Vancouver Folk Music Festival Day Two @ Jericho Beach Park -- 07/20/13

The second day of the 26th Annual Vancouver Folk Music Festival was packed, so let's just get right to it.
(See day one here)

It was a day of seeing workshops, and started off with one called Songwriters' Café featuring a score of Canadian talent. Led by Justin Rutledge, who was joined by Miranda Mulholland on the violin, it also included Hannah Georgas, joined by her guitar player Rob Tornroos; Kathleen Edwards, joined by Jim Bryson; and Del Barber, joined by... no one.
The best thing about the workshops is the collaboration that can happen, and there was a touch of that here; Kathleen and Jim joined in on Hannah's song "Robotic", helping on vocals. There were also a couple of cover songs, Hannah covering "Bye Bye Love", and oft-covered song made famous by The Everly Brothers, and Edwards with a sultry version of Nirvana's "All Apologies". I was also very impressed by Del Barber, who I had only heard a little of before the weekend. His good storytelling convinced me to check out his full set later in the afternoon.

I caught a bit of Reid Jamieson and his folky singer/songwriter fare, and later on in the day there was the Going Bi-Coastal workshop, with Charlottetown, PEI's Tim Chaisson and Mo Kenney from Waverley, Nova Scotia representing the east, and Vancouver's Hannah Georgas, and Victoria's Aidan Knight taking care of the west.
There was some nice collaborating in this workshop, Aidan and Hannah being familiar with each other at the folk fest, and Chaisson joined in a Mo Kenney song on his fiddle. Hannah also covered Sarah Harmer's "Coffee Stain" and as the workshop drew to an end, Aidan got everyone -- on stage and in the audience -- to join in to "Jasper", which was one of the highlights of the weekend, and Tim wrapped it up by pulling out his fiddle and evoking a good old fashioned east coast kitchen party.

From there it was off to Del Barber for his own set. Musically, he is a pretty good folk singer/songwriter with a bit of a country edge, but it's his charm and storytelling that put him above others. Introducing most songs with a story, and chatting with the crowd between -- and sometimes during -- songs. Even when he screwed up (something he would attribute to bad karma the next day) he covered effortlessly.
There was also a great song that was about Archie marrying Veronica (an even that happened in Archie comics a few years ago) which was my favourite of the set, and he ended with a cover of "Harvest Moon"
Del was one of my favourite "discoveries" of the festival, and I will have to make sure to catch him next time he is through Vancouver.

As the sun arced over Jericho Beach Park, I caught the first couple songs from The Wooden Sky, but they were having technical issues to start and the heat was starting to bear down, so it was off to the beer garden and catch Maria In The Shower in the background. I had heard a lot about the East Van band, but never seen them live. They put on a pretty fun set, and I'll have to catch them next time they put on a show.

Not long after that, the main stage started for the night, with Danny Michel and The Garifuna Collective. Danny recently went to Belize to record and be inspired, and he came back to Canada to do the festival circuit with them as his backing band. They traded off songs, with highlights being "Survivors Guilt" and the catchy "What Colour Are You?", and put on a very energetic and fun set.

And then, ending my day was Whitehorse. One of my most unexpectedly favourite shows of the year so far was when I saw them at the Commodore, so they were one of my most anticipated of the weekend.
Married couple Luke Doucet and Melissa McClelland are excellent musicians separately, but when put together, something magic happens. With only the two of them on stage, they have an array of instruments and looping pedals at their command, crafting each song from scratch, building them up one by one. Starting with "Killing Time Is Murder", the duo wowed the crowd, especially with Melissa's voice and Luke's guitar skills.
Aside from their own songs, they did a couple covers; a little bit of George Thorogood's "Who Do You Love" slipped in to "Radiator Blues" and a JJ Cale's "Crazy Mama" in the middle of the set. They also played each other's songs as well, including Luke's deliciously bitter "Broken" and Melissa's "Passenger 49", starting soft and then exploding part way through.
After what seemed like not nearly enough time, they wrapped up with the intense "Jane". They definitely didn't disappoint.

That was all for day two (there were other performers after Whitehorse, but I had to leave early). Day three would feature a couple more workshops and solo shows, and another one of my favourite festival discoveries.

Vancouver Folk Music Festival Day One @ Jericho Beach Park -- 07/19/13


For its 36th year, the Vancouver Folk Music Festival took over the shores of Jericho Beach Park to put on one of the biggest festivals around. I missed last year's festival, but the lineup this year was too enticing to pass up. With three days and over sixty artists, there was a lot to take in.

One thing, though, was a new layout to the main stage, which I didn't really like. Almost the entire field was designated as a "sitting area" with tarps and blankets covering the ground, but if you wanted to stand up, dance, or groove to the music, you were pushed off to the sides of the stage, fenced off. I understand why they did it, as I assume the people on the blankets did not want people standing in front of them, but it seemed to punish people who wanted to get up and move.

Anyway, I arrived at the beach just in time for Hannah Georgas to take the main stage. The hometown hero (she may be originally from Newmarket, Ontario, but we have appropriated her for ourselves) had previously been at the festival as part of the Malahat Revue with Aidan Knight, Said the Whale, and Jeremy Fisher, but this year the flame haired singer took the main stage on opening night.
As usual, Hannah was full of energy and had a great presence, starting off with "Waiting Game" building up to "Robotic" and a set of songs focusing mostly on her new, self titled album. Other highlights were a cover of Jesus & Mary Chain's "Just Like Honey" and the incredibly danceable "Shortie". She had a little help from her friend and former touring partner, Kathleen Edwards, for vocals on "Enemies" and the final song of the set, "The Deep End", as they brought the set to a grand ending.
It's always a pleasure seeing Hannah perform, and watching her on the main stage at the folk fest was especially a treat.

Next up after Hannah was Hayden. Even though he's been around for a couple decades I never really got into the Toronto troubadour, and maybe for that reason I didn't really connect with his set. Watching the first few songs, he seemed to have a low energy -- both in his music and his between song banter -- and while his songs were well written, they were a little too slow and melancholy. Perhaps if I stayed longer it would have picked up, but I took the opportunity to explore the festival grounds; the bazaar and vendors, and especially the beer garden and food trucks.

I made it back to the main stage for the "tweener", a short, stripped down set from Aidan Knight. He warmed up the crowd with three songs, including "Margaret Downe", one of the most heartbreaking songs.
Another tweener later on the night was Mo Kenney, whose few songs included "Deja Vu" and the recent SOCAN Songwriting Prize winning "Sucker". I hadn't seen her live before, so it was a nice teaser for her full set later in the weekend.

One of the people I was most looking forward to of the festival was Kathleen Edwards, and she was out next joined by Jim Bryson and Colin Cripps. She kicked things off with "Asking for Flowers", completely capturing the crowd's attention as the sun set over the mountains. Edwards has a phenomenal stage presence and energy, and just owns the stage. Going from her heartbreaking songs to her hilarious stage banter -- at one point stopping mid-song to jokingly tease the guy in front sprawled over five spots -- she had the entire park's attention.
A few highlights of the set included older songs like "Hockey Skates" and "I Make The Dough, You Get The Glory", as well as Hannah Georgas returning to the stage to help out with vocals on "Comedian/Chameleon".
Near the end of the set, Bryson took leave for Edwards and Cripps to duet of Kris Kristofferson's "Help Me Make It Through The Night" after Kathleen told the crowd about their past relationship -- they were married for five years -- and that it was his first show with her again in quite a while.
Sadly, it was then time to wrap it up as they closed out the set with the raw emotion of "Change the Sheets", as Kathleen conducting Jim & Colin to a powerful finish.


That was it for me on the first night, with great sets from Hannah and Kathleen. The next day would start bright and early with workshops from everyone seen today -- Georgas, Edwards, Knight, and Kenney -- as well as a few surprise discoveries, and another big highlight: Whitehorse on the main stage at night.