Brasstronaut (w/ Analog Bell Service) @ The China Cloud -- 08/13/10

Two great Vancouver bands teamed up for a show that took place at The China Cloud, which I had never even heard of before. It was a strange, nondescript door right on Main, near-ish to Hastings. It is apparently used as a jam space for a few bands, and is a really neat little place. Except for the fact that it didn't have much, or any, ventilation or airflow, causing it to get really hot and sweaty and stinky very fast. Especially when you have a room full of people shoulder to shoulder, dancing.

Which is exactly what the case was for Analog Bell Service! They had an insanely hyper energy, and despite some early technical difficulties -- blamed on it being Friday the 13th (even though it was after midnight at that point) -- they put on a pretty great show. Aside from their own songs, they also slipped in "I Can See Clearly Now" and a bit of "Sunglasses at Night". They closed their set out with "I Guess", which has been stuck in my head all day, but just before that was another cover, this time Dan Mangan's Road Regrets, turning it into an up tempo, almost punk rock-ish sound, which was pretty crazy and worked surprisingly well for the song.

Finally around 1:30, Brasstronaut hit the stage to play. They were as fantastic as usual, but I only managed to hear half their set, if that. The mugginess of the room was beginning to get to me, combined with the fact that I had to be at work seven hours from when they started playing meant I had to duck out after about half an hour or so. But I did manage to hear "Hearts Trompet", which is my favourite of theirs; it was superb live, and well worth the sleep deprivation. I even managed to catch the next song, "Lo Hi Hopes", as I stood outside on the street, next to my car, hearing them as clear as if I were in the room. Even though it wasn't the usual lineup -- Colin Cowan of ABS was subbing on the stand-up bass -- they sounded as good as ever, and I really hope I'll get to see them again soon. The worst feeling in the world is leaving a [good] show early, and I really hated to do so for Brasstronaut, whose album is one of my favourites so far this year.

An Intimate Night Of Piano Tunes With Daniel Moxon & Edo Van Breemen @ Library Square -- 08/12/10

Bend Sinister's Dan Moxon and Brasstronaut's Edo Van Breemen teamed up last night for an intimate night of piano tunes at Library Square. It was pretty much just a piano set up in the corner of the bar, with an area in front and an "upper level" (think four or five steps) with a "balcony" for people to watch from. Oh, and the place was playing the old Wonder Woman show all night on their TVs, so that got a little distracting at times.

First up was Edo, not quite doing a solo set since he had fellow Brasstronaut Tariq with him on guitar and lap steel. He played a pretty varied set, some Brasstronaut, some older stuff from his other band and also some brand new. At first, I was wondering how the Brasstronaut songs would sound stripped down like that, since the band has such a rich sound; but for the most part they were really cool and worked well. "Slow Knots" was an especially interesting version of the song, both stripped down and slowed a little.

After a short break Dan hopped up to the piano, playing about half his/Bend Sinister songs and half covers. He started with "Careless", and hit songs spanning all over his oeuvre, including the "In A Minute" song written for the Peak Performance Project (Bend Sinister took third last year). He had a couple covers in his "main" set, a McCartney and a Hall & Oates that were a bit lesser known, but the last half of his set consisted of the more sing-a-long hits like "American Pie", "The Logical Song", "The Boys Are Back In Town", "We Are The Champions" and doing somewhat of an encore with "Life on Mars".

Despite the fact that the bar was a little noisy at times, it was a really cool environment for that type of thing. It seemed less of a "show" and more of "Hey friends, I am going to play you some tunes, cool?" I know Dan has done some solo piano shows before, but I hope this kind of thing becomes a regular occurrence.

Brasstronaut & We Are The City @ Surrey Fusion Fest -- 07/17/10

I am not sure how many years the Surrey Fusion Fest has been going on for, but this was my second year checking it out, for the music. Last year saw Said The Whale and Joel Plaskett Emergency there, and while it seems like an odd choice to hold it on the same weekend as the Vancouver Folk Music Festival, it is a nice alternative for people unable to attend, afforded an opportunity to see some great live music (for free!). This year they had a couple excellent BC bands playing, not the main stage, but a smaller one that I am pretty sure was not there last year. Which caused some... problems.

But first, We Are The City was up! Supposed to go on at 6:30, they got their set bumped back a little because some genius decided to put this stage too close to the main stage. It was good, though, that they planned to stagger the acts. At least, in theory. The set was a short one, only half an hour, so they only managed to play a half dozen songs. But as usual, they owned the stage, and I wouldn't be surprised if more than a few people there were now fans. They played a couple new songs, which seem to be a staple of their live set now, "The Birds" and "This Is A Bad Mistake". The latter I had misidentified as "Take It From Me" a couple times, based on the lyrics, which now makes me feel silly since I had actually heard them name the song before.
They wrapped up the set with "Astronomers", which got the "recognition whoo" when they said the name before playing it, and "April", as they seem to have been doing lately, which is fine by me, as it's a great pair to end off a show.
There was also an amusing moment where, just as a lull happened in one of the songs, a loud piano note came from the sound check on the other stage. It just happened to be perfect timing, and pretty funny... but also an omen of things to come.

setlist
There Are Very Tiny Beasts In The Ground; There Are Very, Very Big Lights In The Sky; This Was A Big Mistake; The Birds; Astronomers; April

As soon as they ended, the other stage played, but then as soon as the other stage ended... Brasstronaut was still sound checking and setting up. I don't know if they just took longer than expected or what, but then when they were about a song or so into their set... an act on the other stage started playing. As Edo put it, "it looks like we're part of an old fashioned ghetto blaster battle". And while they took it in stride and continued their set like pros, it was incredibly annoying and frustrating, having the sounds from the other stage bleed over. Major planning/scheduling/organizational failure on the part of the organizers, there. Why would you put two stages practically right next to each other?? Then schedule bands to play them at the same time??? But aside from that, the set was quite awesome. No lazers or video projection like they had last time I saw them, but that didn't detract from their rich and grandiose sound at all. They too only had about a half dozen songs, mostly from their new album, Mt. Chimaera, but also the older "Requiem for a Scene". They capped off the set with one of my favourites from it, "Slow Knots", which was fantastic live. The only disappointment was that they didn't play "Hearts Trompet", but given they had a short set, it didn't bother me that much. That, and it probably would have been overpowered anyway.

setlist
Six Toes, Requiem for a Scene, Hands Behind, Lo-Hi Hopes, Slow Knots.

Aside from the one small bit of shoddy planning, it turned out pretty damn good, and so long as the Fusion Fest keep getting top quality bands like they have for these last two years, I will keep checking it out.

Mt. Chimaera by Brasstronaut

Every once in a while something comes along that completely and totally takes you by surprise. For me, this was Mt. Chimaera, the full length debut from Brasstronaut. I am not quite sure why, but for some reason I was expecting them to sound completely different than they do -- which is funny in retrospect, as their name is a perfect indication of their sound. The Vancouver band is fronted by Edo Van Breemen on keyboards & vocals and he is joined by a roster of great musicians playing a wide range of instruments: Bryan Davies (trumpet/flugelhorn/glockenspiel), John Walsh (bass/guitar), Brennan Saul (percussion), Tariq Hussain (lap steel/electric guitar), & Sam Davidson (clarinet/EWI); the EWI being a great and underused instrument which looks like a Space Clarinet. Their website points out that while all play in a number of other projects, they are quick to profess that this is their one and only golden egg. And with the recent inclusion of the album on the Polaris Prize long list, it looks like "golden egg" may be an apt metaphor.

The album starts out with "Slow Knots", which gives you a good idea of how the next 40 minutes are going to go. Cinematic, atmospheric, haunting and intense are all words that could describe the band, and they manage to exemplify all of those adjectives in this break-up song (Do you really think that I betrayed you / honey don't you know that I'm too dumb for that / you kept a list of all those bad nights / and we both know it got too long). "Hands Behind" shows off the bands jazz influence and weaves trumpet with acoustic and slide guitars together seamlessly. That leads in to "Lo Hi Hopes" which is more of a rocking, upbeat track, yet still finds time for woodwind solos, and almost grinds to a halt for the breakdown, before exploding again at the end. The energy isn't let up with the piano driven "Six toes", a song that is all over the map, but never in a sloppy way.
"Hearts Trompet" is my favourite track off the album, and quite possibly one of my favourite songs of the year thus far. It starts out with a laid back bass line and slowly adds things like horns and strings until it hits the midway point, and then just launches into a breathtaking symphonic climax, before stopping almost dead in its tracks, trickling it's way into "Ravan", which takes the opposite approach, as it slowly fades to a gentle ending. "Same Same" is given an ethereal quality with the echoing vocals and dramatic horns and well placed flourishes of guitar. The album draws to a close with the epic eight minute "Insects", the darkest track on the album, which also drips with emotion. This single song does more than I have heard some bands do in an entire album, flowing perfectly through what could almost be called separate movements within the song, encapsulating the band almost perfectly.

With the amount of stuff going on, it would be easy for a band like Brasstronaut to collapse under its own weight into a complete mess, but it a s testament to the musical abilities to all involved that it comes together as perfectly as it does. The more I listen to this album, the more it grows on me, and the less doubt I have that it will make it on to my "best of" list this year.


Download Lo Hi Hopes

Download Hearts Trompet

Download Same Same

Clicky to exchange monies for music

Brasstronaut w/ The Zolas @ St James Hall -- 05/06/10

What was it I said yesterday? That I've had the good fortune of seeing a fair number of shows this year where both/all acts have been great? Well, that continued last night at St James Hall.
Before I go on, though, a mini rant. I love St James Hall. I think it is an awesome place for a show... except for the fact that just about every time I've been there, it's turned really hot in the place. Maybe cos every one I've seen there has been sold out (or close to it) and it's not that big of a hall... but still, they really need to spring for some sort of cooling device.

Anyway! It was a nice early show (am I getting lame for liking the early-ending shows more and more?) so The Zolas hit the stage just before 8, and just wow, they tore the place down. They started off, of course, with "You're Too Cool" and went on to go through most of their album, Tic Toc Tic. As high energy and catchy as the record is, their live show is even more so. Songs like "No Talking" and "Marlaina Kamikaze" sound phenomenal live, and while all four of them on stage had a fantastic energy, Zach is a great & charismatic front man. For one song he hopped off stage and played most of it amongst the crowd up at the front, another he sat with Tom at the keyboard, and throughout the whole show he was just a ball of energy. They threw in a new song, "Guest", which is named for what Zach calls the worst rhyme ever (Guess/Guest, I think it was)... though is a great song despite it. The wrapped up with "Cab Driver", a song that somehow managed to top the rest of the set with its intensity, and a great way to end. And the crowd was just eating them up with every song. I am sure people were there for The Zolas as much as Brasstronaut, and those who weren't were no doubt won over.
Also, Hank Henry Alcock-White was with them on bass again, and I am now convinced that he has the absolute driest sense of humour.

setlist
You're Too Cool, Collapse, Guest, Body Ash, No Talking, Marionettes, These Days, Marlaina Kamikaze, Queen of Relax, Cab Driver.


After a quick turnaround, Brasstronaut came out, in one of the coolest ways a band can. As everyone was early anticipating them, all attention on the stage, faint horns started... but no one was on stage. Everyone soon realized where they were, though. Coming in through the back of the hall, forming a procession through the crowd up to the stage, with all the members of Brasstronaut as well as song extra help with the horns and such. They all crammed on the stage, almost a dozen of them, for the first song. They went into "Six Toes" next, as half the people left leaving only the main members up there to absolutely blow the crowds collective minds. They, too, are almost as (if not moreso) amazing than their album, which is incredibly rich and layered. One of my favourites on Mt. Chimera is "Hearts Trompet", and that was definitely one of the highlights of the show.
There was also a giant sheet acting as a projection screen behind them, which was really cool. Some songs there were video clips, some were just abstract designs, but it really added to the show. For "Insects", the last song of their main set, the screen alternated between venus fly traps and what looked like a 50's science film reel, and was superb emphasis to the dark and haunting mood of the song. For the encore, it really turned into a crazy multimedia experience, from the videos on screen, the lasers and lights all around the hall mimicking stars to the bubble wands being handed out and the monk manning a spotlight shining it all over the hall.
They also had the coolest thing, which I initially thought was a Space-Clarinet, but it turns out it is an EWI (or Electric Wind Instrument). It both looked and sounded awesome.
[and I almost forgot, in the middle of the show, they announced that one of the members, John Walsh (I believe) had just become a new father earlier that day, so much congratulations are in order]
In all, it was a pretty incredible spectacle, with excellent music to back it up, and even though I love seeing bands in smaller, more intimate venues, it is now one of my musical goals in life to see them play the Orpheum. That just seems like it would be the perfect setting for them.