Aidan Knight @ Biltmore Cabaret -- 04/29/16

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It's been a while since Aidan Knight was last in Vancouver (I think the last show was in late '013 at the Rio Theatre). But hot off the release of his latest album Each Other, Aidan returned to a sold out Biltmore Cabaret. 

Laura Sauvage opened the show, taking the stage alone with her electric guitar. The solo project of Les Hay Babies member Vivianne Roy, she was charming with an effortless stage presence, as she went through songs off her latest album Extraordinormal. 
Sauvage weaved stories with her songs, occasionally telling the crowd what they were about; "Rubberskin" about an old friend who passed away and was... eaten by cats, and "You Think I'm Cruel" about a terrible first date with a guy who was maybe a little oblivious. 
It was an enjoyable set, and I would like to see her again, especially with a full band backing her. 

Thanks to the curfew, it wasn't long before Aidan Knight with his Friendly Friends took the stage. They started with "You Are Not Here", blending seamlessly into "The Arp" as the first chunk of the set focused on the new album Each Other. 
Which Aidan joked about, promising there would be something for the people who had waited since the last show. Throughout the set he chatted and joked between songs, and even had such command over the crowd that everyone (for the most part) silenced when he requested it for the quieter songs; no easy feat, especially at the Biltmore. 
The new tracks culminated with favourite off the new album, the slow-burning "What Light (Never Goes Dim)", as the band took a break and Aidan was alone to play the now-classic, joyful "Jasper" which had the entire sold out room singing along. 
After a few more older ones, including the sombre "Altar Boys" and "The Master's Call", the main set ended with "You Will See The Good in Everyone" building to a furious swell, which would have been the perfect ending...
Except for the fact that Aidan was back out alone to perform one of the most soul-shattering songs, "Margaret Downe". It is one of my favourites, and as Knight belted out the sorrow and regret, I suspect there were more than a few tearful eyes. And finally, the rest of the band returned once more for another old favourite, "Knitting Something Nice", one again culminating in a blistering ending, leaving the crowd satisfied???

As I've seen Aidan Knight perform over the years, his shows have become more and more rich and layered, as his music as grown in scope. This has probably been the best I've seen him perform, and I hope it's not another couple years before he is back. 

setlist
You Are Not Here
The Arp
Each Other
All Clear
The Funeral Singers
What Light (Never Goes Dim)
Jasper
Untitled
The Master's Call
Altar Boys
A Mirror
You Will See The Good In Everyone
(encore)
Margaret Downe
Knitting Something Nice For You

Aidan Knight & Justin Rutledge @ Rio Theatre -- 11/15/13

It's been a little over a year since Aidan Knight's Small Reveal was released, and he's been touring almost non-stop in support of it. But the Victoria singer/songwriter is finally coming home for a rest, and the penultimate stop on the tour was a venue he was familiar with, Vancouver's Rio Theatre.

With him was Justin Rutledge, who was on stage armed only with his guitar. Luckily, it was a "listening crowd", as he put it, and Rutledge's strong voice & songwriting had the crowd hushed. Taking the opportunity to play some slower and quieter songs, the soft spoken singer/songwriter also joked around with the crowd between sets (I, for one, would go see a movie called "Twentysomething Santa").
Highlights from the set included "Out of the Woods", from his new album Valleyheart, and "Be A Man", which even acoustically built to a strong and passionate ending.
Sadly, he did not play his big, rousing sing along song "Jellybean", but it was still a strong set, and no doubt the Toronto troubadour won over more than a few fans.

Then at 9:15 sharp, Aidan Knight took the stage with his Friendly Friends. "You Will See The Good In Everyone" started off the set, beginning soft and building to a huge climax, a trait shared by a few of Aidan's songs. A few of the older songs had variations on then, different arrangements or slight adjustments; nothing to make the songs unrecognizable, but just a natural progression, and punching them up a little.
Part way through the set the band took a break for Aidan Knight Story Time; in true Aidan fashion a bit of a rambling, but entertaining tale of their current tour, and flipping their van, to past tours and Dan Mangan and car sickness. 
He then followed the story with the utterly devastating and heartbreaking "Margaret Downe", before the band came back for a few more including the lesser known "Lambics", building to an intense ending, and "Knitting Something Nice", which ended the set with a cacophony of swirling guitars and crashing drums.
They came back out shortly after for a couple more, including "Skip" from the new album, which Aidan mentioned had never been played in Vancouver before, and of course wrapping up with the big group sing along to "Jasper".

Aidan & his Friendly Friends always put on a great show, and a lot of the songs in the set sounded bigger, more grandiose; as if Knight was stretching his sonic wings more and more. If that was the case, then I am very interested to see what comes next.

setlist
You Will See The Good In Everyone, A Mirror, Land's End, Singer/Songwriter, Margaret Downe, Dream Team, Lambics, Altar Boys, Knitting Something Nice.
(encore) Skip, Jasper.

Vancouver Folk Music Festival Day Two @ Jericho Beach Park -- 07/20/13

The second day of the 26th Annual Vancouver Folk Music Festival was packed, so let's just get right to it.
(See day one here)

It was a day of seeing workshops, and started off with one called Songwriters' Café featuring a score of Canadian talent. Led by Justin Rutledge, who was joined by Miranda Mulholland on the violin, it also included Hannah Georgas, joined by her guitar player Rob Tornroos; Kathleen Edwards, joined by Jim Bryson; and Del Barber, joined by... no one.
The best thing about the workshops is the collaboration that can happen, and there was a touch of that here; Kathleen and Jim joined in on Hannah's song "Robotic", helping on vocals. There were also a couple of cover songs, Hannah covering "Bye Bye Love", and oft-covered song made famous by The Everly Brothers, and Edwards with a sultry version of Nirvana's "All Apologies". I was also very impressed by Del Barber, who I had only heard a little of before the weekend. His good storytelling convinced me to check out his full set later in the afternoon.

I caught a bit of Reid Jamieson and his folky singer/songwriter fare, and later on in the day there was the Going Bi-Coastal workshop, with Charlottetown, PEI's Tim Chaisson and Mo Kenney from Waverley, Nova Scotia representing the east, and Vancouver's Hannah Georgas, and Victoria's Aidan Knight taking care of the west.
There was some nice collaborating in this workshop, Aidan and Hannah being familiar with each other at the folk fest, and Chaisson joined in a Mo Kenney song on his fiddle. Hannah also covered Sarah Harmer's "Coffee Stain" and as the workshop drew to an end, Aidan got everyone -- on stage and in the audience -- to join in to "Jasper", which was one of the highlights of the weekend, and Tim wrapped it up by pulling out his fiddle and evoking a good old fashioned east coast kitchen party.

From there it was off to Del Barber for his own set. Musically, he is a pretty good folk singer/songwriter with a bit of a country edge, but it's his charm and storytelling that put him above others. Introducing most songs with a story, and chatting with the crowd between -- and sometimes during -- songs. Even when he screwed up (something he would attribute to bad karma the next day) he covered effortlessly.
There was also a great song that was about Archie marrying Veronica (an even that happened in Archie comics a few years ago) which was my favourite of the set, and he ended with a cover of "Harvest Moon"
Del was one of my favourite "discoveries" of the festival, and I will have to make sure to catch him next time he is through Vancouver.

As the sun arced over Jericho Beach Park, I caught the first couple songs from The Wooden Sky, but they were having technical issues to start and the heat was starting to bear down, so it was off to the beer garden and catch Maria In The Shower in the background. I had heard a lot about the East Van band, but never seen them live. They put on a pretty fun set, and I'll have to catch them next time they put on a show.

Not long after that, the main stage started for the night, with Danny Michel and The Garifuna Collective. Danny recently went to Belize to record and be inspired, and he came back to Canada to do the festival circuit with them as his backing band. They traded off songs, with highlights being "Survivors Guilt" and the catchy "What Colour Are You?", and put on a very energetic and fun set.

And then, ending my day was Whitehorse. One of my most unexpectedly favourite shows of the year so far was when I saw them at the Commodore, so they were one of my most anticipated of the weekend.
Married couple Luke Doucet and Melissa McClelland are excellent musicians separately, but when put together, something magic happens. With only the two of them on stage, they have an array of instruments and looping pedals at their command, crafting each song from scratch, building them up one by one. Starting with "Killing Time Is Murder", the duo wowed the crowd, especially with Melissa's voice and Luke's guitar skills.
Aside from their own songs, they did a couple covers; a little bit of George Thorogood's "Who Do You Love" slipped in to "Radiator Blues" and a JJ Cale's "Crazy Mama" in the middle of the set. They also played each other's songs as well, including Luke's deliciously bitter "Broken" and Melissa's "Passenger 49", starting soft and then exploding part way through.
After what seemed like not nearly enough time, they wrapped up with the intense "Jane". They definitely didn't disappoint.

That was all for day two (there were other performers after Whitehorse, but I had to leave early). Day three would feature a couple more workshops and solo shows, and another one of my favourite festival discoveries.