Amplify! MDD Fundraiser w/ The Belle Game, Ruffled Feathers & Sidney York @ Railway -- 10/20/11

With Media Democracy Days coming up soon, it was time for the annual fundraiser show at the Railway. This year it featured a trio of great acts, fronted by lovely ladies, and even though the sound at the Railway was unusually wonky a couple times throughout the night (the sound guy showed up late, which could be a contributing factor) it was still a hell of a night of local music.

First up was Sidney York, with a set similar to the one she played last week. But even though it was familiar, it was no less fun. With six members packed on to the small Railway stage (a theme for the night), there wasn't as much room for moving around, but the whole band was brimming with energy.  The crowd was into it, too, clapping along for a few songs, including "Roll With Me" and the insanely catchy "Dick & Jane", and shouting & dancing along to "Mile High Love", which closed the set. Even when they toned things down for the heartfelt "Go Home, Atticus Jones", they were still captivating. As mentioned above, there were a couple hiccups in sound, but still a fantastically enjoyable set, and just added more reason for Sidney York being one of my favourite new artists this year.

The Ruffled Feathers were up next, who have been getting better and better with each time I've seen them. They started off starting of with "Home" kicking off a really fun set of their high energy chamber pop.
While Gina Loes handled most of the lead vocals, there were a couple songs where they traded off to other members; for "Lead Me to Destruction" Charley Wu took care of vocals and Andrew Lee handled them on "Rosin and Horsehair", which also saw Wu playing his mandolin with a bow. Both songs had their own uniqueness without betraying the overall sound of the band -- Wu's had a bit of a 50's vibe while Lee's had an almost spaghetti-western feel to it. They weren't the only ones, though, as throughout the set each member of the band got their own moment to shine.
Another highlight of the set was their latest single, "Blueprints for a Failed Revolution" from their forthcoming album Oracles. And if their set was any indication, is going to be a good one, which I am eagerly anticipating.

And wrapping up the night was The Belle Game, who kicked off with "Bloom" from their just-released EP, which started soft but swelled to a grand climax, setting the stage for their layered sound. They were occasionally joined by Andrew Lee on trumpet, doing double duty for the night (one day there will be a show where he plays in each band, mark my words).
Much like the bands before them, they two had a great energy and stage presence, even with a packed stage. Highlights of the set were the awesomely-titled "I Wish You Weren't Like A Dead Lover (Sometimes)", building up to a smashing ending, with singer Andrea Lo and guitarist Alex Andrews going nuts on a floor tom, and "Shoulders & Turns", where they urged people to get cozy and dance. They wrapped up the set with "Sleep to Grow", which had Adam Nanji taking his guitar into the crowd, and were called back for what may have been an actual legitimate encore of one final song. 

On any given night, any one of these three bands would have stolen the show and been well worth seeing on their own, and seeing them all together made for a grand show.

Karkwa w/ Aidan Knight & The Belle Game @ Biltmore -- 09/20/11

Two and a half years ago, I went down to the Biltmore to hear this newfangled Vancouver band called Said The Whale. The show was some sort of pre-Olympics celebration, and as part of the "Cultural Olympiad", had a range of musicians, from Vancouver's STW to the Inuit Lucie Idlout to the band that played between the two, some French Canadian band I had vaguely heard of from CBC Radio 3. Turns out that night would be the beginning of my infatuation with Montréal's Karkwa. To this day I am still pretty sure that they blew out a speaker at the show, and from that night on I would rave about them to anyone that listened, and was definitely rooting for them for last year's Polaris Prize, and was thrilled when they won. And even though I had seen them once more since then, for a free show during the actual Olympics, I was more than ecstatic to see them in what was their first real Western Canadian tour. Especially because they had wrangled a couple opening acts that I would have seen on their own.

The first of which was The Belle Game, who I always enjoy seeing play, despite the fact that I've managed to see them four times in the last three months. Unfortunately I got in a couple songs late, but still caught the last half of their set, with "Shoulders & Turns" and their single, as part of the Peak Performance Project, the infectious "Sleep To Grow". They ended quite dynamically, as they are wont to do, with a newer song tentatively titled "We Left This Home", with Andrea pounding on the floor tom, front and centre, and guitarists Adam & Alex both almost getting right into the crowd for the finale.
There was also a neat moment where Katrina, who is originally from Montréal, addressed the crowd en français, to express how grateful they were to be sharing the stage with next two acts. (I think, at least. My French is limited to what I remember from Téléfrançais)

Second up was Aidan Knight, who is also a huge fan of Karkwa -- he even mentioned being at the same previous Biltmore show during his set -- and was visibly thrilled to be opening for them. It was a bit of a unique set for Aidan, as he had a bit of a different band backing him. Olivier and Julia were, as usual, on horns and keys, but they were only joined by Hannah Epperson on violin and Katie Schaan on cello. It gave the set a sound that was somehow both richer and more minimalistic.
Starting off with "Knitting Something Nice", the set also consisted of a few new songs, including one as-of-yet unnamed one with just Hannah (Aidan asked for suggestions as to the name, but I don't think he liked mine: "In Love With A Trumpet Major") and the heartbreakingly beautiful "Margaret Downe". And, of course, no Aidan Knight show is complete without his charmingly awkward stage banter. They ended, as per usual, with "Jasper", which had the crowd singing along, and some amazing strings to go along with it.

And then, it was time for Karkwa. Every once in a while I worry that I have psyched myself up for a show too much, and that the only possible outcome would be disappointment. But Karkwa hit the stage, double drummers and all, and my fears were immediately quashed when they launched into "Le Pyromane" to begin the set. The band has an absolutely incredible intensity as their wall of sound washes over you with driving guitars -- including some incredible solos -- and dual drummers who play off each other perfectly. Highlights of the set included the upbeat "Marie Tu Pleures", which had everyone clapping along, the somewhat dark "Le Bon Sens" and definitely "La Façade", which is up there as one of my favourite songs. After "Le Compteur" drove home their main set, they were back for another pair, ending the night with "Oublie Pas", and leaving the crowd drained, with faces melted off.

It was a show that will absolutely end up as one of my favourites of the year, and cemented Karkwa as one of my favourite bands; especially to see live. Connecting with an audience is hard enough without a language barrier, and it is a testament to the band, and Louis-Jean, that they were able to keep the crowd completely enthralled throughout the set. Earlier in the evening Aidan Knight mentioned that, cheesy as it sounded, Karkwa's music transcends the boundaries of language, and I couldn't agree more. I just hope that the packed venue (on a Tuesday night, no less) showed Karkwa that they have more then enough of fans in the west, and that they'll be back soon.

setlist
Le Pyromane, L'Acouphène, Échapper au sort, L'épaule Froide, Les Chemins De Verre, Dormir Le Jour, Le Bon Sens, La Façade, Marie Tu Pleures, Le Compteur.
[encore] Moi-léger, Oublie Pas.

Peak Performance Project Showcase #1 @ Red Room -- 09/08/11

The Peak Performance Project is a multi-year contest in which The Peak, along with Music BC, picks 20 BC musicians/bands a year and makes them stars. The first year was won by We Are The City, and last year, Kyprios, with a ton of great bands and artists included as well.

Part one of the project was a rock & roll boot camp where they went on a week long retreat where industry pros helped them refine their craft. Phase two is a series of shows at The Red Room, four artists a night for five weeks, each playing a 45 minute set. In the last two years, the bands would all have to learn and play a cover of a classic Canadian song, but this year they will all be playing the songs they wrote about Vancouver for the Vancouver125 celebrations. Honestly, I am a bit disappointed about that, because one of my favourite aspects of the showcase series last year was seeing which song they picked and how they interpreted it. But I am sure their Vancouver songs will be great.

Kicking off the whole series was The Never Surprise, joined by drummer Neko Friesen and Robbie Driscoll on bass -- both of which have played with just about all the bands in Vancouver. They started the set with some slow, folk-y songs, but as the set went on they picked up the energy a little. There wasn't too much banter, aside from some gratuitous "thank yous", but they all seemed confident from the start, which just grew as the set went on. A little bit of feedback struck them early on -- that actually persisted throughout the night -- but it was played it off quite well. They wrapped up the set with their Vancouver 125 song, which was probably the most energetic one they had. They were the crowd into it and clapping along, and it was definitely a good ending song.

Hilary Grist was up next, keeping the mood somewhat mellow with her singer/songwriter folk-pop style. Musically, I thought she was okay; a nice voice and catchy songs, but nothing that really stood out or that I hadn't heard before. But she did have a fantastic energy and stage presence. Coming out from behind the keyboard, singing at the front of the stage, she was great and getting the crowd into it. As the set went on there was a couple of nice moments, with the whole band came up to the front for a soft, cute song and one song consisting of a good sized brass section. She ended her set with a song that started off with just her, then the band joined in, then her large brass section came in as well, for a big ending with the crowd singing and clapping along.

Following her was Jasper Sloan Yip, who I had heard a few songs from, but for whatever reason had never seen him live or delved deeper into his work. But that will have to change, because he put on a thoroughly enjoyable set with a bit more rock in his folk, and a nice balance of slower songs and fun, catchy upbeat ones. Yip had an effortless charm to him, and he & his band all had a good presence on stage, and great chemistry, playing off each other really well. I also loved the addition of the strings, especially violin, to the songs, giving them a nice depth. He, too, ended with a big, grand, clap-along song -- which was a fun song, but had me wondering a little if someone told all the bands at bootcamp that was a good way to end a show.

Wrapping up the night was The Belle Game. I've had the chance to see their big, chamber pop sound a few times in the last couple months, and this was probably their best show I have seen them play. While they have never been lacking energy, this set had an abundance of it, with the members moving around more, being more dynamic. Members of the band would come up front and centre to show off, notably Alex Andrew on guitar and trumpetite Andrew Lee (on loan from The Ruffled Feathers) blowing his heart out for a couple trumpet solos, and a really good intensity from singer Andrea Lo.
And they also had a big, bombastic ending to their set, wrapping up the first night of the showcase shows with a bang.

Definitely a fun night, and a great start to the showcase series, which runs for the next four Thursdays at the Red Room. Next week we'll hear from Avairis, Fields of Green, Acres of Lion and Current of Swell

Rococode w/ Elias & The Belle Game @ Electric Owl -- 08/18/11

Was it ever a busy night in Vancouver. With no less than five events worth going to, it was a tough decision. But based on a complex series of deciding factors, I came to the conclusion that the Electric Owl was the place to be.

First up was current Peak Performance Project contender The Belle Game. I've seen them a couple times in the last month, and they've really impressed me. Packing the stage with half a dozen members -- including The Ruffled Feathers's'es' Andrew Lee -- they have a grand and layered sound with a great intensity; an intensity that was taken out on the floor tom that took a beating. The set seemed a bit short, but included a new song and their current Peak single, "Sleep To Grow", leaving me wanting more; which may be rectified this coming weekend at Live @ Squamish.

Next up was Elias, who were having a bit of a homecoming, since they hadn't played a Vancouver show in quite some time. They were joined by Juno Winning Bass Player Peter Carruthers, and had a great intensity and stage presence that you would expect from a band that has been working as hard as they have for as many years. The set included a fair amount of new stuff -- songs that were played for the first time (and possibly last, they joked) -- and a few I really dug, including one with just Brian Healy and Peter on keys, and another near the end that featured more of guitarist Rob Tornroos on vocals.
Despite the fact that, at times, they are a bit "Fox-Rock" for my taste, they put on a darn good live show, and I just hope they don't wait a year before seeing them play live again.

Rounding out the night was another member of this round of the aforementioned PPP, Rococode -- who are one of my favourite new bands this year. With vocals split between long time collaborators Laura Smith, on keys, and Andrew Braun, guitar, and joined by Johnny Andrews and Shaun Huberts -- drums and bass, respectively -- they may be a new band, but the experience they all have with previous projects gives them an awesomely tight sound and insanely energetic show.
Early on in the set was the fantastically infectious "Empire", and they didn't let the energy down, with "Weapon" and the cacophonous "Blood" being other highlights. They ended the set with a song I didn't catch the name of, but had Andrew taking over the keys from Laura, bringing the set to an explosive climax.

All in all, it was a night of great fun and an excellent showcase of local talent.

Ruffled Feathers @ Biltmore -- 08/13/11

It was a bit of a busy night in music, and so I ended up catching a couple of shows. First was off to the Biltmore for an early one, and then late starter at Backstage Lounge.

I got there a little late, so only caught the tail end of Mercy Years. It was their first show, and they had a pretty catchy indie-pop-rock thing going, with boy/girl vocals. Nothing groundbreaking -- the whole time they reminded me of someone, but I couldn't quite put my finger on it -- but still pretty fun. Their last song was definitely the best of what I heard, ending with big group vocals. It was their first show, and they sounded pretty good for it, so I wouldn't mind seeing them again.

Next up was Rags to Radio, who had a bit more of a garage sound. They had a good energy, but a lot of the songs sounded pretty much the same – especially at the beginning of the set; even their cover of "Money (That's What I Want)" sounded pretty similar. They also had more than their fair share of "whoa-oh's" in lieu of actual lyrics, which was a little distracting.
But that being said, with things like a cowbell-conga-line going through the crowd you could tell they were having fun, and I really liked the last song -- which had more of a brass and drums, big band/swing style -- so that showed me they had potential, but they definitely need work, musically.

Closing out the night at the Biltmore was The Ruffled Feathers, who just keep getting better each time I see them. Fresh back from Oregon where they recorded their new album, they were as tight as ever with their incredibly infection chamber pop and each member (be they in a shirt and tie, fancy dress or tank top) overflowing with enthusiasm and joy, and that definitely seeped into the crowd.
Kicking off the set with "Blueprints for a Failed Revolution", the bulk of the set had Gina Loews on guitar (or ukulele) & main vocals, backed by trupeteer Andrew Lee & Charley Wu, on keys and mandolin. But the two of them also had their turn on vocals, and Gina swapped with bassist Matty Jeronimo for the last song, highlighting the band's diversity.
They showed off their new songs -- my favourite of which was one that may or may not be named "Trick of the Light" -- as well as covering Edward Sharpe & The Magnetic Zeros' "Home", after their own "Home", complete with their own modified dialogue in the middle between Gina and Charley.

It was a really fun show, and I can't wait until the new album is out -- and speaking of which, in case you missed my post about it, the band has a Kickstarter Project going to raise the money to get their album professionally mixed. They're a little over half way to their goal, but they only get the money if they reach that goal, so if you have an extra few bucks, why not help out?

But it was only 11 when they ended and the night was not done yet, as it was off to the Backstage Lounge next... (post coming later this evening)