PHOTOS: Odario, Bedouin Soundclash @ Imperial Vancouver - February 08, 2020
Odario, Bedouin Soundclash
Imperial Vancouver
February 8, 2020
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Odario @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Bedouin Soundclash @ Imperial Vancouver
Christine McAvoy Photography
Odario, Bedouin Soundclash
Imperial Vancouver
February 8, 2020
Christine McAvoy Photography
Earlier this month, We Are The City opened the doors to The RIP Store. In promotion for their new album, the space was meant to be a free work space open to the public, with tables, wifi, coffee, etc. But the space was also being used for not only their upcoming tour rehearsal, but also a few shows curated by the band. Local favourites like Hannah Epperson, Said the Whale, The Zolas, Brandon Wolfe Scott, and even Dan Mangan (and loads more) all stopped in to play intimate shows for up to 60-some-odd people. Now that the month had come to a close, We Are The City closed down the store with a pair of their own shows, celebrating the new album, RIP.
As the small space filled up and packed with bodies (and body heat), a projection of an Instagram livestream lit up the back wall, following the band as they made their way through East Vancouver right up to the venue, entering through the back, and hitting the stage. The trio of Cayne Mackenzie, David Menzel, and Andrew Huculiak were below a row of tube lights — sections of which illuminating each member and flashing in time to the music — as they kicked off with the soaring "Baptism", playing a selection of songs spotlighting the new album, as well as some old favourites.
And not only was the crowd singing along to a lot of those old favourites, but the new ones as well, despite the album only being out a week. They lamented on what would happen tomorrow for the quirky and incredibly catchy "You're So Clean", and yelled along to the titular chorus of the chaotic "Killer B-Side Music", sending tingled up the spine. Other highlights included the haunting “Dark Horizon”, from RIP's companion album AT NIGHT, and more singing along to "Friends Hurt"
Between songs the band told stories, joked around, and testing out a new thing they wanted to try: playing clips of a song between each of theirs. While they tuned and got ready for the next song, or just for comedic effect, they would turn up snippets of “Lady In Red" by the inimitable Chris de Burgh.
This, along with the loose banter from the band just helped bolster the intimate nature of the show, already evident by the small space of a few dozen people (many of which already knew each other and/or the band).
This intimacy was also evident as Cayne introduced the final song of the night, telling the heartbreaking story behind the album's title track "RIP". Originally written about their waning closeness with longtime friend Kyle Tubbs (of Fields of Green), his untimely passing while working on other songs for the album with the band gave “RIP” an entirely new meaning.
Nothing I can say here can aptly describe what followed, as Cayne’s strained voice, cracking with raw emotion, filled the silent room. The only sounds other than the song being soft sobs and sniffles as there was not a dry eye in the house — including Cayne, David, and Andy — for one of the most emotionally impactful moments I’ve ever experienced in live music.
It’s been a little over ten years since I first saw the band, and I’m constantly amazed how they just keep managing to get better & better, but also more and more creative. Not just with their music, but with the feature films, this store, with everything they do. And even though the album just came out… I can’t wait to see/hear/experience what’s next.
setlist
Baptism
Night Guest
Kiss Me, Honey
Friends Hurt
Obviously
You're So Clean
Dark Horizon
Keep On Dancing
King David
Killer B-Side Music
RIP
Shred Kelly
Fox Cabaret
November 08, 2019
Christine McAvoy Photography
The year is 2009. Disney just bought Marvel. Avatar is sweeping through cinemas. A young(er) Kirk was just entering the BCIT Radio Broadcast Program. And the band Shred Kelly formed in Fernie BC.
Now in 2019, the “stoke folk” group is celebrating their 10th anniversary with a tour that hit the Fox Cabaret in Vancouver this weekend.
First up was Old Soul Rebel, and while I only caught the last few songs of their set, they sounded exactly like their name would imply. Singers Chelsea Johnson and Lola Whyte had awesome harmonies as their voices burst offstage and through the room, carrying the ‘rock & soul’ sound of the band. They were also joined for a song by Darren of Snotty Nose Rez Kids, and based on what I heard, I am definitely going to have to keep an eye (or ear) out for them in the future.
Not long after that, Shred Kelly hit the stage and launched straight in to the title track from Sing To The Night, playing a selection that spanned their entire decade. Ranging from the soaring “Didn’t Know” off their latest album, to some of the first songs they’ve ever written like the haunting “Ghost Inside My Head”.
To bolster the bombastic alt-folk songs, each and every member of the band had big energy exuding off the stage; especially Sage McBride, who hardly stood still for a minute as her voice mixed with Tim Newton’s perfectly, the latter’s fingers blurred over the banjo for most songs. Other highlights throughout the set included the incendiary keys of “The Bear”, the explosive “New Black”, and “Cabin Fever”, which somehow conveys the claustrophobic isolation the title implies.
After finishing the set with another older tune “Goodbye July”, which they haven’t played live in quite some time, they were back for a couple more. First, the song that got them onto Tracks on Tracks (the 2012 cross-Canada musical train trip where I first met the band) which happens to be one of the most cathartic singalongs out there, “I Hate Work”. And finally finishing the dance party, appropriately enough, with a cover of Whitney Houston’s “I Wanna Dance With Somebody”, ending with Sage hopping off stage and doing just that with the crowd.
The night was an incredibly fun celebration of the band’s first decade, and with news that they were working on a new album here in Vancouver (which is almost finished, as I may have learned) I can’t wait for another ten years.
setlist
Sing To The Night
Jupiter
The Bear
Stereo
Going Sideways
Cabin Fever
Archipelago
New Black
White River
Ghost Inside My Head
Didn’t Know
Goodbye July
(encore)
I Hate Work
I Wanna Dance With Somebody [Whitney Houston cover]
With her new album Portraits out right now, Vancouver’s own Louise Burns hit the Biltmore Thursday night for a release party celebration. Unfortunately the combination of an early show and other celebrations (of the birthday variety) prevented me from seeing the openers for the night — both Michaela Slinger and Biawanna — but I got there just ahead of Louise Burns hitting the stage with a backing band that included some Vancouver all stars like Jody Glenham, Rob Tornroos, Eric Breitenbach and Darcy Hancock, as well as the sensual sax solos of Dominic Conway.
Starting off the set with the first song off the new album, “Like A Dream”, Burns went through nearly the whole album, as well as some old favourites. New songs like the darker “Clowns”, a heartfelt ballad “Everything You Got” showing off the power to her voice, and the infectious “Cry”, my early favourite off the album. Other highlights included the dark and sinister “Who’s The Madman”, and the stage bathed in green lights for “Emeralds Shatter”.
After nearly an hour, Burns thanked everyone for coming and admitted they only had a few left and weren’t bothering with an encore, capping off the set by raising the energy; first with the the tropical and deceptively upbeat “Just Walk Away” and then the tempestuous “Storms”.
I had a sneaky early listen to the album before seeing Louise Burns play, and I would say without a doubt, it’s her strongest release yet. And her live show definitely backs it up. It’s always a treat to see Burns perform, and this was perhaps the best she’s ever sounded.
setlist
Like A Dream
Cry ***
Over You
Cheers
Emeralds Shatter
Cherry
Who’s The Madman
Ruby
Clowns
Everything You Got
Just Walk Away
Storms