.
Georgas showed her songwriting range, from the acerbic "Somebody" to the soft and heartbreaking beauty of "Walls"; the high-energy night-out vibe of "Shortie" to the fool-in-love song "Crazy Shit"; to one of my favourites of the set, "Angel" which started with just Hannah's beautiful voice and her on keyboard before the band came in so thunderously that it raised the hairs on the back of your neck. Hannah was also visibly glad to be back in Vancouver, even when not thanking the crowd, bubbling over with energy while performing.
After a little over an hour, the set came to an end with "Waiting Game" before Hannah was back out alone for the encore, armed only with her guitar. She told the story behind one of the first songs she wrote when first moved to Vancouver, "The National" and then capped off the night a great, chilled out cover of "Don't You (Forget About Me)" originally by Simple Minds (though sadly, not raising her fist victoriously in freeze frame while leaving the stage).
Each one of these bands I would have been more than happy with seeing on their own, and for all three it seemed like too long since I last saw a [proper] set from them. Even with different tones, they complimented each other quite well, and really was one of the best all-round shows I've seen this year.
Darcys setlsit
Studio Life
San Diego, 1988
I Want It All
Shaking Down the Old Bones
Coming Up For Air
The River
Miracle
Black Diamonds
Lip Service
Hannah Georgas setlist
Enemies
Don't Go
Evelyn
Somebody
Lost Cause
Angel All The Time
Fantasize
Loveseat
Shortie
Robotic
Walls
Ride Back
Elephant
Crazy Shit
Waste
Waiting Game
(encore)
The National
Don't You (Forget About Me) [Simple Minds cover]