Ma Petite CD release @ Prophouse Cafe -- 05/16/14

A couple years ago, Indiana Avent made the journey from her homeland of Australia to Canada to record her debut album in Vancouver. She had previously played violin for people like Bon Iver, Dan Mangan, Gotye, and Amanda Palmer, but decided it was time to put her own songs out into the world, and with loads of Vancouver's finest backing her she recorded The Road That Led Me To Fall.
The album was finally released it last month, and Indiana returned to her second home to celebrate its release.


Starting off the night was Savannah Leigh Wellman, frontwoman of Redbird playing solo. In contrast with Redbird's new hip-swaying rock, Savannah played some softer jams, her strong voice soaring over acoustic guitar, as she started with a newer song called "Wandering One".
Early on, she noted that most of her songs were a little more dour than Ma Petite's, so made sure to play a few happier songs, including a lovely song called "Morning Day and Night". There were also a few Redbird songs in the mix; "Some Birds" and "Oh Please My Heart".
She ended her set with what ended up being my favourite song of the night, an absolutely heartbreaking ghost-story-slash-breakup-song, called "The White Eagle", as Savannah poured everything into the song.

Next up was Twin Bandit, the pairing of Hannah Walker and Jamie Elliott. Also armed with only acoustic guitars, they had a country-ish sound with the two girls' voices intertwined into nice, soft harmonies, complimenting each other very well.
Standouts from the set were a cover of Ana Egge's "Hole in your Halo" and one of their own songs, which I didn't catch the name of, that was more fiery than the rest and introduced as a song about "the kind of love that makes you want to die"
They had gorgeous voices and a great presence, but I feel like they would make amazing scene-stealing backup singers -- the Ana Egge & Rose Cousins to someone's Joel Plaskett, or the Watson Twins to someone's Jenny Lewis -- as their own songs were just not quite strong enough.
They did mention near the end of their set that they would be playing the Media Club next weekend with a full band, so I would be interested to see how they are with a fleshed out sound.

And finally, it was time for Ma Petite to celebrate the release of her album. Completing the theme, Indiana took the stage alone with an acoustic guitar -- switching to ukulele halfway through -- with soft songs that were held aloft by her gentile, almost fragile voice.
She started with the sweet "Morning Song", and was incredibly charming on stage, introducing most every song with a little story; joking that a lot of the songs were about either birds or boys, before going into a song about both birds and boys.
Her storytelling extends through her music, with songs like "I Like That You Like Books" weaving through the narrative of working in a bookstore/coffeshop and flirting with customers (rather, a certain customer) or the longing of an ocean separating people in "Make Like A Bird".
As the set drew to a close, she led the crowd in a sing-along to a favourite "Man About Moon" before wrapping up the night with the upbeat "Two Big Thick Duffle Coats"

Often times it seems descriptors like "cute" can seem dismissive or condescending when it comes to music, but Indiana's soft and intimate songs -- even when they are about sad things -- are incredibly endearing and you can't help but smile while listening.

setlist
Morning Song, Lonesome, Winter Wind, I Like That You Like Books, Make Like A Bird, Sparrow, Words To Keep, Oh the Vampyre [AA Bondy cover], Man About Moon, Two Big Thick Duffle Coats. 

Ma Petite Single Release @ Media Club -- 09/28/12

Australian musician Indiana Avent -- who has played violin with people like Bon Iver, Dan Mangan, Gotye, and many more -- has been living in Canada for the last year or so, making her debut album under her own band Ma Petite. With the help of some of Vancouver's finest, the album is almost ready to see the light of day, and to give it a little bit of a tease she took to the Media Club for the launch of the first single.

Opening the night was Garrett Kato, though unfortunately I got there a bit late and only caught his last song. The rootsy rock of Redbird was up next. Lead by Savannah Leigh Wellman's strong voice, she was joined by John Sponarski on guitar & Ben Appenheimer on bass, as usual, and brand new addition: Malcolm Holt from The Gay Nineties on drums.
Opening with "The Tower", the set was a mix of songs from last year's debut EP, We're All Friends and Lovers Until it Falls Apart, and new songs, including an absolute rocker, "I Fall Apart", my favourite of the set.
Redbird continues to get more and more polished in their live show, both musically and stage presence, with some good banter -- especially the joking (and teasing) between Savannah and Sponarski -- and I really can't wait to see how that translated to their next release.

Not long after, Ma Petite took the stage, with Indiana and a few familiar faces, including Olivier Cléments (one of Aidan Knight's Friendly Friends), Ben Appenheimer (once again) on stand up bass and Matt Kelly (of all the bands) on guitar and keys; Jordan Klassen even joined briefly by on guitar.
Indiana's great sense of storytelling shines through in the songs -- and her stage banter -- for some adorable folky tunes, which she admitted, "boys or birds", with one of my favourites being "I Like That You Like Books", a catchy song about having a crush on the customer while working as a barista.
After a few songs, the band took a break while Indiana did a couple on her own, then they were back for a cover of AA Bondy's "Oh The Vampire" and the song of the night, "Man About the Moon", which starts soft and explodes into a joyous ending. Both that and "Goodbye Sweetheart" following had bouts of group vocals, before the set came to an end -- sans fake-encore -- with a song about adjusting from Australian to Canadian climates, "Two Big Thick Ruffled Coats".

It was a lovely set, and the only problem wasn't with Indiana or the band, but rather the volume of the crowd. I don't know why it is, but the Media Club always seems to have the most talkative crowds, and while the front half of the room was rapt by Ma Petite, the back half (near the bar, of course) was getting almost disruptively noisy.

Then & Now @ Biltmore -- 08/21/12

The brainchild of Vancouver's beekeeper, Then and Now was a simple concept; take ten artists and get them to play a brand new song and an old song -- their current favourite that they're super proud of, and one of the first songs they wrote, that they may be a little embarrassed by.

The night was also a fundraiser for Megaphone, a local magazine that is sold by the homeless or low income people, who get to keep the profits of their sales.

The night started with a couple amazing songs from aboriginal blues artist Murray Porter, followed by Brandi of Sidney York, who took the concept to its extreme playing her very first song and brand newest song -- the latter being a sexy cellphone song (no, seriously).

Dominique Fricot followed, with his "then" song being a song he wrote for his high school grad. Hannah Epperson sang a short song she wrote when she was eight, to sing as a pre-dinner prayer of sorts, before amazing everyone with her incredible violin looping, and the first half of the night was wrapped with with Katie Rox , first singing a song from her old (industrial) band Jakalope before being joined by Brandi and Luke Cyca for her "now" song.

After a brief intermission Colby Sparks kicked off the second half, being a bit of an odd man out, genre-wise but certainly not talent-wise. His old song was him playing saxophone overtop of some beatboxing, while his new was a complex series of samples that had everyone's heads bobbing and shoulders shimmying in their seats. Ma Petite came up next, first rapping(!!) a silly joke rap group she had in high school, and playing one of her first songs, a sappy love song before her newest one. 
David Vertesi was up next with his new song being from his latest album, but his old song from his high school band, Touched By An Uncle, called "Sean Connery" which was a love song to the titular actor. And it was as goofy yet amazing it is sounds. Jody Glenham followed him, with her old song being "Coffee Soaked" played on guitar instead of a piano and her new song being written on a bar stool in the back of the very venue she was playing in, the Biltmore. 
Finally, wrapping up the night was beekeeper, playing a full electric set. Their "then" was not an embarassing song from Devon's past, but a song from their first album, BE KEPT, and their new one was a brand new tune called "Don't Need Hope, Need Whiskey"

It was a really fun night with a great concept, and while the show never felt like it dragged -- the hosts Devon and Lana Gay did a fantastic job during the quick turnarounds, and many of the musicians had amusing stories to go with their songs -- the show ended up running three hours, with the break. Next time they put on an event like this (and I sincerely hope there is a next time) I hope they pare down the lineup a little, but not by much

.

Last Night In Music: Adaline, Ma Petite and Sidney York -- 03/08/12

Okay, it was a bit of a busy night last night, with about a half-dozen shows worth seeing. Islands at the Rio, the Evolution1079 Birthday party at the Railway and Ruffled Feathers out at UBC were all among them, as well as three other shows I wanted to see. So how did I decide? Well, I didn't. I saw them all. So to paraphrase another blog's title, here is Last Night In Music. (Which also ended up being an accidental celebration of International Women's Day)

The first stop was at CBC Vancouver for the CBC Toque Sessions. The series is just about wrapping up, but there are still a couple more to go. The shows are free and are being recorded for broadcast later of Radio 2 and their On Demand section (sidebar: check out the snazzy new CBC Music website).

The former Vancouverite -- now Toronto resident -- Adaline was back in town with her sexy electronic-pop sounds, joined by her backing band and occasionally a small string section, which included Hannah Epperson and Michelle Faehrmann.
The set kicked off with the energetic "Rebels of Love", and went through most of her new album Modern Romantics.
Adaline was all over the stage throughout the set, behind keys and synth and even coming right up to the front, and "threatening" to come down and sit on the laps of the front row. Her great stage presence and confidence was only overshadowed by her incredibly powerful voice, most apparent during the slower "Cost Is Too High", which was a more stripped down song with just her brother on the keyboard backing her, until the strings swelled up at the end.
There were a couple snags in the set, but she rolled with them quite well; at one point when the electronic track failed to kick in at the beginning of "Sparks", she just continuing with different lyrics, jokingly dubbing it the "Screw Up Song". But that aside, it was a very entertaining set, with other highlights being the raw "Lovers Collide", the raucous "Stereo", and "The Noise", a moody song that closed the set.

setlist
Rebels Of Love, Wasted Time, That's What You Do Best, Keep Me High, Say Goodbye (I Won't Even), Stereo, Lovers Collide, Chemical Spill, Sparks, Cost Is Too High (Not To Love), The Noise.

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After a quick bite the next stop was to the Media Club for Jamison Troy's CD release show, to catch the adorable Indiana Avent as Ma Petite. First up, though, was Two Bicycles, another project from Teen Daze's Jamison. They had a bit of a chill, almost folk-ish vibe, with a prominent saxophone to round out the sound. Some of the songs were a bit similar, but the short set was pretty good, and I wouldn't mind catching them again in the future.

Soon after, Ma Petite hit the stage, Indiana joined only by Ben Appenheimer on stand-up bass. The minimalistic folk-pop set was driven by Indiana's lovely voice and her fun songwriting, with songs like my favourite of hers, "I Like That You Like Books"; "Mittens", about the Australian's first Canadian winter;  "Adventure Wednesday", which is about exactly what the title implies; and the birthday song for "Benny Apples". Indiana was also really talkative on stage, chatting with the crowd and introducing each song, getting people to come fill the empty gulf in front of the stage and leading a sing along for the end of "Man About The Moon".

setlist
Morning Song, Lonesome, Adventure Wednesday, Mittens, How to Make a House a Home, Benny Apples, Man About the Moon. I Like That You Like Books, Two Big Thick Ruffled Coats.

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And then as soon as Ma Petite ended, it was a rush to get over to the Biltmore in time for Sidney York. Though my timing was perfect, as they hit the stage mere moments after I walked in the door (clearly they were waiting for me).
The normal trio of lovely ladies -- Sheryl Reinhardt on oboe, Krista Wodelet on bassoon and of course, Brandi Sidoryk on keys, french horn, ukulele and vocals -- were joined by Luke Cyca, Colin McTaggart and Neil Dorin something on drums, guitar and bass, respectively, but it was the girls who really stole the show. I've been able to see Sidney York more than a couple times in the last few months, and I think it's safe to say this was the best set I've seen from them.
There was an incredible high energy from the three of them; Sheryl and Krista ran through the crowd clapping at the start of "Dick & Jane", and Brandi was exploding all over the stage the whole night, even bouncing with energy when just sitting at the front of the stage, with people from the crowd joining her for "Roll With Me". Brandi also did a great job of talking and joking with the crowd, acknowledging the intimacy of the show, and even mentioning "fun facts" about specific people in the audience she knew.
Other highlights were the dark "Math & Fractions", the softer and heartbreaking "Go Home, Atticus Jones", where the boys took a break, and "Mile High Love", which ended the set with a bang.

setlist
Tea As It Should Be, Math & Fractions, Cold In Here, Apocalyptic Radio Cynic, Go Home Atticus Jones, Dick & Jane, Doctor Doctor, Roll With Me, Mile High Love.

Despite some timing worries for the latter two, pulling off the triple-show went off without a hitch (though I was sad to miss some of the others on both later bills), and though it was a bit of a hectic night, it was three somewhat different shows to make a pretty great night of music.

Khatsahlano! The West 4th Music + Art Street Festival -- 07/23/11

Another weekend full of music, this time a day of free shows thanks to Khatsahlano! The West 4th Music + Art Street Festival, with West 4th Ave being closed off for several blocks, and five stages of music with dozens of bands throughout the day.

The day started at 11:30 with Kingdom Cloud, and even before noon all three members of the band -- in their uniform white jeans, blue shirts and neckerchiefs -- were full of energy; especially Evan, who was bouncing around the stage, hardly staying still for a moment. Blasting through insanely catchy power-pop songs, with awesome titles like "Love Goblin", "Turbo Ranger" and "Rainbow Road", they were incredibly fun to watch and a good start to the day.

The next act I wanted to catch was Ma Petite, even though I had seen them the night before. The set itself was similar, with charming songs like "I Like That You Like Books" and singer Indiana Avent's nice voice and great sense of storytelling.

From there it was a rush to The Peak sponsored stage where David Vertesi had just started. Most of the sets were only a half hour long that day, so Vertesi only had a handful of songs, which included his awesome cover of "Say You'll Be There" by Spice Girls, which seems to have become a staple of his repertoire, and the infectious "Mountainside" to wrap up his set.

After that there was a bit of a break in the action where we visited a "side party" put on by Zach Gray from The Zolas, on his front lawn. There were just a couple short sets with Hannah Epperson and her amazing violin looping first, then Zach playing a few songs solo. It wasn't too long, but gathered a pretty decent sized group of passer-by's and neighbours, and was a really fun and cool idea.

Then it was quickly back to the Peak stage on 4th for Aidan Knight. He announced it was going to be his last show of the summer, and he'll be back in the studio with his Friendly Friends soon to record a new album.
Started with "Friendly Fires", his set consisted of old and new songs, and of course Knight's great awkwardly charming banter. After the beautiful "Margaret Downe" alone, Aidan called not only his Friendly Friends back out, but also the members of Said The Whale and David Vertesi & Ashleigh Ball of Hey Ocean! to join him for the last couple songs. It was a really cool group jam, culminating in "Jasper", an incredible sight with everyone, on stage and in the street, dancing and singing along.

And finally, to wrap up the day, it was Yukon Blonde. Kicking off with "Babies Don't Like Blue Anymore", their tight sound and great energy as good as ever. Highlights were the rockin' "Bride's Song" and the always great harmonies of "Wind Blows", as well as a few new songs throughout the set. One had Kingdom Cloud and Spencer from Said The Whale on stage to help out, and another -- possibly called "Radio" -- which is hands down my favourite Yukon Blonde song, even though I've only heard it twice, live. They ended the set after a nice cover of The Cure's "Just Like Heaven" and another new one.

and the incredible day of music.