The Weather Station @ Hollywood Theatre -- 11/12/21

So, uh... it's been a while? While I've seen a few outdoor events recently -- and was in the real-life audience of a livestream show last October -- The Weather Station kicking off their Canadian tour in Vancouver was the first actual, indoor live music show since last year. And not just that, but in a brand new venue, on top of that. The Hollywood Theatre is a converted movie theatre (which still has screenings) with soft seats up front, and a more open section at the back to mill around; like a hybrid of the Rio Theatre and the Imperial, here in Vancouver. It was a nice venue and I look forward to seeing more shows there.

The evening started with Jasper Sloan Yip taking the stage alone, acoustic guitar in hand, to play a few songs off his latest double EP, Strange Calm / Blushing Autumn. He started with the dreamy "Gin Fizz", and after a couple songs shifted to take a seat behind the keys for the "piano portion" of the set. Jasper’s voiced filled the room with heartfelt songs like "Strange Calm", and “Blushing Autumn”, as even he confessed to closing his eyes and getting lost in the songs. He brought the short set to an end with the final song off the new pair of EPs, “Every Night, Beside You, I Lie Awake”.

Shortly after, the stage dimmed as the opening notes of "Wear The World" rang out, as the band members of The Weather Station slowly illuminated, and singer Tamara Lindeman rose from her crouched position up front.

Performing mainly off the latest album, Ignorance, the set had an ebbing flow, with soft songs slowly building in intensity, only to fall back to a haunting calm. Lindeman mainly let the songs speak for her, but did take a moment to thank everyone for coming, acknowledging it was likely a lot of people's first show back, musing how it's still a little weird to be around so many people, and joked about making her return in an "insane grass suit" (her words) which was just all fringe.

Highlights of the set included the older, crowd favourite “Thirty”, the breathless vocals of "Better Now" (a newer song, included on the deluxe edition of Ignorance), and the simmering, controlled chaos of "Robber".
They brought the main set to a close with "Parking Lot", but of course, Tamara was back moments later for the encore. She talked about how her advocacy for climate change has thrust her into unexpected spotlights, and then, accompanied only by keys, launched into a heartbreakingly beautiful new ballad about no longer finding the stars in the night sky as alluring as she once did. The rest of the band then returned to cap off the night with Lindeman’s voice ringing out for the gorgeous "Subdivisions", the final song off Ignorance and am excellent way to cap off the night.

For a “first show back”, you couldn’t ask for much more, and I am so glad to be taking in live music again, because let’s be honest… livestream shows just don’t measure up to the real thing.

Jasper Sloan Yip
setlist
Gin Fizz
Blushing Autumn
Halcyon Dream
Strange Calm
Anew
Every Night, Beside You, I Lie Awake

The Weather Station
setlist
Wear The World
Loss
Atlantic
You And I (On The Other Side Of The World)
Way It Is/Way It Could Be
Thirty
Better Now
Look
Separated
Heart
Tried To Tell You
Robber
Parking Lot
(Encore)
[New Song]
Subdivisions

Bahamas @ Vogue -- 10/17/14

Somehow it has been two years since I last saw Bahamas play live. The last time, it was at the Biltmore Cabaret, so to take a jump from there to a sold out Vogue Theatre was pretty indicative of how big he's become, and how well his latest album, Bahamas is Afie is doing.


Opening the night was Toronto's The Weather Station, and much like Bahamas is Afie, The Weather Station is Tamara Lindeman. She took the stage alone armed only with her guitar and breathy but powerful vocals as she wooed the packed theatre with her folky, alt-country sound.
She had a good stage presence -- not shy, but hushed, as if to urge you closer -- and she joking with the crowd, even a few times even answering single questions yelled in the direction of the stage, and was pretty captivating while playing.
Near the end of her set, she invited Afie -- who produced her upcoming album -- on stage to play the drums for the last couple songs, switching to an electric guitar.
I enjoyed her set, but I get the feeling that her live shows are the kind that are exponentially better when you know the music, and so I'll definitely have to check out her new album before she's back.


Soon after that, Bahamas himself, Afie Jurvanen, came out joined by Felicity Williams, Christine Bougie, and Jason Tait as his backing band. As they kicked off with "Never Again", Afie looked visibly glad to be there, to be playing for a packed house. He played and strut around the stage with an effortless cool and charisma, even bantering with the crowd, with his dry sense of humour.
The set began with some older songs, including the ridiculously catchy "Caught Me Thinking" before he delved into his new album. Highlights from included the gorgeous and heartbreaking "Can't Take You With Me", and the pairing of "I Had It All" and "Nothing To Me" as Afie pointed out the juxtaposition of the two song titles.

Part way through the set the band took a break as Bahamas pulled out the guitar his first album was named after, his pink strat, for "Lonely Loves" off that album, as Afie showed off his considerable talent on guitar. The band came back to end off the main set, as they were joined by Tamara Lindeman to help out on vocals for the beautiful "Lost In The Light" before leaving.
But of course, they would be back, with Jason Tait utilizing the vibraphone for the first and only time throughout the set on "Montreal" and Lindeman returning to help out with vocals. After a cover of a Bobby Womack song and newly fan-favourite "All The Time" off the new album, the crowd took to their feet for the third standing ovation of the night, and Bahamas ended things off with another beautiful song,"Snow Plow", and Afie one more time showing how grateful he was to be there.


From even the very first time seeing Bahamas, as an opening act at the Biltmore (five years ago this month, actually), I could tell he had ridiculous amounts of charisma and charm. Even in a sold out theatre venue, he still managed to make it seem small and intimate, and is such a good performer. It's no wonder, after many years of backing up bands like Feist, Jason Collet, Zeus, and more, that he went out on his own, and no wonder that he can sell out venues like the Vogue.


setlist
Never Again, I Got You Babe, Caught Me Thinking, Already Yours, Like A Wind, Can't Take You With Me, Waves, I Had It All, Nothing To Me Now, Lonely Loves, Sobering Love, Overjoyed, Okay Alright I'm Alive, Your Sweet Touch, Lost In The Light.
(encore) Montreal, Bitter Memories, Please Forgive My Heart (Bobby Womack cover), All The Time, Snow Plow.