Young Galaxy @ Venue -- 04/04/18

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It's been nearly five years since the last time Young Galaxy has played Vancouver, and there have been a few changes since. For one, the band has slimmed down to the two core members, Catherine McCandless and Stephen Ramsay. They were also just about to self-release a brand new album, Down Time, as they began their tour at Venue. 

First up, though, was Vancouver's own Leisure Club. Their beachy, sunny indie pop drew people in on a raining night, as the crowd slowly amassed during their set. Kicking the set off with "Hold On", they played from their recently released self titled album, including the upbeat and catchy "Still Young", and the slightly frantic sounding "Entertainment". Their upbeat vibes were a good choice for opener, but the set really made me want to see them in a sunny outdoor festival (preferrably near a beach) rather than a dimly lit, smokey club. 

Not long after, Young Galaxy took the stage, the two of them in front of a projection screen, flashing with colours, images, and lyrics from the songs playing. The duo was mostly backlit the entire night, the silhouettes of Catherine singing and dancing or Stephen doing, well, literally everything else on his keyboard & laptop.

They started the set with "Frontier" off the new album, and focused a lot on the newer material from the upcoming album, including the pulsing "Stay For Real" and the haunting "Elusive Dreams". Other highlights of the set included older songs, "Blown Minded" from their Shapeshifting album, Stephen taking over vocals for "Cover Your Tracks", and the great one-two combo to end off the set, the intensely passionate "Pretty Boy" and a big disco-esque intro for "Crying My Heart Out". 

While I enjoyed their set, I did feel a little like it lacked the same impact as the last time I saw them live, with a full band. But it definitely fit the more ambient & chilled electronic sound of the new album, and even mostly in dark silhouette, McCandless remains one of the most compelling singers out there. 

setlist
Frontier
We Have Everything
Seeing Eye Dog
Blown Minded
Under My Wing
Show You The Valley
Devotion
Cover Your Tracks (Stephen)
Stay For Real
Eluaide Dream
River
Pretty Boy
Crying My Heart Out

Young Galaxy @ Electric Owl -- 09/26/13

Three years. That's how long it had been since I last saw Montreal's Young Galaxy perform live. And even then, it was an all-too-short opening slot for the mighty Stars. With the release of their recent Polaris Prize shortlisted Ultramarine their tour saw them came by the Electric Owl in Vancouver, and I knew I was not going to be able to miss it.

I got to there part way through the opener, Human Human. It was the first time in Vancouver for the Montreal band, and they seemed intent on making an impression. In matching jackets with RUN emblazoned on the back, they wore their 80s influence on their sleeves with a synth rock sound and had a great energy to them. The fun they were clearly having on stage definitely bled into the crowd.
The two standout songs were "Control" and the last song of the set, which I didn't catch the name of. I would definitely be interested in catching them again next time they roll through town.

It wasn't long after that Young Galaxy hit the stage, with a projection screen behind them and each member dressed in all black pants and shirts, with suspenders and ties. "Blown Minded" off the Shapeshifting album started off the set that drew from their last three albums -- though nothing from their self-titled debut, which had a bit of a different sound to it --and after the band wrestled with some sound problems early on, it was apparent that they were a force of nature. All five members had an great stage presence; Stephen Ramsey bantered and joking around a little between songs, but it was lead singer Catherine McCandless that all eyes were on. She took command of the stage, stalking back and forth & occasionally crouching down at the front, and with a great intensity her incredibly emotive voice captured the crowd.
The set was full of their dreamy and spacey synthpop songs, but also had a nice diversity. Songs ranged from the thumping of the driving, danceable beat of "Pretty Boy" to the gorgeous "Sleepwalk With Me". Other highlights included the fast paced "Youth Is Wasted on the Young", and "Privileged Poor" with its hypnotic instrumental intro, and one point where Catherine backed off and yelled into the mic, giving it almost a haunting quality.
They ended the set with the huge and showstopping "We Have Everything", and after a great crowd reaction, were back out for one more song; an amazing cover of Erasure's classic "A Little Respect".

The first time I saw Young Galaxy was six years ago at a smoke-filled Media Club. I enjoyed that show and every time I've seen them since, they have gotten exponentially better. Each time leaves me in awe.
I just hope it's not another three years before next time.


setlist
Blown Minded, Peripheral Visionaries, Pretty Boy, In Fire, Out the Gate Backwards, Sleepwalk With Me, Privileged Poor, Youth Is Wasted on the Young, Hard To Tell, Cover Your Tracks, Fall For You, New Summer, We Have Everything.
(encore) A Little Respect [Erasure cover]

Stars w/ Young Galaxy @ The Vogue -- 11/04/10

Last night was my fifth time seeing Monteral's Stars, and the second time this year. And not only do they put on a fantastic live show, but they always seem to have amazing opening bands. Last couple times were Miracle Fortress and Hey Rosetta!. Definitely band that should, can, and do headline shows of their own. Last night continued that trend.

Opening this time was Young Galaxy, which is interesting as Stephen Ramsay used to be in Stars. When their set started out, the sound mix seemed to be a little off, but after "The Buzz In My Flesh" -- which didn't seem to have the same punch live -- it sounded great. "Outside The City" seemed to get things on track and if the rapidly growing group of people gathering at the stage was any indication, the band won over their fair share of new fans. This was the third time I had seen the band, and the first where they were not hidden by thick plumes of fog. I think this led to better show from the band, as they were not just sihouettes in the smoke -- which, mind you, makes for an awesome visual -- and it let their stage presence shine through more. During the primal sounding "Queen Drum" Catherine McCandless was stalking the from of the stage, and before the beautiful "Firestruck", Stephen joked that he has seen a lot of people making out while Stars was playing during their tour, and he would like it is people did the same for them. It was only sort of awkward, and in the best way. After a new song, they ended the set with "Long Live The Fallen World", which came to an amazing ending of intense guitar and swirling synth, as the band thanked everyone, including the friends and family they had in the crowd, and left. I was looking forward to seeing Young Galaxy almost as much as I was Stars, and rocky start aside, they did not disappoint. I hope they're back again soon for a headlining show of their own.

setlist:
Destroyer, The Buzz In My Flesh, Outside The City, Lazy Religion, Queen Drum, Firestruck, We Have Everything, Long Live The Fallen World.

Soon after, it was time for Stars to hit the stage, roses and all. They kicked things off with "He Dreams He Is Awake", off the new album The Five Ghosts, then went back to Heart with "Elevator Love Letter". That set the tone for the night, as they played a good mix of songs from the new album as well as their back catalogue. The band was as good as ever, with Torquil being incredibly enthused to be home and humbled by the crowd. They also brought with them one of the most interesting things I've seen in a while: two bubble machines that spewed a great amount of bubbles into the air. It seems like such a simple thing, but I don't think I've seen anyone do that at a show before, at least not on that big a scale. They were a lok more beautiful, and a hell of a lot easier to clean, than confetti. But they didn't just bring the bubbles, they brought their a-game, even with Amy Millan five and a half months pregnant. That didn't stop her from dancing around, and Torquil Campbell was his usual intense, fun to watch, and outspoken self, giving former premier Gordon Campbell a little good bye speech (more like a "get the fuck out" speech) before "The Comeback".
About half way through the set, most of the band left, and Amy and Evan Cranely sitting on a bench for an acoustic version of "Ageless Beauty". The mood stayed like that as Torquil came back out to sing "The Wood" with Amy, accompanied by Cranley and and Chris Seligman on brass. "Take Me To The Riot" had the crowd jumping and yelling along, and they closed out the set with a trio of songs from Set Yourself On Fire.
The encore began with a simple blue light backing Amy as some canned strings accompanied her for Celebration Guns. The band returned for one of my favourites from the new album, "I Died So I Could Haunt You" (which I want played at my funeral). "Soft Revolution", which is always an incredible song live, had Stephen and Catherine some out to dance and play tambourine, and the night was brought to a gentle end with "Changes"

The band always puts on an incredible show, and even thought I have seen them five times now, I would not hesitate to see them five more.

setlist:
He Dreams He Is Awake, Elevator Love Letter, The Passenger, How Much More, Wasted Daylight, Time Can Never Kill The True Heart, Bitches in Tokyo, Undertow, The Comeback, Ageless Beauty, The Wood, Dead Hearts, Take Me To The Riot, We Don't Want Your Body, Fixed, Set Yourself on Fire, Your Ex-Lover is Dead, One More Night.
[encore] Celebration Guns, I Died So I Could Haunt You, Reunion, Sweetness, Soft Revolution, Changes.

Review-kus.

Originally I wanted to review every album I bought/otherwise listened to this year. Clearly, I've slacked on that. Partially cos there have been a lot of albums that, for whatever reason, I don't feel like writing a full review for. So what I have decided to do is give a few really quick reviews all at once.... in haiku form. Here we go!
And yes, I am trying to finish off the reviews of this years albums as quick as possible, so that's why there has been (and will be) a barrage of album reviews.

Pink Strat by Bahamas
(debut solo LP from Afie Jurvanen, who has played for the likes of Feist, Jason Collett, Hayden, Zeus, The Stills and more)

After supporting
Afie steps in the spotlight
For his time to shine

Download Already Yours by Bahamas

Invisible Republic by Young Galaxy
Some moments it soars
Yet others, not so much
A bit less dreamy

Download Firestruck by Young Galaxy

Armistice by Mute Math
Just like their debut
With more, needless, production
Bit of a let down

Download Backfire by Mute Math

No One's First and You're Next EP by Modest Mouse
A bunch of outtakes
Were left out for a reason
Just seems like filler

Download Perpetual Motion Machine by Modest Mouse

Bay of Pigs EP by Destroyer
Thirteen and a half
Twists and turns and genre shifts
Simply amazing

Download Bay of Pigs by Destroyer

Young Galaxy w/ Bend Sinister @ The Biltmore -- 10/28/09

I think I mentioned this previously, but I am gonna start out by complaining... why oh why, Biltmore, do you put curfews on your weekend shows, so they and at or before 11... and yet your weekday shows go on all night?! I know they end early Saturdays for club nights after, but I'm an old man now (apparently)!! I have to get up early (and in this case, write a midterm the next day)!! But I digress. Last night was one hell of a bill at the Biltmore with Bend Sinister opening for Young Galaxy. As much as I love Young Galaxy, I think I was going as much, if not more, to see Bend Sinister. They are definitely one of my favourite local bands, yet I always seem to have bad luck seeing them live. Every time they had a show, something else was going on. But I've broken my Bend Sinister Bad Luck Streak, even if it wasn't a headlining show. Which I hope they do soon.

On to their set itself. Bend Sinister hit the stage a little after 10 (see!) and started with The News and followed with a couple more from their newest album, Stories of Lovers, Tales of Brothers. The set focused mostly on that, with a new song and a few older ones thrown in, and greatest of all, a cover song. I have mentioned before how much I like live covers, and when they started talking about the Peak Performance Project (perhaps click right here and give them your vote?) they mentioned one of the "challenges" they were given was to learn a cover of a classic Canadian song. While talking about it, Dan Moxon hit the first few notes on the keyboard, and immediately everyone knew what it was and cheered. Their cover was the Guess Who classic, These Eyes. And it was a pretty glorious cover. It was a pretty straight cover, with the end a littler Bend Sinister-ized.
The whole set, all five members of the band had an insane energy, with guitarists Joseph Blood & Henry White and bassist Joel Meyers all over the stage, at the front and almost in the crowd. Even Jason Dana and Moxon, when stuck behind the drums and keyboard (respectively) had crazy levels of energy. And damn, is Moxon an animal on the keys. it's one thing to hear him playing on the album, but to actually see him play, it's mind boggling.
The only thing I was disappointed by from the set was they didn't play Julianna, which is my favourite of theirs, but seeing as the set was pretty short to begin with, being the opening band, I guess I can't expect everything. And I suppose they more than made up for itwith their sheer awesomeness. At that point I would have been satisfied to go home, but there was still more to come!

After not too long of a break, the curtains pulled back to reveal a stage of smoke, and a few silhouetted figures started to play. The smoke started to dissipate -- but not before the lasers! came on -- and revealed Young Galaxy looking surprisingly glam-y, with hooded robes, gold face paint and crazy hats. The smoke would return every few songs, completely enveloping the stage and band members before dissipating again and again. It was cool the first time, but I they may have went a little overboard on it -- a notion that co-lead singer Stephen Ramsay seemed to echo at one point, with smoke swirling around him.
Musically, though, they were pretty damn solid. Songs came mostly from the new album, with a few older ones thrown in for good measure. Swing Your Heartache was definitely one of the highlights of the set, as well as Long Live The Fallen World, from the new album. Despite being the first track, it turned out to be a great closer. The end of the song saw them go absolutely batshit insane and build up to a chaotic climax for the show. The encore saw only part of the band come back out, with other lead singer Catherine McCandless taking lead for a really light and mellow tune before departing. It was a nice contrast to the crazy conclusion of the "main" set, almost a denouement to the show. The set, overall, seemed a lot shorter than it was.
It was a good, solid show and I have few complaints, but something about it just didn't seem to click for me. Maybe it was Bend Sinister being so (too?) awesome, maybe it was just it was kind of late, I dunno what it was, but everything seemed a bit... off. I'm sure it was me, though, and not by any fault of Young Galaxy, and I would snatch up tickets in a heartbeat next time they come back.