Last Night In Music: Adaline, Ma Petite and Sidney York -- 03/08/12

Okay, it was a bit of a busy night last night, with about a half-dozen shows worth seeing. Islands at the Rio, the Evolution1079 Birthday party at the Railway and Ruffled Feathers out at UBC were all among them, as well as three other shows I wanted to see. So how did I decide? Well, I didn't. I saw them all. So to paraphrase another blog's title, here is Last Night In Music. (Which also ended up being an accidental celebration of International Women's Day)

The first stop was at CBC Vancouver for the CBC Toque Sessions. The series is just about wrapping up, but there are still a couple more to go. The shows are free and are being recorded for broadcast later of Radio 2 and their On Demand section (sidebar: check out the snazzy new CBC Music website).

The former Vancouverite -- now Toronto resident -- Adaline was back in town with her sexy electronic-pop sounds, joined by her backing band and occasionally a small string section, which included Hannah Epperson and Michelle Faehrmann.
The set kicked off with the energetic "Rebels of Love", and went through most of her new album Modern Romantics.
Adaline was all over the stage throughout the set, behind keys and synth and even coming right up to the front, and "threatening" to come down and sit on the laps of the front row. Her great stage presence and confidence was only overshadowed by her incredibly powerful voice, most apparent during the slower "Cost Is Too High", which was a more stripped down song with just her brother on the keyboard backing her, until the strings swelled up at the end.
There were a couple snags in the set, but she rolled with them quite well; at one point when the electronic track failed to kick in at the beginning of "Sparks", she just continuing with different lyrics, jokingly dubbing it the "Screw Up Song". But that aside, it was a very entertaining set, with other highlights being the raw "Lovers Collide", the raucous "Stereo", and "The Noise", a moody song that closed the set.

setlist
Rebels Of Love, Wasted Time, That's What You Do Best, Keep Me High, Say Goodbye (I Won't Even), Stereo, Lovers Collide, Chemical Spill, Sparks, Cost Is Too High (Not To Love), The Noise.

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After a quick bite the next stop was to the Media Club for Jamison Troy's CD release show, to catch the adorable Indiana Avent as Ma Petite. First up, though, was Two Bicycles, another project from Teen Daze's Jamison. They had a bit of a chill, almost folk-ish vibe, with a prominent saxophone to round out the sound. Some of the songs were a bit similar, but the short set was pretty good, and I wouldn't mind catching them again in the future.

Soon after, Ma Petite hit the stage, Indiana joined only by Ben Appenheimer on stand-up bass. The minimalistic folk-pop set was driven by Indiana's lovely voice and her fun songwriting, with songs like my favourite of hers, "I Like That You Like Books"; "Mittens", about the Australian's first Canadian winter;  "Adventure Wednesday", which is about exactly what the title implies; and the birthday song for "Benny Apples". Indiana was also really talkative on stage, chatting with the crowd and introducing each song, getting people to come fill the empty gulf in front of the stage and leading a sing along for the end of "Man About The Moon".

setlist
Morning Song, Lonesome, Adventure Wednesday, Mittens, How to Make a House a Home, Benny Apples, Man About the Moon. I Like That You Like Books, Two Big Thick Ruffled Coats.

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And then as soon as Ma Petite ended, it was a rush to get over to the Biltmore in time for Sidney York. Though my timing was perfect, as they hit the stage mere moments after I walked in the door (clearly they were waiting for me).
The normal trio of lovely ladies -- Sheryl Reinhardt on oboe, Krista Wodelet on bassoon and of course, Brandi Sidoryk on keys, french horn, ukulele and vocals -- were joined by Luke Cyca, Colin McTaggart and Neil Dorin something on drums, guitar and bass, respectively, but it was the girls who really stole the show. I've been able to see Sidney York more than a couple times in the last few months, and I think it's safe to say this was the best set I've seen from them.
There was an incredible high energy from the three of them; Sheryl and Krista ran through the crowd clapping at the start of "Dick & Jane", and Brandi was exploding all over the stage the whole night, even bouncing with energy when just sitting at the front of the stage, with people from the crowd joining her for "Roll With Me". Brandi also did a great job of talking and joking with the crowd, acknowledging the intimacy of the show, and even mentioning "fun facts" about specific people in the audience she knew.
Other highlights were the dark "Math & Fractions", the softer and heartbreaking "Go Home, Atticus Jones", where the boys took a break, and "Mile High Love", which ended the set with a bang.

setlist
Tea As It Should Be, Math & Fractions, Cold In Here, Apocalyptic Radio Cynic, Go Home Atticus Jones, Dick & Jane, Doctor Doctor, Roll With Me, Mile High Love.

Despite some timing worries for the latter two, pulling off the triple-show went off without a hitch (though I was sad to miss some of the others on both later bills), and though it was a bit of a hectic night, it was three somewhat different shows to make a pretty great night of music.

Sing It Forward @ Vogue -- 12/21/11

Name your three favourite Vancouver bands. Chances are pretty strong that at least one of them was at the Vogue last night for Sing It Forward, an evening benefiting the kids of the St James Music Academy. Organized by David Vertesi and Ambrosia Humphrey, they brought together some of Vancouver's finest for a night of music.

Leading up to the night, there was also a series of videos posted on Vancouver is Awesome of the bands joined by the kids of SJMA for a song (see them all on their Vimeo channel), and these were shows throughout the night between sets.

As there were almost a dozen acts, each had a short set of three acoustic songs, so I won't linger too long on each act.

Arriving just in time for the last song by Aaron Nazrul of The Boom Booms, he was joined by just about the whole band for a song about East Van, where they're from. It sounded pretty much what you'd expect from The Boom Booms; upbeat and energetic.

Next up was The Belle Game, starting off with "Sleep To Grow", including a fantastic ending with Andrew Lee on trumpet. Even stripped down acoustically, the band had a lush, rich sound that seemed to fit perfectly for a theatre venue like the Vogue; I would love to see them do a full set there sometime. They wrapped up their set with "Shoulders and Turns" with a good number of the other musicians coming out for percussion to end with a bang.

Rococode was next, their raucous sound translating acoustically very nicely (the use of the xylophone definitely helped out with that). The songs -- "Empire" especially -- were no less catchy, and "Dreams" possibly worked even better as an acoustic song, being much more haunting stripped down, and getting the crowd to sing along for the end of it. 

Up next was the man of the night, David Vertesi himself. With just Andrew Rasmussen joining him on keys, he played some of the softer songs from his album; "All Night, All Night, All Night" and "Learn To Run", the latter building to an intensely emotional ending. He ended the set with a surprise guest, calling out Hannah Georgas to sing backups on "Mountainside", bringing up the energy a bit more to wrap up his set.

Ben, Tyler and Jacelyn of Said The Whale were up next, with Ben taking care of the vocals, since Tyler was still recovering from having his tonsils removed (seriously). Every year the band puts out a Christmas song or EP, and their set consisted solely of some of these Christmas songs, with the dreary "Puddleglum" being one of my favourites of the night. Even in a post-surgery haze, Tyler had pretty good energy, and Ben's great voice effortlessly filled the venue.

Wrapping up the first half of the night was Aidan Knight who started off with the most heartbreakingly beautiful song, "Margaret Downe", and even managed to break a string. At an acoustic show. After some of his usual hilarious banter -- a story about how his guitar got the name Burnt Reynolds -- and some deliberation, he played a brand new song and ended, of course, with "Jasper", bringing up all the kids on stage to sing with him.

At this point there was a short intermission, and then Adaline kicking off the second half. She had a bit of a auspicious start, as the keyboard she rented wasn't working, and the one they had been using all night wasn't ready. But she handled it like a champ, first encouraging the kids to continue on with music, then ready to sing a capella, with Robbie Driscoll on bass. Just as she started, though, they got the keyboard fixed and she was able to launch into her somewhat dark, sexy sound, starting with "The Noise" and then bringing out Laura Smith to help with background vocals for "Keep Me High", ending with her own Christmas song from the Light Organ compilation.

Next, Vince Vaccaro was out solo, armed with just his guitar. I've always found Vaccaro's music kind of hit or miss, personally, but I rather enjoyed his acoustic set, and I can't deny he is a pretty great performer. After his first song, he invited all the St James kids back on stage, and they helped out -- along with Ash from Hey Ocean and everyone's drummer Johnny Andrews -- for "Costa Rica" to wrap up his portion of the night.

Another surprise guest popped up between sets when Shad came out to fill the time before the next act with a couple freestyle verses, including his soliloquy from the end of "Live Forever"

Then it was the only non-Vancouver act, Michael Bernard Fitzgerald coming in from Calgary. After a new song, and teasing an upcoming album, he launched into "Movie Life", with a little but of "The Thong Song" (cleaned up a little, for the kids) slipped in at the end, and another new one with Vertesi -- and the kids back up on stage out to help out with singing. MBF is always incredibly fun to watch live, as he just exudes charisma, and you can't help but be charmed by him.

Zach Gray of The Zolas was the penultimate act, coming out with a couple new songs; "Strange Girl" and, after taking a survey of his own (which went about as conclusive as Aidan's) a brand new one called "Ancient Mars", which Zach described as a nerdy love song that he never played all the way through before. It had me at the first line, "I want to believe in time travel". He ended the set with everyone getting into "You're Too Cool", and some great singing along from the crowd.

And finally, wrapping up the night was Hey Ocean starting with a really cool version of "Big Blue Wave" -- which I may have liked even more than the full band version. They threw in their new Christmas song, which had the best intro; first Vertesi introduced in each instrument as they came in (including everyone's favourite holiday instrument: the keytar) and then brought out the awkward dancers, with the greatest dance moves of the year from Aidan Knight and Alex Andrew from the Belle Game. They wrapped it all up with the St James kids back on stage, and all other musicians as well, for a giant singalong to "Alley Ways", for a pretty great moment to end the night on.

It ended up being a four hour long night, but it hardly felt like it, as there was never a dull moment or a lull in the show. All the performers were top notch, and they kept the changeover times to a minimum, with the videos or the lovely emcees from The Peak keeping things running smoothly.

It would be cliché to call it a magical night, but there is hardly any better description, and I hope some variation of this turns into a yearly event.

Adaline CD Release @ Biltmore -- 11/05/11

After spending several months in Toronto working on her new album (with a guy you may know... Hawksley Workman?) Adaline returns to Vancouver to celebrate the recent release of said CD, joined by a couple more pretty cool acts.

First up was Rococode who, as I am sure I have said before, has been one of my favourite new bands this year. I've seen them a few times recently, and they were just as good this time, despite Laura's fresh hand injury, having received stitches the day before. As usual, the set was incredibly tight with superb harmonies (including some surprisingly high notes from bassist Shaun Huberts) with highlights being "Empire", which always gets stuck in my head, and the raucous "Blood", which is a great way to end the set.

setlist
Wild in Waiting, Dreams, Weapon, EJ(ay), Empire, Blood.

In Medias Res was up next and for full disclosure, I went to high school with some of the members, and so saw some of their very early show... and they were pretty much the usual high school band; and since I have not seen them since then, that's kind of how I still remembered them. (Which is my own fault, not theirs.)
Hitting the stage one at a time, with Rob Tornroos from Elias on drums, and lead singer Andrew Lee (not that Andrew Lee) on pedal steel they started with a slow building song. Their sound was a dark, post rock/math rock that was definitely was not bad, but just not necessarily my thing. They are definitely good at what they do, and I liked the slower, more melodic songs, but many songs broke down into a bit of chaos, and those I didn't care for as much.
There wasn't much banter, Lee mumbled into the mic a few times, thanking us and saying since the show had a curfew, they'd just keep playing. But they had a good energy, especially on the more chaotic songs, with Andrew at one point falling over without missing a beat, and a couple times equipment almost toppling.

And finally, Adaline hit the stage, with a backing band that including her her brother on keys and Robbie Driscoll on guitar. She started with "Silent Player" and "Stereo",  the first two songs from her new album Modern Romantic. Both -- especially "Stereo", one of my early favourites off the album -- were extremely energetic with her incredibly strong voice driving the sexy electro-pop sound. She also had a great presence, confidently going right up to the front of the stage a few times, when not on keys or synth.
She focused on material from the new album, playing nearly the whole thing throughout the set, with highlights being the driving and quite catchy "That's What You Do Best" as well as the first song of the encore, the soft and beautiful "Cost Is Too High"; after which she was surprised with flowers from her mother, sharing with the audience for the last song, "Sparks".
Even with a minor technical problem with the microphone (that was soon fixed) it was a fantastic set, and I can only hope Adaline returns to call Vancouver home soon enough.

setlist
Silent Player, Stereo, Keep Me High, Rebels of Love, That's What You Do Best, Say Goodbye, Wasted Time, Lovers Collide, The Noise.
(encore) Cost Is Too High, Sparks.

One Night Stand III @ Media Club -- 12/31/10

Last year, I said: "the best way to describe what happened last night would be that it was like watching a huge group party of Rock Band. Except instead of your tone deaf, rhythm-less friends, it was actual, talented musicians. And instead of plastic instruments, it was the real thing". And while it's pretty lazy to just copy and paste that, I can't think of a better description of One Night Stand III. All year I've been talking about the magic of Vancouver's local scene, and the third instalment of this New Years Eve party was the culmination of that, with a dozen musicians from various bands coming together for a night of cover songs. 
The band consisted of Adaline, Andrew Braun, Johnny Andrews & Laura Smith (Rococode), Brian Healy & Rob Tornroos (Elias), Dominique Fricot, Hannah Georgas, Jasmin Parkin (Mother Mother), Josh McNorton, Peter Carrutthers (Said The Whale), Robbie Driscoll (Hannah Georgas) as well as a surprise guest for a couple songs. They rotated on and off stage all night, except for Johnny Andrews, who was on the drums for every single song (but one), and played nearly three hours of music, across three sets.

The first started at 10 and consisted of:
Call Me (Blondie)
Signed, Sealed, Delivered (Stevie Wonder)
Just Like Heaven (The Cure)
Someday (The Strokes)
My Moon My Man (Feist)
Love Fool (The Cardigans)
Where The Streets Have No Name (U2)
Glory Days (Bruce Springsteen)
All These Things That I've Done (The Killers)

One of my favourite covers of the night came early with "Just Like Heaven", a song I adore. At first I though Hannah was an odd choice to take vocals, but as soon as she opened her mouth, I was proven wrong (really, I should have known better). The set saw Hannah, Smith and Adaline taking a lot of the vocals, with both "My Moon, My Man" (Smith) and "Love Fool" (Adaline) also being great covers. After that Dominique Fricot -- who was actually too tall for the decorations -- came out for a pretty spot on Bono, and the set ended with the crowd chanting along to the chorus of "All These Things That I've Done". Though I have to admit, I was a little sad that The Killers got a much bigger reaction than The Cure.

Second Set:
Sledgehammer (Peter Gabriel)
Enjoy The Silence (Depeche Mode)
Pump It Up (Elvis Costello)
Breakdown (Tom Petty)
This Charming Man (The Smiths)
Rehab (Amy Winehouse)
Creep (Radiohead)
Where Is My Mind (The Pixies)

This set was a little slower in tone, but "Sledgehammer" was another great cover, and Robbie Driscoll stepped out from behind the bass to channel some Costello for his only song on vocals.
The set ended with a bit of Mother Mother, as not only Jasmine came out to sing, but there was a surprise appearance by Ryan Guldemond joining the group on stage. He brought the final set of 2010 to a close with one of his favourite songs, "Where Is My Mind". It was definitely another highlight of the night, and judging by the amount of singing (and ooo-ooooh-ing) along, I wasn't the only one of that opinion.

Third Set:
Never Tear Us Apart (INXS)
(I've Had) The Time of My Life (Bill Medley and Jennifer Warnes)
If It Makes You Happy (Sheryl Crow)
1901 (Phoenix)
Dog Days are Over (Florence & The Machine)
The Good Life (Weezer)
Bullet Proof (La Roux)
Loser (Beck)
Instant Karma (John Lennon)

And the first set of 2011 started with the customary slow dance, before continuing the dancing theme with a duet from Fricot and Adaline. Who, as far as I'm concerned, both stole the show throughout the night; especially after Adaline crushed "Dog Days Are Over" in another of the best renditions of the night.
Finally, after Hannah nailed "Loser", with the crowd joining in on the chorus, all the performers came back out on stage to cap off the night with "Instant Karma" -- I was expecting a Beatles song, I was close -- for another sing-a-long, and a fantastic way to both end the night and start the new year.

In all, it was an amazing night. While I think I liked last years setlists a bit better overall, the experience of the night, the friends and the atmosphere and everything, far outmatched it.
And since I started by shameless copy & pasting, I may as well paraphrase the end of last years post, too: "There is a saying or superstition, I guess, that says that whatever you're doing at midnight is what you'll be doing for the rest of the year. If that's the case, I can't wait for whatever this next year has in store."

The Peak Performance Project Showcase #3 @ The Red Room -- 09/23/10

The Peak Performance Project is a multi-year contest in which The Peak, along with Music BC, picks 20 BC musicians/bands a year and makes them stars.
Last year it was won by We Are The City, and they have barely slowed down since winning. This year it seems like the competition is a lot tougher; at least half the bands I have either liked before the contest, or have grown to like because of it. I definitely do not envy the judges on who should take it come November.
Part one of the project was a rock & roll boot camp where they went on a week long retreat where industry pros helped them refine their craft. Phase two is a series of shows at The Red Room, four artists a night for five weeks, each playing a 45 minute set, which includes a cover of a classic Canadian song. I always love it when bands play covers live, so that is one aspect I am definitely looking forward to. That, and seeing who everyone picks (I am going to keep a running tally on how many Neil Young and Leonard Cohen songs we get -- so far, one Young, no Cohen).

This week was unique, in that each of the artists I had heard before this years project, and each one I was looking forward to seeing, in varying degrees. First up was Christina Maria, who I was quite interested in seeing live. She hit the stage in a sequin dress and launched into her single "Carolina", immediately wowing the crowd. A couple songs in, there was some technical difficulties, causing the mics to turn off, but she finished the song like a pro. Then after waiting for a minute or two, she decided to just keep on going, shushing the crowd (which in itself was no small feat) and starting the next song just at the front of the stage, unamplified. It was a really cool moment, and she gets points for rolling with the problems. Midway through the song, the problem was fixed and they just kept going. She looked completely natural on stage, and had great charisma & presence, not to mention a really good energy, eliciting a sing-a-long from the crowd. There was also an overhead projector with images throughout the set, but I'm not sure how many people were paying attention, as it was off to the side. And a mbira made a brief appearance for a song. As for her cover, she broke out the Bruce Cockburn (not Barenaked Ladies) classic, "Lovers in a Dangerous Time". It was a pretty good version of it, which she made her own, but not really straying too far from the original (or BNL version, for that matter).
She was definitely impressive live, and based on the sets I've seen so far, I wouldn't hesitate to put her in the top five.

Second up was 41st & Home, who I saw at their CD release party (that they didn't even play last at, for some reason). They had a really rich sound, with good energy and intensity, but a few songs may have been a bit.. similar-y. Good, absolutely, but maybe just a little lacking. Their cover was Tom Cochrane's "Life Is a Highway", which was a bit more of a mellow and slowed down version. It was definitely an interesting interpretation of it. From then, they played a couple songs that were a bit slower paced, before closing the set with "Sleeper", which had the members came up to the front, one by one, for a sing-a-long to the ending. They, too, all seemed pretty comfortable on stage, and seemed to even relax more as the night went on; there wasn't much banter, especially at the beginning, but by the end they were joking around a bit more. And visibly enthused at being there. Though the set was quite good, there were still times you could tell they were a relatively new band, and I have no doubt given time, and a larger catalogue of songs, they'll be great. 

Next up was a veteran of the Project, Ben Sigston. He was in last years and reapplied for this years, making it in by a hair, after two of the initial twenty dropped out. He had members of Familia as his backing band, and the first song almost had a bit of a bluesy-roots feel to it, but over the set he kind of went in a variety of directions with his sound. While nothing ever seemed out of place, I think I liked his more rootsy stuff better than the rest. He did seem pretty charismatic, too, even if he didn't talk all that much (and sharply dressed, as seemed to be a theme for the night). His cover was "Still Believe in Love" by Jacksoul, which was good, but I am not overly familiar with the original, so I can't speak to how different it sounded. Like 41st & Home, I think he's got a great potential, and maybe just needs a little more work. Hopefully this Project will be a great help to them.

And closing up the night, Adaline. She was another repeat entrant, but she was automatically entered by making the top 5 last year (though not the top three). Despite liking her music since then, I had somehow never seen her live, so I was glad to remedy that. As the stage was set with smoke and lasers (and mannequins) she came out while her backing band (which included Laura Smith and Robbie Driscoll) and proceeded to blow the crowd away. Her strong voice seemed like it should have clashed with her electronic-infused rock, but it really worked. After a few songs, she pulled out the into-the-crowd trick, deciding to do a whole song with her keyboard in the middle of the dance floor. Though there was a bit of a miscommunication, so the set came to a halt as they had to move the keyboard between songs. She played it off a bit, but it definitely hurt the momentum of the show (especially since, as she was last, it was past midnight) and the song was a bit of a slower one. But the transition back on stage was a lot more smooth, and they brought back the energy to end off the set. Which included her cover of "Sunglasses At Night" by Corey Hart, definitely the best cover of the night.
(So while the Leonard Cohen count is zero, and the Neil Young count is one... the Corey Hart count is two?)
Adaline also major points for being in a car accident earlier that day, and not letting her affect the show in the least. Had I not known about it, I never would have guessed by her performance. She is definitely another strong contender for

This may have been the best overall week of sets, and while it was a tough call, I think Christina Maria won the night, even with great performances all around. Next week should be another good night, with Steph Macpherson, Christopher Arruda, Behind Sapphire and Said the Whale playing!