Constellation Festival: Day One -- 07/26/19

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The first ever Constellation Festival kicked off last night, rising from the ashes of Live @ Squamish and the Squamish Valley Music Festival. The inaugural edition took place at on the same grounds, at Hendrickson Field, with a beautiful mountainous backdrop, especially over the main stage.

Christine and I arrived to scout the grounds as Sarah Macdougall sang a cover of "Ramble On" by Zeppelin, as I took in the setup; a large field with two stages at either end --- bands alternated so there was no bleed in music, and you were never too far from the next act. There was also a selection of food carts, and a nice row of local vendors in the middle of the grounds.

The Boom Booms - Christine McAvoy Photography

The Boom Booms - Christine McAvoy Photography


The first full act I saw was The Boom Booms (evidently the rumours of their demise were somewhat exaggerated). Their upbeat and fun soulful sound was a great way to get the day rocking as the crowd flowed through the gates.

Parker Bossley - Christine McAvoy Photography

Parker Bossley - Christine McAvoy Photography

Next on the side stage was Parker Bossley, former frontman for the Gay Nineties. His solo material was similar to the band, with a bit more of a pop bent, like the synth-fuelled "LIfted". Parker has always had a captivating energy on stage, and this was no different as he oozed charisma throughout the set.

Fast Romantics were next over on the main stage, starting hot with a broken string on the very first song, "Why We Fight". Six members large, they had a big, boisterous indie pop sound, blasting through songs ranging from the slower ballad "Mexico" to the blaring fun of "Julia".

Fast Romantics - Christine McAvoy Photography

Fast Romantics - Christine McAvoy Photography

I caught a bit of Daysormay from Vernon while getting a bite to eat, with their eclectic alternative indie sound, before Dear Rouge took to the main stage. They hit the stage mostly dressed in all black, with Danielle McTaggart also adorned in a flowing black & white robe and giant silver spaceboots. With said robe flowing in the wind, they immediately launched into "Modern Shakedown" from their most recent album Phases.
Every time I see them, I feel like they've levelled up, and this time was no different, as Danielle stalked the stage with incredible swagger, her voice ringing through the valley. And of course not forgetting Drew McTaggart ripping it up on guitar, and the rest of the band holding their own.
They went through their catalogue of hits, including "Boys and Blondes" and "Best Look Lately", as well as "Black to Gold" which had a pyrotechnic element, as Danielle brought out a purple smoke flare.
After an incredible cover of "North American Scum" by LCD Soundsystem, they transitioned into "I Heard I Had" with Danielle jumping into the crowd, literally in the faces of the people in the first few rows, before running back on stage. And somehow after that, they still had one song in them, finishing off with "Live Through The Night"

Scenic Route To Alaska - Christine McAvoy Photography

Scenic Route To Alaska - Christine McAvoy Photography

They put on a set that proved they shouldn't be doing anything except closing out the night on festivals like this, because when they were done, I was spent and practically ready to go. Which might be part of the reason I only caught bits and pieces of the last two acts, getting tied up in a conversation while Scenic Route to Alaska played the second stage — through a few times their catchy indie rock pulled my attention, including songs like the driving "Paris".

Serena Ryder - Christine McAvoy Photography

Serena Ryder - Christine McAvoy Photography

And finally, it was Serena Ryder closing out the night. She started off hot with "Stompa", her powerful voice carrying to the mountains. But thanks to a bit of rain and a lot of bugs, I decided to save my skin for the next day, and let the sounds of Serena serenade the walk back to the hotel.

Day two of the festival features Fred Penner, Foxwarren, Shad, Peach Pit, A Tribe Called Red, and loads more, and keep an eye out for Christine's daily photo recaps!

Spencer Krug @ The Lido -- 05/02/19

One of my favourite shows in 2016 was a super intimate show from Moonface at a bar two blocks from my house, The Lido. Jump ahead 3 years, after the release of his latest album -- and now just going under his own name -- Spencer Krug returned to The Lido to kick off his tour.

Accompanying him was Light Conductor, the duo of Jace Lasek (Besnard Lakes) and Stephen Ramsay (Young Galaxy) joined by a third member, whose name I didn't catch -- in fact they didn't say anything, up to and including the name of their band, until a single "thanks" at the very end.
Their moody synths were very fitting with the psychedelic background projections The Lido usually has, as their instrumental washed over the growing crowd. Almost entirely instrumental, with very few breaks between songs and picking up intensity as they went. Just a I thought the set was going to go on too long for their type of instrumental, they shifted gears and, with a few lights that changed exactly on the beat, pulled out some guitars and for a song with all three chiming in on vocals.
It seemed the perfect music to listen to through headphones, close your eyes, and just drift off into space (how altered your state is while doing this is up to you).

Not long after, Spencer Krug took a seat behind the piano and launched into a new song (that you can find on his Patreon) called "Fading Graffiti". From there he played a range from brand new ones, to the latest Moonface album, to old favourites, and even a few other treats like the Sunset Rubdown song "Us Ones In Between".
His distinct voice and gorgeous piano transfixed the crowd packed in the back of The Lido, with highlights including a stripped down version of “Yesterday's Fire”, one of the songs from his collaboration with Siinai; the intense one-two combo of “Barbarian” and “Barbarian II”; the haunting “City Wrecker”, and the absolutely heartbreaking "Julia With Blue Jeans On", one of my favourites, which ended the main set.
But he was drawn back out by the crowd, mentioned that his pal and collaborator Dan Bejar was in the crowd somewhere* and dedicated the Swan Lake song "All Fires" to him to end off the night.
*(just before this, I had noticed he was standing right next to me and was trying to keep my cool)

Unfortunately, as much as I like The Lido, it has a bit of a dark side as a music venue. Since it is still very much a small(ish) bar, and the shows there are usually free, you have the section in the back packed with people at attention, but then also... the rest of the bar. Throughout the set you could hear chattering from the other side of room, as well as the usual bar sounds of glasses clinking and cash being thrown around. To the point where Krug even mentioned and joked about it, and went to far as to apologise.

BUT, with all that aside, it was still a great show. It was intimate and beautiful, and I wouldn’t hesitate to see him there (or anywhere, really) again.

setlist
Fading Graffiti
Yesterday's Fire
Barbarian
Barbarian II
River River
The Cave
Us Ones In Between
[New Song]
Minotaur Forgiving Knossos
Running In Place With Everyone
City Wrecker
Julia With Blue Jeans On
(encore)
All Fires